Strait-Jacket
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| Strait-Jacket | |
|---|---|
 Original film poster |
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| Directed by | William Castle |
| Produced by | William Castle |
| Written by | Robert Bloch |
| Starring | Joan Crawford Diane Baker Leif Erickson Howard St. John John Anthony Hayes Rochelle Hudson |
| Music by | Van Alexander |
| Cinematography | Arthur E. Arling |
| Editing by | Edwin H. Bryant |
| Distributed by | Columbia Pictures |
| Release date(s) | January 19, 1964 (USA) |
| Running time | 90 min. |
| Country | USA |
| Allmovie profile | |
| IMDb profile | |
Strait-Jacket is a 1964 Columbia Pictures horror/thriller/mystery motion picture starring Joan Crawford. Others in the cast include Diane Baker, Leif Erickson, Howard St. John, John Anthony Hayes, Rochelle Hudson, George Kennedy, Edith Atwater, Vicki Cos, and Lee Majors.
Directed and produced by William Castle, and co-produced by Dona Holloway, the script was by Robert Bloch (also known for writing the novel Psycho, upon which the film is based), with original music composed by Van Alexander. Crawford's make-up was done by Monty Westmore.
After the phenomenal success of What Ever Happened to Baby Jane? (1962), Joan Crawford and other actresses, including Bette Davis and Barbara Stanwyck, made numerous horror movies throughout the 1960s. Strait-Jacket is a rather schlocky but one of the more notable examples of the genre sometimes referred to as psycho-biddy or Grande Dame Guignol. Despite the amateurish, low-budget tone of the film, its shuddery flavor (combined with Crawford's powerhouse performance) has kept it a macabre cult favorite for decades.
The DVD release has special features that include two brief axe-swinging screen tests, a collection of make-up and costume tests and a documentary, Battle-Axe: The Making of Strait-Jacket, featuring interviews with Castle, Baker, and Bloch.
[edit] Synopsis
The movie opens with Lucy Harbin (Joan Crawford) returning home and discovering her husband, Frank (Lee Majors) in bed with another woman. She becomes enraged and graphically decapitates each of them with a handy axe. Their three-year-old daughter Carol witnesses this act in secret.
After spending 20 years in a psychiatric hospital, Lucy is released and arrives to live at the farm of her brother Bill Cutler (Leif Erickson), sister-in-law Emily (Rochelle Hudson) and daughter Carol (Diane Baker). Carol is a pretty and popular sculptress and is seemingly unaffected by the grisly murder she witnessed two decades earlier. Her fiancee Michael Fields (John Anthony Hayes) is the wealthiest young man in town and his parents, Raymond (Howard St. John) and Mrs. Fields (Edith Atwater), are rather snooty about family background.
Mother's and daughter's attempts to rebuild a family relationship proves difficult. In a purported attempt to make mother Lucy fit in, daughter Carol fits her with new clothes and a black wig. As a result, Lucy looks as she did twenty years earlier, at the time of the murders. In one memorable scene, Lucy gets drunk and lights a kitchen match by striking it across the grooves of a record on the "hi-fi," while attempting to seduce her daughter's fiancé.
Crawford alternates between scenes of Lucy as a confused and sober victim and Lucy as a confused and boozy vamp. Lucy keeps hearing children's voices singing about her crimes in what sounds like nursery rhyme form, which her daughter seems not to hear.
In the meantime, gruesome axe-murders begin to occur when the local physician, Dr. Anderson (Mitchell Cox), is found headless in a freezer. There is talk of sending Lucy, the logical suspect, back to the asylum.
The ending takes place at the dinner party for Michael and Carol. Michael takes everyone to see the new dairy that he owns. Lucy and Michael's parents stay so they can talk. Lucy accidentally slips out that Carol and Michael were thinking about marriage. His parents tell Lucy that marriage was totally out of the question. Lucy gets mad and tells them sternly that they were going to get married and walks out of the house. Michael and Bill go to look for her. Bill also takes Carol and Emily home for the night. Emily tells Carol that she must stay in the house. Later we see Lucy walking down the street crying. Then a car comes down the dirt road and Lucy hides in the bushes.
