Terry Johnson (dramatist)
From Wikipedia, the free encyclopedia
Terry Johnson (born 1955) is a British dramatist and director working for stage, television and film. He is a Literary Associate at the Royal Court Theatre. At The Court he directed Dumb Show by Joe Penhall and opened his play Piano/Forte.
Johnson's stage work has been produced around the world. He has won nine British Theatre awards including the Olivier Award for Best Comedy 1994 and 1999, Playwright of the Year 1995, Critics' Circle Theatre Awards for Best New Play 1995, two Evening Standard Theatre Awards, the Writers' Guild Award for Best Play 1995 and 1996, the Meyer-Whitworth Award 1993 and the John Whiting Award 1991.
He has had many West End productions as director and/or writer including: One Flew Over The Cuckoo's Nest, Hitchcock Blonde, Entertaining Mr Sloane, The Graduate, Dead Funny, Hysteria, Elton John's Glasses and The Memory Of Water.
He has worked with Chicago's Steppenwolf Theatre, directing John Malkovich in The Libertine (nominated for five Joseph Jefferson Awards including Best Production) and Lost Land, both plays by Stephen Jeffreys.
He has written and directed television drama that has been broadcast worldwide, most recently Not Only But Always for Channel 4, which won five International Award nominations, Best Film at Banff, and a BAFTA for Rhys Ifans.
The film version of his play Insignificance (directed by Nicolas Roeg) was the official British Entry at Cannes Film Festival in 1985.
Contents |
[edit] Stage work
[edit] as playwright
- Days Here So Dark (1981, Paines Plough, Edinburgh)
- Insignificance (1982, Royal Court Theatre) (Plays & Players Award Best Play, Evening Standard Award Most Promising Playwright)
- Cries From The Mammal House (1984, Leicester Haymarket/Royal Court)
- Unsuitable For Adults (1984, Bush Theatre)
- Imagine Drowning (1991, Hampstead Theatre)
- Hysteria (1993, Royal Court, Mark Taper Forum, Duke of Yorks) (Olivier Award Best Comedy 1993)
- Dead Funny (1994, Hampstead, Vaudville, Savoy) (Writers' Guild Award Best West End Play 1994, Drama Critics Circle Best Play 1994, Lloyds Private Banking Playwright of the Year 1994 and Time Out Drama Award 1994)
- London Cuckolds (adaptation from Edward Ravenscroft)(1998, Royal National Theatre, Lyttelton)
- Cleo, Camping,Emmanuelle and Dick (1998, National Theatre) (Olivier Award: Best Comedy 1998)
- The Graduate (adaptation from novel by Charles Webb and screenplay by Calder Willingham and Buck Henry)(2000, London, Australia, New York, UK & US tours) (Touring Broadway Award Best Play)
- Hitchcock Blonde (2003, Royal Court/The Lyric, West End, South Coast Repertory, Costa Mesa, California)
- Piano/Forte (2006, Royal Court)
[edit] as director
- Rag Doll (Bristol Old Vic)
- Death of a Salesman (York Theatre Royal)
- Dead Funny (Hampstead, Vaudeville, National Tour, Savoy)
- Insignificance (Donmar Warehouse)
- The Libertine (Steppenwolf, Chicago)
- Cracked (Hampstead Theatre)
- London Cuckolds (National Theatre, Lyttelton)
- Elton John's Glasses (Watford and West End)
- The Memory of Water (Hampstead Theatre / Vaudeville Theatre)
- Cleo, Camping Emmanuelle and Dick (National Theatre)
- Sparkleshark (National Theatre)
- The Graduate (London, Australia, New York)
- Hitchcock Blonde (Royal Court, Lyric West End, South Coast Rep)
- One Flew Over the Cuckoo's Nest (co-director with Tamara Harvey, Edinburgh & West End)
- Dumb Show (Royal Court)
[edit] Television
[edit] films
- Tuesday's Child (BBC) (co-written with Kate Lock)
- Way Up Stream (adapted for BBC)
- Cor Blimey! (Company Pictures/ITV)
- Not Only But Always (Company/Ch4)(Nominated British Comedy Awards Best Television Comedy; Nominated BAFTA Best Single Drama; Winner BAFTA Best Actor for Rhys Ifans, Winner Banff Best Made-for-TV Movie)
[edit] series / serials
- Ghosts/Blood And Water and The Chemistry Lesson (BBC TV)
- 99-1 (cocreator Zenith/Carlton), with Barbara Cox
- The Bite (Warner Sisters/ABC AUS)
[edit] Film
- Insignificance (directed by Nicolas Roeg)