Steve Goodman
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Steve Goodman | |
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Born | July 25, 1948 Chicago, Illinois |
Died | September 20, 1984 (age 36) Seattle, Washington |
Genre(s) | Folk, country, rock, pop |
Occupation(s) | Singer-songwriter |
Instrument(s) | Singer, guitarist |
Years active | 1968-1984 |
Label(s) | Buddah, Asylum, Red Pajamas, Oh Boy |
Associated acts | John Prine, Kenneth C. "Jethro" Burns, Jimmy Buffett, Bonnie Koloc, Steve Martin, Tom Paxton, David Allan Coe |
Website | www.stevegoodman.net |
Steve Goodman (July 25, 1948 – September 20, 1984) was an American folk music singer-songwriter from Chicago, Illinois. The writer of "City of New Orleans", made popular by Arlo Guthrie, Goodman won two Grammy Awards.
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[edit] Personal life
Born on Chicago's North Side to a middle-class Jewish family, Goodman began writing and performing songs as a teenager, after his family had moved to the near north suburbs. He graduated from Maine East High School in Park Ridge, Illinois in 1965. In 1968 Goodman began performing at the Earl of Old Town in Chicago and attracted a following.[1] By 1969, after a brief sojourn in New York City's Washington Square, Goodman was a regular performer in Chicago, while attending Lake Forest College. During this time Goodman supported himself by singing advertising jingles.
It was also in early 1969 that Goodman was diagnosed with leukemia, the disease that would be present during the entirety of his recording career, until his death in 1984. In September of 1969 he met Nancy Pruter, who was attending college while supporting herself as a waitress. They were married in February, 1970. Though he experienced periods of remission, Goodman never felt that he was living on anything other than borrowed time, and some critics, listeners and friends have said that his music reflects this sentiment. His wife, writing in the liner notes to the posthumous collection No Big Surprise, characterized him this way:
- “Basically, Steve was exactly who he appeared to be: an ambitious, well-adjusted man from a loving, middle-class Jewish home in the Chicago suburbs, whose life and talent were directed by the physical pain and time constraints of a fatal disease which he kept at bay, at times, seemingly by willpower alone . . . Steve wanted to live as normal a life as possible, only he had to live it as fast as he could . . . He extracted meaning from the mundane.”
[edit] Music career
Goodman's songs first appeared on a locally-produced record, Gathering at The Earl of Old Town, in 1971. As a close friend of Earl Pionke, the owner of the folk music bar, Goodman performed at The Earl dozens of times, including customary New Year's Eve concerts. He also remained closely involved with Chicago's Old Town School of Folk Music, where he had met and mentored his good friend, John Prine.
Later in 1971, Goodman was playing at a Chicago bar called the Quiet Knight as the opening act for Kris Kristofferson. Kristofferson, impressed with Goodman, introduced him to Paul Anka, who brought Goodman to New York to record some demos. These resulted in Goodman signing a contract with Buddah Records.
All this time, Goodman had been busy writing many of his most enduring songs, and this avid songwriting would lead to an important break for him. While at the Quiet Knight, Goodman saw Arlo Guthrie, and asked to be allowed to play a song for him. Guthrie grudgingly agreed, on the condition that Goodman buy him a beer first; Guthrie would listen to Goodman for as long as it took Guthrie to drink the beer. Goodman played "City of New Orleans", (original lyrics) which Guthrie liked enough that he asked to record it. Guthrie's version of the song became a hit in 1972, and provided Goodman with enough financial and artistic success to make his music a full-time career. The song, about the Illinois Central's City of New Orleans train, would become an American standard, covered by such musicians as Johnny Cash, Judy Collins, and Willie Nelson, whose recording earned Goodman a posthumous Grammy Award for Best Country Song in 1985. A French translation of the song, "Salut Les Amoureux", was recorded by Joe Dassin in 1979. According to his wife, the song began as Goodman in his imagination wandered all the way to New Orleans while on a train from Chicago to visit her elderly grandmother in Mattoon, Illinois.
In 1974, singer David Allan Coe achieved considerable success on the country charts with Goodman's and Prine's "You Never Even Call Me By My Name", a song which good-naturedly spoofed stereotypical country music lyrics. Prine refused to take a songwriter's credit of the song, although Goodman bought Prine a jukebox as a gift from his publishing royalties.