Back at Michael's house, his mother hears noises (which sounds like Lucy's bracelets) outside the front door. Raymond checks with her, but nothing is outside. Raymond goes upstairs to go to bed. Mrs. Fields tells Raymond that she will not be able to rest until Michael comes home and tells what happened. Raymond tells her that he will stay up and wait, but goes to put on his pajamas. In his room, various scares make him nervous (like the door closing) but nothing happens until he opens the closet. He looks down in the closet at his shoe and gets killed. Later, Mrs. Fields goes to check on Raymond. She eventually finds him dead. And what looks like Lucy with the axe comes out from behind a door. Just that second, the real Lucy comes to apologize to the parents when she spots the other person. She must have a showdown with the fiend who is actually committing the monstrous copycat murders. She pins her down on the bed. In a shocking twist, the killer is actually Carol, Lucy's daughter. Lucy runs downstairs with the mask and Michael comes back.
Carol tries to explain that Lucy is the killer, but Lucy shows Michael the mask. And Carol says that now, nobody (meaning Michael's parents) can stop them from getting married. The next day, Lucy explains to Bill that Carol started to plan framing her before she got to the house. Carol killed the doctor so that he wouldn't take Lucy back to the asylum. She killed Krause so he wouldn't tell about the doctor's car. And it is obvious she killed Raymond to get married to Michael. Carol made the mask out of the bust of Lucy. She planted a look-a-like severed head and body of Lucy's victims in her bed while she was sleeping. She removed them when Lucy ran out of her room. The poem that Lucy kept hearing was a tape recording. Carol also cut out all of the heads in the photo album as added evidence that Lucy was not well.
[edit] Trivia
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- The screenwriter, Robert Bloch, wrote the novel on which Hitchcock's Psycho (1960) was based.
- He also insisted on having the head of the Torch Lady of the Columbia Pictures logo lopped off, lying at her feet, to foreshadow the film.
- Crawford replaced Joan Blondell in the role as Lucy Harbin after Blondell was injured at home prior to shooting and could not fulfill her commitment.
- When the director and producer, William Castle, offered the role to Crawford, she invited him and Bloch to lunch at her apartment in New York to discuss the project.
- Crawford had script and cast approval, received a $50,000 salary and 15 percent of the profits.
- Anne Helm, who was originally cast in the role as Carol, was replaced by Diane Baker shortly after filming began, reportedly at Crawford's insistence. Baker and Crawford had appeared together in the film The Best of Everything (1959).
- Despite Diane Baker's assertion (on the featurette accompanying the DVD for "Strait-Jacket") that she replaced Anne Helm in the role of Carol Harbin due to Helm's alleged inexperience and incompetence, Anne Helm was, in actuality, a more seasoned actress than Baker at that time. By 1964, Anne Helm had been working continuously in films and television for at least 8 years, while Baker had been working up to that point for only 5 years.
- The role of the ill-fated Dr. Anderson was not actually played by an actor, but vice-president of PepsiCo, Mitchell Cox, as Crawford was on the Board of Directors of that soft drink firm.
- The brief role of Frank Harbin was the first movie appearance of Lee Majors, who received no screen credit.
- Castle bought the rights to Rosemary's Baby, which he produced four years later.
- Pepsi-Cola product placements include a scene in the kitchen with a carton of the soft drink displayed prominently on a counter.
- When Strait-Jacket first opened in theaters, lucky moviegoers were given little cardboard axes.
- After Strait-Jacket, Crawford began production of Hush... Hush, Sweet Charlotte, playing Miriam Deering, but, because she found Davis to be too difficult to work with again, she feigned illness and entered a hospital to get out of appearing in the role.
