Tad Mosel
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Tad Mosel (May 1, 1922 - Steubenville, Ohio) is an American playwright whose play All the Way Home won a Pulitzer Prize for drama in 1961. During the 1950s, he was one of the leading dramatists creating hour-long teleplays for live television.
Although he was born George Mosel, Jr., his parents, George Ault Mosel and Margaret Norman Mosel, began calling him Tad while he was an infant. Raised as a Presbyterian, he was eight years old when his father's wholesale grocery business went bankrupt, and the family moved from Steubenville to the New York suburbs. In 1931, George Mosel, Sr. launched a successful New York advertising company. Remembering his youth in Larchmont and New Rochelle, Tad Mosel stated, "My brother and I were given a sense of security. My brother is four years older than I am. We had a good, wonderful home. I had a marvelous mother and father... I adored my mother and father. They were both wonderful parents." He went for one year to the Mount Hermon School in Northfield, Massachusetts, graduating from New Rochelle High School and Amherst College. During World War II, he was a Sergeant in the U.S. Air Force Weather Service (1943-46) as a weather observer stationed in the South Pacific. In the post-WWII years he did graduate studies at the Yale Drama School (BA), followed by a Master's at Columbia University.
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[edit] Television
His first teleplay was performed on Chevrolet Tele-Theater in 1949. During the early 1950s, he became a leading scripter for live television dramas, contributing six teleplays to Goodyear Television Playhouse (in 1953-54), two to Medallion Theatre (1953-54) and four to Playhouse 90 (1957-59). He also wrote for The Philco Television Playhouse (1954), Producers' Showcase and Studio One. After Eileen Heckart appeared in his play The Haven (on Philco Television Playhouse), Mosel and Heckart became friends, and he wrote several scripts especially for her, including Other People's Houses (Goodyear Television Playhouse).
In 1997, Mosel recalled:
- Paddy Chayefsky, Horton Foote, Sumner Locke Elliot, JP Miller and all of the group of writers that I knew, we grew up at the same time, and our eyes were on the theater. That was the Emerald City. That was the goal. Now, television came on after World War II, and television was a pauper. It had no money. No "self-respecting writer" would deign to write for television. Even drunken screenwriters wouldn't write for television. So who was there left? It was us. It was kids who would work for 65 cents. And so with a very patronizing attitude you thought, "Well, if I could make a few bucks doing that, it would give me time to write the great American play." It didn't take too much experience to realize that television was a medium all in itself, and that it was a career all in itself, and it was a thrilling one. But we stumbled into it by being snobs if I may say so. They would give anyone a chance. I look back on it, and I think, "Weren't we lucky to be there?" Because it was pure luck that we were there... It was the stillness before you went on the air that was so dramatic because everybody would be in place in plenty of time, but everybody would be silent. Nobody talking, nobody moving--the hands on the keys but not moving. The only thing moving was the second hand on the big clock, and then when it hit the top everybody started to move. It was very dramatic, that peace, that calm before you took the dive into it. It was a great thrilling moment and you suddenly loved every actor, and you just wanted them all to be rich and have children and go to happy graves.
[edit] Theater
Mosel's All the Way Home premiered in New York November 30, 1960, at the Belasco Theater to critical acclaim. In addition to winning a 1961 Pulitzer Prize, the play was nominated for a Tony Award. A stage adaptation of James Agee's novel A Death in the Family, it dramatizes the reactions of a Tennessee family to the father's accidental death in the summer of 1915. The play was also performed several times on television--in 1963, 1971 and 1981. In Denmark it was known as I havn and directed for Danish television by Clara Østø in 1959.
[edit] Films
The movie adaptation of All The Way Home (1963) was filmed in the same Knoxville, Tennessee neighborhood where Agee grew up. Directed by Alex Segal, it starred Robert Preston, Jean Simmons and Pat Hingle.
Mosel wrote screenplays for the films Dear Heart, starring Glenn Ford and Geraldine Page (with Mosel seen in a cameo appearance as "Man in Lobby") and Up the Down Staircase, based on the novel by Bel Kaufman and starring Sandy Dennis.
He also nominated for an Emmy Award for Outstanding Writing in a Drama Series for an episode of The Adams Chronicles, a PBS drama series based on the lives of presidents John Adams and John Quincy Adams and their families.
Many of Mosel's plays for television are available for viewing at The Paley Center for Media in New York City and Los Angeles. His plays were collected in Other People's Houses: Six Television Plays (1956).
[edit] Watch
[edit] External links
- Curtain Up: All the Way Home: review by Elyse Sommer
- The Vault: "For the Record: Tad Mosel" (Fall, 1998)
| Persondata | |
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| NAME | Mosel, Tad |
| ALTERNATIVE NAMES | |
| SHORT DESCRIPTION | American playwright |
| DATE OF BIRTH | May 1, 1922 |
| PLACE OF BIRTH | |
| DATE OF DEATH | |
| PLACE OF DEATH | |
