Stroszek
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| Stroszek | |
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_001252000.jpg/200px-Werner_Herzog_-_Stroszek_(1977)_001252000.jpg) Bruno S. as Der Bruno Stroszek |
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| Directed by | Werner Herzog |
| Produced by | Willi Segler |
| Written by | Werner Herzog |
| Starring | Bruno S. Eva Mattes Clemens Scheitz |
| Music by | Chet Atkins Sonny Terry |
| Cinematography | Thomas Mauch |
| Editing by | Beate Mainka-Jellinghaus |
| Release date(s) | 1977 |
| Running time | 115 min. |
| Language | German English |
| IMDb profile | |
Stroszek is a 1977 film by German director Werner Herzog. It was written in four days specifically for Bruno S. and was shot in Berlin, two towns in Wisconsin, and in North Carolina. Most of the lead roles are played by non-actors.
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[edit] Plot
Bruno Stroszek (Bruno S.) is a Berlin street singer. Released from prison and warned to stop drinking, he immediately goes to a bar where he befriends Eva (Eva Mattes), a prostitute down on her luck, and lets her stay with him at the apartment his landlord kept for him. After they are harried and beaten by Eva's former pimps, they decide to leave Germany and accompany Bruno's eccentric elderly neighbour Scheitz (Clemens Scheitz), who was planning to move to Wisconsin to live with his American nephew.
In that winter-bound, barren prairie, Bruno works as a mechanic, Eva as a waitress and Scheitz pursues his interest in animal magnetism. The pair buy a trailer, but, as bills mount the bank threatens to repossess it. Eva falls back into prostitution to supplement her wages, but it is not enough. She tires of Bruno's drunken ramblings and deserts him by leaving with a couple of truck drivers bound for Vancouver.
A man from the bank visits Bruno, who is now drinking steadily, and has him sign off on the repossession. The home is auctioned, and he and Scheitz, who is convinced that it is all a conspiracy, set off to confront the "conspiracy." Finding the bank closed, they hold up a barber shop adjacent to it, and then go shopping in a small shop across the street. The police arrive and arrest Scheitz, leaving Bruno. Holding a large, frozen turkey and the gun, Bruno returns to the garage where he works, loads the truck with beer, and drives off. When his truck breaks down, he starts eating and tells his story to a German-speaking businessman at a restaurant. Then he goes into a tourist trap across the street, where he rides a ski-lift with his frozen turkey. After Bruno disappears from view a single shot rings out, presumably his suicide. The film ends with a sequence showing a dancing chicken, a duck playing a bass drum and a rabbit riding a toy fire truck.
[edit] Production
- The apartment and instruments used in the film were all property of Bruno S., who had purchased them with the money provided by The Enigma of Kaspar Hauser.
- Parts of the movie were shot near Plainfield and in a truck stop in Madison, Wisconsin. The small crew often did not obtain any official permits, just using unchanged localities and local people.
- Herzog discovered Bruno S. in a documentary about street musicians. Herzog was fascinated with Bruno and despite the fact that he had no training as an actor Herzog cast him as the lead in two of his films, The Enigma of Kaspar Hauser and Stroszek.
- Herzog met the mechanic when his car broke down in the town. He was there to meet Errol Morris to dig up Ed Gein's mother's grave, but Morris never showed.
[edit] Analysis
One of the most interesting aspects of the film is Herzog's use of local talent for the many smaller parts, including the mechanic and bank official (Scott McKain). During a trip to Wisconsin, Herzog met the car mechanic (Clayton Szalpinski) who would later play the part in the film. His intent was to use local talent to portray characters in a naturalistic fashion. One of the most memorable political points in the film is found in Bruno's discussion of politics under the Nazis and politics in the U.S. He finds that Nazi brutality was displayed in the open while U.S. political/economic oppression occurs in the fine print of contracts. The ending of the film is much debated, and it involves an enigmatic scene of dancing chickens and rabbits inside a local tourist trap.
The film incorporates many biographical details from Bruno's life. Born the son of a prostitute and severely abused by her, he spent his childhood as a ward of the state in a mental institute and his early adulthood as a street musician.
[edit] Reception
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The film has a 100% freshness rating at Rotten Tomatoes. Roger Ebert called it "one of the oddest films ever made" but also includes it as one of his "Great Movies." [1]
[edit] Trivia
- Ian Curtis, the lead singer of the band Joy Division, reportedly committed suicide a few hours after watching the film on BBC 2 on May 18, 1980. The original vinyl release version of Joy Division's posthumous album Still featured the following groove notation: "The chicken won't stop" (side A), etched chicken tracks across the grooves (sides B & C), and "The chicken stops here" (side D). These are all in reference to the film's grim finale. This scene is dramatized in the 2002 film 24 Hour Party People. Curtis (portrayed by Sam Riley) is also seen watching the film in the 2007 biopic Control.
- The Rebel, a solo project of Ben Wallers from the Country Teasers, wrote a song titled "The Idiot" that closely follows the plot of the film. It was later released on "Live Album", a collection of live recordings by the Country Teasers, that song is named after Iggy Pop's album which Ian Curtis also listened to before committing suicide.
- "the chicken's still dancing/ the chicken won't stop" in Sarah Kane's final play before her suicide - 4.48 Psychosis.
[edit] External links
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