Strings (music)
From Wikipedia, the free encyclopedia
A string is the vibrating element that is the source of vibration in string instruments, such as the guitar, harp, piano, and members of the violin family. They are lengths of a flexible material kept under tension so that they may freely vibrate. Strings may be "plain" (consisting only of a single material, like steel, nylon, or gut) or they may have a core of one material with an overwinding of other materials to add mass so the string sounds the desired pitch, while keeping the string thin and flexible enough to play. Such strings are called "wound strings."
Contents |
[edit] String construction
Depending on the construction of the instrument on which they are used, strings will usually have either a ball or loop at one end to attach the string to the instrument. Strings for some instruments may be wrapped with silk at their ends to protect the string. The color and pattern of the silk can be used to identify the string.
[edit] Winding
There are several varieties of wound strings.
[edit] Roundwound
The simplest ones are the roundwound strings. They have a round core inside and round-winding wire, wound in a tight spiral around it. Such strings are usually simple to manufacture and thus are usually the least expensive. There are several drawbacks, however:
- Roundwound strings have a surface profile (the "bumps" of the winding) that causes "squeaking" sounds when the player's fingers slide over the strings. Whereas some artists use this sound creatively on purpose, this sound is, in general, unwanted.
- Non-flat surface profile also hastens fingerboard and fret wire wear.
- The winding is not secured to the core and can rotate freely around it, especially if the winding is damaged after use. It makes it harder to push down and hold the strings with the fingers, and thus impairs the general playing experience.
[edit] Flatwound
Flatwound strings also have a round core, but the winding wire has a rounded square cross-section. When tightly wound, such strings have a much shallower profile (in cross-section), thus making them more comfortable to play, less damaging for frets / fretboard and producing quieter squeak sounds from fingers sliding along the string. However, players frequently cite that the sound of flatwound strings differs considerably from the sound of roundwound, with less brightness.[1][2]
[edit] Halfwound, ground wound, pressure wound
Halfwound strings, ground wound strings or pressure wound strings are a cross between roundwound and flatwound, providing both the tonal characteristics of roundwound and the lack of squeaking and the playing feel of flatwound. Such strings are usually made by winding round wire around a round core first, then polishing, grinding (thus the name, ground wound) or pressing the exterior part of the winding until it is practically flat.
Note that polishing process removes almost half of winding wire mass, thus, to compensate for it, manufacturers have to use heavier gauge winding wire. In its turn, thicker winding wire lowers frequency of slide squeaking. Depending on sound processing, it can be a good thing (as squeaking becomes less accented and it will be masked out by performed music) or a bad thing (high-pitched squeaks are much easier to detect and filter out when recording).
[edit] Hexwound
Hexwound strings are composed of regular hexagonal core and a tight (usually round) winding that closely fits a hexagonal shape. It solves the second problem: it secures the winding around the core, so it cannot rotate and slip under the fingers. Sometimes it is cited that hexagonal core improves tones due to closer bond between the core and the winding[3] The drawback is that relatively sharp hexagonal corners are less comfortable for fingers and wear down the fingerboard and fret wire even faster than roundwound strings. Hexwound strings are more commonly used on bass instruments (such as bass guitars).
[edit] Gauge
The tone of a string depends on its weight, and, therefore, on its diameter or so-called gauge. Traditionally, diameter is measured in thousandths of an inch. The larger the diameter, the heavier the string is. Heavier strings require more tension for the same pitch and are, as a consequence, harder to press down to the fingerboard. Heavier strings will also produce a louder and thicker tone. (If a fretted instrument is restrung with different string gauges, it may be necessary to adjust the height of the string above the frets, called the "action," in order to make the instrument easier to play or to avoid the strings buzzing against the frets. The action height of fretless instruments may also be adjusted to suit the string gauge or material, as well as the intended playing style.)
Steel strings for 6-string guitar usually come in the sets of matched strings. Sets are usually referenced either by the gauge of the first string (e.g., 9), or by pair of first and last (e.g., 9-42). Some manufacturers may have slightly different gauge sequences; the sample data below comes from D'Addario string charts for regular, round-wound, nickel-plated strings.