Goodman's success as a recording artist was more limited. Although he was known in folk circles as an excellent and influential songwriter, his albums received more critical than commercial success. Ironically, one of Goodman's biggest hits was a song he didn't write – "The Dutchman", written by Michael Peter Smith.
During the mid- and late-seventies, Goodman became a regular guest on Easter Day on Vin Scelsa’s radio show in New York City. Scelsa’s personal recordings of these sessions eventually led to an album of selections from these appearances, The Easter Tapes.
In 1977, Goodman performed on the Tom Paxton live album New Songs From the Briarpatch (Vanguard Records), which contained some of Paxton's topical songs of the 1970s, including "Talking Watergate" and "White Bones of Allende", as well as a song dedicated to Mississippi John Hurt entitled "Did You Hear John Hurt?"
Goodman wrote and performed many humorous songs about Chicago, including three about the Chicago Cubs: "A Dying Cub Fan's Last Request", "When the Cubs Go Marching In" and "Go, Cubs, Go" (which has frequently been played on Cubs' broadcasts and at Wrigley Field after Cubs wins.) The Cubs songs grew out of his fanatical devotion to the team, which included many clubhouse and on-field visits with Cub players. Other songs about Chicago included "The Lincoln Park Pirates", about the notorious Lincoln Towing Company, and "Daley's Gone", about Mayor Richard J. Daley. Another comic highlight is "Vegematic", about a man who falls asleep while watching late-night TV and dreams he ordered many products that he saw on infomercials. He could also write serious songs, most notably "My Old Man", a tribute to Goodman's father, Bud Goodman, a used car salesman and World War II veteran.
Goodman won his second Grammy, for Best Contemporary Folk Album in 1988 for his album, Unfinished Business.
[edit] Death
On September 20, 1984, Goodman died at University of Washington Hospital in Seattle, Washington, his life finally taken by the leukemia from which he had anointed himself with the tongue-in-cheek nickname “Cool Hand Leuk” (others nicknames included “Chicago Shorty” and “The Little Prince”). He was only 36. Eleven days later, the Chicago Cubs played their first post-season game since 1945; Goodman had been asked to sing "The Star-Spangled Banner" before it; Jimmy Buffett filled in, and dedicated the song to Goodman. Echoing a line from "Dying Cub Fan", some of Goodman's ashes were scattered at Wrigley Field, the home of the Chicago Cubs. He was survived by his wife and three daughters.[2]
[edit] Legacy
In 2006, Goodman's daughter, Rosanna, issued My Old Man, an album of a variety of artists covering her father's songs.
Interest in Goodman's career had a resurgence in 2007 with the publication of a massive biography by Clay Eals, Steve Goodman: Facing the Music. The same year, the Chicago Cubs began playing Goodman's 1984 song "Go, Cubs, Go" after each home game win. When the Cubs made it to the playoffs, interest in the song and Goodman resulted in several newspaper articles about Goodman. Illinois Lt. Governor Pat Quinn declared October 5, 2007 Steve Goodman Day in Illinois.
[edit] Discography
- Steve Goodman (1972)
- Somebody Else's Troubles (1972)
- Jessie's Jig and Other Favorites (1975)
- Words We Can Dance To (1976)
- The Essential Steve Goodman (1976)
- Say It In Private (1977)
- High and Outside (1979)
- Hot Spot (1980)
- Affordable Art (1983)
- Artistic Hair (1983)
- Santa Ana Winds (1984)
- Unfinished Business (1987) posthumous
- The Best of the Asylum Years, Volume One (compilation) (1988) posthumous
- The Best of the Asylum Years, Volume Two (compilation) (1988) posthumous
- City of New Orleans (1989) posthumous
- The Original Steve Goodman (1989) posthumous
- No Big Surprise (compilation) (1994) posthumous
- The Easter Tapes (1996) posthumous
- Live Wire (live) (2000) posthumous
- Live at the Earl of Old Town (2006) posthumous
[edit] Notes
[edit] Further reading
- Eals, Clay. Steve Goodman: Facing the Music. ECW Press, 2007. ISBN 978-1550227321.
[edit] External links
- Official site
- Steve Goodman at Allmusic
- Steve Goodman: Facing the Music Biography by Clay Eals, May, 2007
- The Steve Goodman Back Page
- Steve Goodman Scrapbook
- Steve Goodman on Rhapsody