Batman: The Killing Joke
From Wikipedia, the free encyclopedia
| Batman: The Killing Joke | |
 Cover to Batman: The Killing Joke. Art by Brian Bolland. |
|
| Publisher | DC Comics |
|---|---|
| Format | One-shot |
| Publication date | 1988 |
| Main character(s) | Batman The Joker Oracle |
| Creative team | |
| Writer(s) | Alan Moore |
| Artist(s) | Brian Bolland |
| Letterer(s) | Richard Starkings |
| Colorist(s) | John Higgins |
| Creator(s) | Alan Moore Brian Bolland John Higgins |
| Collected editions | |
| Batman: The Killing Joke | ISBN 0930289455 |
| DC Universe: The Stories of Alan Moore | ISBN 1401209270 |
| Batman: The Killing Joke - 20th Anniversary Deluxe Edition | ISBN 9781401216672 |
Batman: The Killing Joke is an influential one-shot superhero comic book written by Alan Moore and drawn by Brian Bolland, published by DC Comics in 1988.
In 2006, it was reprinted in the trade paperback DC Universe: The Stories of Alan Moore (ISBN 1-4012-0927-0) and was released in a deluxe edition in March 2008.[1] The Deluxe Edition featured new coloring by Brian Bolland, meant to illustrate his original intentions for the book, with more somber, realistic, subdued colors than the intensely colored original.
Contents |
[edit] Plot summary
The plot revolves around a largely psychological battle between Batman and his longtime foe the Joker, who has escaped from Arkham Asylum. The Joker intends to drive James Gordon, the Police Commissioner of Gotham City, insane, in order to prove that the most upstanding citizen is capable of going mad after having "one bad day." Along the way, the Joker has flashbacks to his early life, gradually explaining his origin.
The man who will become the Joker is an unnamed engineer who quits his job at a chemical company to become a stand-up comedian, only to fail miserably. Desperate to support his pregnant wife, he agrees to guide two criminals into the plant for a robbery. During the planning, the police come and inform him that his wife has died in a household accident involving an electric baby bottle heater. Grief-stricken, the engineer tries to withdraw from the plan, but the criminals strong-arm him into keeping his commitment to them.
At the plant, the criminals make him don a special mask to become the infamous Red Hood. Unknown to the engineer, this disguise is simply the criminals' scheme to implicate any accomplice as the mastermind to divert attention from themselves. Once inside, they almost immediately blunder into security personnel, and a violent shootout and chase ensues. The criminals are gunned down and the engineer finds himself confronted by Batman, who is investigating the disturbance.
Panicked, the engineer deliberately jumps into the chemical plant's toxic waste catch-basin vat to escape Batman and is swept through a pipe leading to the outside. Once outside, he discovers, to his horror, that the chemicals have permanently bleached his skin chalk white, stained his lips ruby red and dyed his hair bright green. This turn of events, compounding the man's misfortunes of that one day, drives him completely insane and results in the birth of the Joker.
In the present day, the Joker kidnaps Gordon, shoots and paralyzes his daughter Barbara, and imprisons him in a run-down amusement park. His henchmen then strip Gordon naked and cage him in the park's freak show. He chains Gordon to one of the park's rides and cruelly forces him to view giant pictures of his wounded daughter in various states of undress. Once Gordon completes the maddening gauntlet, the Joker ridicules him as an example of "the average man," a naïve weakling doomed to insanity.
Batman arrives to save Gordon, and the Joker retreats into the funhouse. Gordon's sanity is intact despite the ordeal and he insists that Batman capture the Joker "by the book" in order to "show him that our way works". Batman enters the funhouse and faces the Joker's traps while the Joker tries to persuade his old foe that the world is inherently insane and thus not worth fighting for. Eventually, Batman tracks down the Joker and subdues him. Batman then attempts to reach out to him to give up crime and put a stop to their years-long war. The Joker declines, however, ruefully saying "It's too late for that...far too late". He then tells Batman a joke that was started earlier in the comic. The joke is funny enough to make the normally stone-faced Batman laugh. While they are laughing, Batman reaches across to Joker. The laughing continues as the picture moves away from the two foes. It is ambiguous whom the laughter emanates from at this point. Also, the lack of detail in the silhouettes make it unclear if Batman is in fact choking the Joker or simply resting his hand on his shoulder, sharing in the laughter.
