Tarō Okamoto
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Tarō Okamoto (岡本太郎, Okamoto Tarō) (February 26, 1911–January 7, 1996) was a Japanese artist noted for his abstract and avant-garde paintings and sculpture.
He studied at Panthéon-Sorbonne in the 1930s, and made many great art works after WW II. He was a prolific artist and writer until his death, and has exerted great influence on Japanese society.
He was deeply interested in mystery and the occult through his years in Paris, where he had stayed for about ten years since 1930. He majored in ethnology under Professor Marcel Mauss (1872–1950) at the Université Paris Sorbonne and focused on studying the rites among tribes in the zone of Oceania. Okamoto also attended the Collège de Sociologie Sacré organized by George Bataille (1897–1962), and he participated in rites which were executed under silence in the darkness at the wood Saint-Germain in a faubourg of Paris, as a member of Acephale, a secret spiritual society.
Among the artists Okamoto associated with during his stay in Paris were Andre Breton (1896–1966), a leading figure of surrealism, who devoted into Occultism, Kurt Seligmann (1900–62), an artist, who had contact with Ippei and Kanoko Okamoto, Tarō’s parents.
In 1964 Tarō Okamoto published a book titled Shinpi Nihon (Mysteries in Japan). His interest in Japanese mysteries was sparked off by seeing Jōmon wares in Tokyo National Museum. Since Okamoto found something mysterious in Jōmon ware, he journeyed all over Japan in order to research what he perceived as the mystery which lies beneath Japanese culture, and then he published Nihon Sai-hakken－Geijutsu Fudoki (Rediscovery of the Japan－Topography of Art).
One of his most famous works, Tower of the Sun, became the symbol of Expo '70 in Suita, Osaka, 1970. It shows the past (lower part), the present (middle part), and the future (the face) of the human race. It still stands in the center of the Expo Memorial Park.
Kawasaki City, his hometown, has constructed his memorial museum in Tama Ward, northwest of the city.
His studio/home is also open to visitors and is located in Aoyama in Tokyo.
[edit] References
In Masashi Kishimoto's manga, Naruto, one of the antagonists, a terrorist named Deidara, is obviously inspired by Tarō Okamoto. His catchphrace, "Art is an Explosion" (芸術は爆発だ, "Geijutsu wa Bakuhatsu da"), was first popularized by Tarō in 1981, he uses exploding clay sculptures that somewhat bears a resemblance to Tarō's works and even the explosion of his "ultimate work of art", wherein he turned himself into a bomb, had the shape of the "Tower of the Sun".
