Teatro Massimo Bellini
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The Teatro Massimo Bellini is an opera house in Catania, Sicily which was named after the local-born composer, Vincenzo Bellini. It was inaugurated on 31 May 1890 with a performance of the composer's masterwork, Norma. It seats 1,200.
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[edit] Evolution of the “Massimo” opera house
The creation of what was to finally become the Teatro Massimo Bellini took almost two hundred years, beginning with discussions following the disastrous 1693 earthquake which completely destroyed Catania. The construction of a public theatre was discussed, and a foundation stone was finally laid in 1812.
Architect Salvatore Zahra Buda began to prepare a plan for a theatre in the Piazza Nuovaluce, in front of the Santa Maria di Nuovaluce monastery, the location of the present-day theatre. It was decided that a "Great Municipal Theatre" worthy of an expanding city should be created; the plan of the "Teatro Nuovaluce" (New Light Theatre) was a grandiose one in all respects, and was conceived to create one of the most innovative works in Italy.
Due to funding problems, work had to stop for some years. Meanwhile, a smaller theatre - the "Provisional Municipal Theatre" – was built instead, and it opened in 1822 (but was destroyed during the Second World War). Meanwhile the Teatro Nuovaluce, after being partially completed and converted into a multi-purpose hall, was devoted mainly to summer use until 1865 when it was sold privately to finance the construction of a new theatre.
In 1870, the theatre architect Carlo Sada was appointed to find a suitable site for the new theatre. Many location options were considered for the long desired "Massimo" theatre. One location was chosen only to be turned down with the original site being brought back into the picture. This time it was to be the location for a large, multi-purpose hall. Again, funding problems arose, and the plan was taken over by the Municipality. A Municipal committee then decided that the structure should be made into a single-purpose opera house. Finally, work proceeded well, and the theatre was completed in seven years, opening in May 1890.
The exterior of the house matches the distinctive Sicilian Baroque style of the neighboring buildings of the late 17th Century. Its marble foyer, the “Ridotto”, is ornate and stuccoed, and a statue of Bellini is located between the central arches. The beautiful red-plush interior includes the main floor seating and four tiers of boxes. Surrounding them, on the upper level, are unusual arched arcades. The painted ceiling of the theatre is quite spectacular in its depiction of scenes from four of Bellini’s most well-known operas.
[edit] The “Massimo” in opera history
Throughout its history, the opera house has performed almost all of Bellini’s work. From its beginnings, a wide variety of operas have been performed by some highly renowned singers. In 1951, to mark the 150th anniversary of the birth of Bellini, Maria Callas sang Norma, repeated her success in 1952, and then again in 1953. It is said that Gigli liked to perform there more than in any other theatre.
In recent years, there has been an infusion of about $2 million, the celebration of the Bellini bicentennial during the 2001 season, and a major renovation of the house.
[edit] References
- Giraldi, Juliet, “Postcard From Catania”, Opera Now, September/October 2001. An account of the bicentennial season.
[edit] External links