[edit] Joke
The joke told by the Joker is a common one:
See, there were these two guys in a lunatic asylum... and one night... one night they decide they don't like living in an asylum any more. They decide they’re going to escape! So like they get up on to the roof, and there, just across the narrow gap, they see the rooftops of the town, stretching away in moon light... stretching away to freedom.
Now the first guy he jumps right across with no problem. But his friend, his friend daren't make the leap. Y'see he's afraid of falling... So then the first guy has an idea. He says "Hey! I have my flash light with me. I will shine it across the gap between the buildings. You can walk across the beam and join me." But the second guy just shakes his head. He says... he says "What do you think I am, crazy? You would turn it off when I was half way across."
[edit] Themes
 |
This section does not cite any references or sources. (December 2007) Please help improve this section by adding citations to reliable sources. Unverifiable material may be challenged and removed. |
The exploration of the Joker's origin and the hopelessness that belies his "evil clown" persona is effected toward adding more depth to the character. With the events leading up to his scarring the Joker had all of his sanity pushed and finally decided to bottle away his sanity and become insane in order to cope with the grief of his wife's death.
Another theme explores the possibility that Batman is just as insane as the criminals he faces ("You had a bad day once, am I right?" The Joker asks him, after which the Joker himself replies with "I know I am. I can tell. You had a bad day and everything changed."), but manifests insanity in a different way. For the decade or so following publication, this theme became central to Batman's character in mainstream stories, but following Infinite Crisis in 2006 has been downplayed in favor of a more heroic motivation.
The Joker's underlying motive is to illustrate the inherent insanity of Batman's mission: dressing up as a bat to fight criminals. It is only when Batman renders the Joker helpless and his extended assistance is rejected that the Dark Knight comes to appreciate the madman's aim, reacting just as the Joker would: laughing hysterically.
The Joker also serves as an unreliable narrator. He admits to his own uncertainty as he has varying memory of the single event. ("Sometimes I remember it one way, sometimes another... If I'm going to have a past, I prefer it to be multiple choice!")
[edit] Critical reception and legacy
Although this comic book was a one-shot, it had an extraordinary impact on the DC Universe. Most significant was Barbara Gordon's paralysis, which ended her career as Batgirl and eventually led to her role as Oracle in the Birds of Prey series and other DC Universe appearances. (Birds of Prey was also adapted into a TV series of the same title which incorporated Killing Joke elements into its continuity.)
IGN praised the graphic novel as being the greatest Joker story ever told. The website declared it third on its list of the greatest Batman stories, behind only Batman: The Dark Knight Returns and Batman: Year One.
Despite its popularity, Moore himself would later find much fault with his story, calling it "clumsy, misjudged and [devoid of] real human importance." Moore, trying to present far more relatable characters that were like real people, found that Batman and the Joker were just presented as characters.[2]
In his introduction to the story in the DC Universe: The Stories of Alan Moore trade paperback, Brian Bolland disputes the widely held belief that the story was originally a Batman annual story and ended up as a prestige-format book. Bolland recalls that the idea for a one-off Batman story focusing on The Joker — with Batman more of an incidental character — was his. Bolland says that in 1984, DC editor Dick Giordano told him he could do any project for DC he wanted, and Bolland requested to do a Batman/Joker prestige book with Moore as writer. Bolland has also expressed dissatisfaction with the final book, and regrets that its impending schedule for release meant he couldn't color the book himself (John Higgins was the colorist). Bolland says that "The end result wasn't quite what I'd hoped. I don't think it rates with some of the highlights of Alan's career."[3] March 2008 saw the release of the artwork as Bolland intended it: the twentieth-anniversary hardcover edition of The Killing Joke is completely recolored by Bolland himself. The book's re-release also preceded the premiere of the Batman movie The Dark Knight by several months, a movie whose depiction of the Joker it inspired.
