Talk:The New Breed
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The New Breed - Port City Rebels - Review Punknews.org
One of the coolest parts of being a reviewer is the fact that I have access to many bands that I would’ve probably never ended up hearing on my own. Sure, some of them are inevitably shitty, but on the other hand, some of them end up having extended stays in my CD player. The New Breed is one such band; this album surpassed all of my expectations. This wasn’t very hard considering I had none, but nonetheless, I’m impressed. The New Breed plays a mix of straight up punk, rock, and folk, and they do it well. The band adds an interesting wrinkle to their sound by using a mandolin in some of their songs. Now, if used incorrectly this could come off as somewhat pointless or even downright silly, but The New Breed utilizes the instrument perfectly, as it adds to every song in which it appears. When making comparisons, I can see this band being likened to The Swingin’ Utters or perhaps a less gimmicky version of the Dropkick Murphys. Songs like “Whiskey” are sure to make just about anyone nod their head, and whether they like it or not, hum the tune for days on end. Each song on here is full of so many hooks that it’s hard not to like them. There are plenty of nice riffs to hold your interest, and the vocals are perfectly balanced between gritty and melodic. There are barroom sing-a-longs and fist in the air declarations at every turn, and although it might seem cliché, this band manages to pull it off. This band has taken a tried and true formula and added their own twist to it, in the process they made what might be one of the most underrated albums of the past year. To put plainly, more people should know about this band.
The New Breed - Off The Beaten Path - Review Punknews.org
Call it Maritime charm if you will, but there's definitely something earnest and remarkably amiable about The New Breed that I've never quite been able to peg. The Halifax five-piece returns with Off The Beaten Path, a thirteen-track package showing off real growth in songwriting from last year's Port City Rebels, but despite covering very well-trod territory there's something almost intangibly engaging about the band's music. The New Breed continue to show strong parallels with McColgan era Dropkick Murphys. It's partly due to Jonny Stevens' vocal style, but there's also a similar stripped down, simple-as-a-virtue rock'n'roll feel to this work. Anyone who preferred the Murphys as a four piece, free of the busy instrumentation and huge production values of their later work will feel right at home on Off The Beaten Path. That's not to say that The New Breed are entirely defined by their contemporaries, as they show off a unique character here that I'm going to go out on a limb and define as Acadian. That observation's based on the prominence of a mandolin in these recordings and the rustic Old World folk influences of tracks like "Port City Rebels," "Streets Of Gold" and "Bombs For Oil" (which is one violin short of a full-blown anti-war jig). If not fully Acadian it's definitely in the spirit of Celtic music that Nova Scotia is so known for. Regardless of how many genres I manhandle in describing this record, I can confidently say that these elements are well integrated and never once come off as a gimmick. In that respect there's a huge divide in what the New Breed are doing and the handful of U.S. street punk bands who've taken up Celtic influences in recent years. This just never seems forced. There's pretty low production values here but on the positive side that means Off The Beaten Path never needlessly pummels you to get its point across. Stevens, like McColgan, has a unique and honest singing voice that, while not without its limitations, is drawn on frequently in lieu of more aggressive shouting. Instrumentally the band isn't doing anything that wasn't done in the 70s but there's an authentic feel to it. The guitar work in the intro to "Smoking Gun" is vintage Flamin' Groovies and the track itself is a great mid-tempo Misfits channelling punk tune. There's nothing here as aggressive as Port City Rebels' anthem "Born Against," but The New Breed's strength is in their songwriting, not their bombast. For these reasons the "street punk" label may be somewhat misleading; this is more in line with the Swinging Utters / Social D' and worlds away from the Unseen / Casualties end of the spectrum. I'm really pleased with this album. It's an honest, well-paced, soulful record that arrives with zero posturing or overblown expectations. Top if off with some beautiful artwork and liner notes from Relapse Records' Orion Landau and you've got quite the worthwhile release. For your fix of tuneful working class punk rock I can recommend no better than the "bastard sons of the Maritimes."