(Note: strings in gray boxes are wound. All others are plain.)
| Name | 1 (e) |
2 (B) |
3 (G) |
4 (D) |
5 (A) |
6 (E) |
|---|---|---|---|---|---|---|
| Extra super light (8-38) | .008 | .010 | .015 | .021 | .030 | .038 |
| Extra super light plus (8.5-39) | .0085 | .0105 | .015 | .022 | .032 | .039 |
| Super light (9-42) | .009 | .011 | .016 | .024 | .032 | .042 |
| Super light plus (9.5-44) | .0095 | .0115 | .016 | .024 | .034 | .044 |
| Regular light (10-46) | .010 | .013 | .017 | .026 | .036 | .046 |
| Extra light w/heavy bass (9-46) | .009 | .013 | .021 | .029 | .036 | .046 |
| Medium (11-49) | .011 | .014 | .018 | .028 | .038 | .049 |
| Medium w/wound G string (11-52) | .011 | .013 | .020 | .030 | .042 | .052 |
| Heavy (12-54) | .012 | .016 | .020 | .032 | .042 | .054 |
| Extra heavy (13-56) | .013 | .017 | .026 | .036 | .046 | .056 |
Typical bass guitar strings come in the following gauges. Note that additional strings (5th and 6th) are usually sold separately. Bass guitar strings are sometimes made for a particular scale length and come in short, medium and long scale.
| Name | 1 (G) |
2 (D) |
3 (A) |
4 (E) |
5 (B) |
|---|---|---|---|---|---|
| Light (40-100) | .040 | .060 | .080 | .100 | .130 |
| Medium (45-105) | .045 | .065 | .085 | .105 | .130 |
| Heavy (50-110) | .050 | .075 | .095 | .110 | .130 |
Note that some manufacturers of strings produce other sets of strings too; the figure above merely lists the most commonly used combinations.
Strings for violin family instruments are often sold in 3 gauges simply labeled heavy, medium, and light, which do not have a standard size associated with them. (These gauges are sometimes called by their German names, stark, mittel, and weich.)
[edit] Materials
[edit] Core
 |
This section does not cite any references or sources. (September 2007) Please help improve this section by adding citations to reliable sources. Unverifiable material may be challenged and removed. |
Steel forms the core for almost all[4] metal strings; other natural materials such as silk or gut, or synthetics such as nylon and kevlar are also used for string cores. (Steel used for strings, called music wire, is hardened and tempered.) Some violin E strings are gold-plated in order to improve the tone quality.
Sheep and bull gut (called catgut, even though cats were never used for this purpose) were the original materials used as cores for strings for violin family instruments. Gut strings are subject to changes in humidity, which cause them go out of tune, and they also break more easily than other core materials. However, even after the introduction of metal and synthetic core materials, gut strings remain in widespread use because their warmer tone is preferable to some players. Modern gut strings are usually wrapped in metal.
At the present time, one of the most popular materials for the cores of violin, viola, cello, and bass strings is stranded nylon, often sold under the trade name of Perlon. These were first introduced by Thomastik in the 1970s and 80s,[citation needed].
Today, most jazz and folk string players prefer steel-core strings for their faster response, low cost, and tuning stability, whereas most classical string players prefer synthetic-core strings (Perlon etc.) for their richer overtones and "warmer" tone.[citation needed] Most baroque string players still prefer gut-core stings.
By far the most popular string combination for a modern concert violinist is synthetic-core G, D, and A strings, with a steel E string.[citation needed]
[edit] Winding
Aluminum is the most common for bowed instruments like violin and viola, whereas guitar and piano strings are usually wound with bronze. Copper, nickel, gold, silver, and tungsten are also used. Silver and gold are more expensive, and are used for their resistance to corrosion and hypoallergenicity.
Some "historically-informed" strings use an open metal winding with a "barber pole" appearance.
"Silk and steel" guitar strings are overwound steel strings with silk filaments running under the winding.
[edit] String vibration
A string vibrates in a complex harmonic pattern. Every time a string is set into motion, a specific set of frequencies resonate based on the harmonic series. The fundamental frequency is the lowest (and loudest), and it is determined by the density, length and tension of the string. This is the frequency that we identify as the pitch of the string. Above that frequency, overtones (or harmonics) are heard, each one getting quieter the higher it is. For example, if the fundamental pitch is 440 Hz (A above middle C), then the overtones for a string tuned to that pitch will be 880 Hz, 1320 Hz, 1760 Hz, 2200 Hz, etc. The note names for those pitches would be A, A, E, A, C#, etc. Due to the mass of the strings, however, the higher up the overtones go, the more out of tune (or "false") they are to the fundamental. This is an important consideration for piano tuners, who try to stretch the tuning across the piano to keep overtones more in tune as they go up the keyboard.
[edit] String corrosion
Metal strings offer a unique problem, as they are susceptible to oxidation and corrosion. Wound strings that use metals such as brass or bronze in their winding will eventually corrode, as moisture and salts from the player's fingers build up oxides on the string. As a result, the string will lose its brilliance over time.[5] To help solve this problem, string manufacturers apply a metal plating or polymer coating to protect the string from corrosion.
[edit] See also
[edit] References
[edit] External links
- Identify strings by their silk patterns
- The vibrations of strings with both ends fixed
- Guitar Strings From The Nineteenth Century To The Advent Of Nylon
- Historical types of string
- String Calculation; String Measurement; Mass Per Unit Length
- Custom String Gauge Design Terry Downs
- String Tension - technical information on string tension, with tension calculator