Director Christopher Nolan has mentioned that The Killing Joke will serve as an influence for the version of the Joker that will appear in The Dark Knight. The late Heath Ledger, who will appear in the film as the Joker, stated in an interview that he was given a copy of The Killing Joke as reference for the role.[4]
This was not the first time the Joker was given an actual origin. Moore's rendition uses elements of the 1951 story "The Mystery of the Red Hood" (Detective Comics #168), which established the concept of the Joker originally having been a thief known only as the Red Hood, and whose real name was unknown. The tragic and human elements of the character's story, coupled with his barbaric acts as the Joker, portray the character as more of a three-dimensional (if irredeemable) human being. Quoting Mark Voger: The Killing Joke "provid[ed] the Joker with a sympathetic back story as it presented some of the villain's most vile offenses."[5]
Another take on Joker is presented in Batman: Black & White in the story "Case Study" by Paul Dini, illustrated by Alex Ross. The Joker is described as a former professional gangster before he willingly partook in the Red Hood-robbery which led to his changed appearance. It is also implied that The Joker is perfectly sane, and merely pretends to be psychotic in order to avoid the death penalty.
A story of the second Batman/Joker encounter later presented in issue #50 of Batman: Legends of the Dark Knight (September 1993) corroborates the events of The Killing Joke: when Batman faces the Joker for the first time, he recognises him as the Red Hood, whom he thought had drowned in the chemicals. This takes place sometime after the first official Batman/Joker encounter: Batman: The Man Who Laughs (2005).
Much of the Joker's story from The Killing Joke is also confirmed in 2004's "Pushback" (Batman: Gotham Knights #50-55; reprinted with #66 as Batman: Hush Returns [ISBN 1401209009]), where the events are observed and reported by a third party — Edward Nigma, a.k.a. The Riddler — having no reason to lie. Nigma recounts that the Joker's wife was kidnapped and murdered by the criminals in order to force his compliance. In this version, the pre-accident Joker is called "Jack". In The Killing Joke, he is not given a name.
The portion of the story with the most lasting effects of DC universe continuity is the maiming of Barbara Gordon, a.k.a. Batgirl, a popular DC Comics heroine who originated in late 1966. Early in the story, Barbara's spine was severed by bullet wounds inflicted by the Joker, paralyzing her from the waist down. (In subsequently published stories, Barbara would emerge from tragedy as the highly effective information broker and Birds of Prey founder known as Oracle. The Birds of Prey television series preserves the Killing Joke encounter between Barbara and the Joker as the origin of her genesis from Batgirl to Oracle, but alters the Joker's motivations to revenge against Batman.)
Tim Burton claimed that The Killing Joke was a major influence on his film adaptation of Batman:
"I was never a giant comic book fan, but I've always loved the image of Batman and The Joker. The reason I've never been a comic book fan - and I think it started when I was a child - is because I could never tell which box I was supposed to read. I don't know if it was dyslexia or whatever, but that's why I loved The Killing Joke, because for the first time I could tell which one to read. It's my favorite. It's the first comic I've ever loved. And the success of those graphic novels made our ideas more acceptable."[6]
In March 2008, a deluxe hardcover version of the book was rereleased, featuring recoloring by Brian Bolland. The new colors featured black-and-white flashbacks, as opposed to washed-out colors, along with one or two items per panel colored in pink, up until the helmet of the Red Hood is revealed. In addition to recoloring the pages, Bolland also altered some facial expressions and added minor artwork.[1]
[edit] References
- ^ a b Batman: The Killing Joke, deluxe ed. (New York: DC Comics, 2008).
- ^ George Khoury, ed., The Extraordinary Works of Alan Moore (Raleigh: TwoMorrows, 2003) 123.
- ^ Brian Bolland, "On Batman: Brian Bolland Recalls The Killing Joke," DC Universe: The Stories of Alan Moore (New York: DC Comics, 2006) 256.
- ^ Daniel Robert Epstein. "Heath Ledger Talks Joker", Newsarama, 2006-11-07. Retrieved on 2006-11-08.
- ^ Mark Voger, The Dark Age: Grim, Great and Gimmicky Post-Modern Comics (Raleigh: TwoMorrows, 2006) 33.
- ^ Tim Burton, Burton on Burton: Revised Edition (London: Faber and Faber, 2006) 71.
[edit] External links
|
|||||||||||||||||||||||||||||
|
|||||||||||||||||||||||||||||||||||
