Stenborg Theatre

From Wikipedia, the free encyclopedia

The Stenborg theatre, also called Svenska Komiska Teatern, Komiska Teatern and Munkbroteatern, was a historical Swedish 18th century theatre, active between 1784 and 1799 in Gamla stan in Stockholm. It was the second theatre of Stockholm during the Gustavian age.

Contents

[edit] History

The Stenborg theatre was a continuation of the famous Stenborg Troupe; when the first Swedish national theatre at Bollhuset was closed in 1753-54, half of the troupe performed in variuous localities in the city under the leadership of Petter Stenborg. When the national stage was re-established by king Gustav III of Sweden in 1773, it did not include the old Stenborg troupe. In 1780, the troupe had finally aqcuired a proper house to perform in; Eriksbergsteatern, (The Eriksberg theatre), and in 1781, the leadership was taken over by Petter Stenborg son, Carl Stenborg.

The Erikberg theatre was uncomfertebly outside of town, and the stenborg troupe under Carl Stenborg searched for a new building. They made a partnership with Christina Nyman, widow after an inn-keeper, who wanted to establish a theatre in Gamla stan and had obtained a permission to do so. The theatre was housed in a large building erected in Gamla Stan in 1782; the first floor housed four taverns and several appartements, while the second floor was reserved for the Stenborg troupe. From 1784, it was formally named Svenska komiska Teatern (Swedish Comical theatre) or Svenska Teatern (Swedish theatre) and from 1788 Komiska Teatern (Comedy theatre).

The theatre was luxuriosly decorated and was in 1784 called the biggest theatre in the country. The theatrically interested king was present at its premier and gave away gifts to its performers. However, it did not have the same status as the Royal Swedish Opera and Royal Dramatic Theatre and was considered much less formal; it was a place for less formal and high-pitched performances, a place for satirical comedy and such, and foreigners sometimes compared it to a boulevard-theatre of the kind that was popular in Paris. The Barber of Seville was performed here in 1785. Also foreign guest-artists and cirkus-performances were given here; in the autumn of 1793, the English circus-company of Peter and James Price performed acrobathics and tight-rope-dancing here, were the four year old Louise Price danced on a rope. The theatre's status as a less serious theatre did not stop actors from the Royal Swedish Opera and the Royal Dramatic Theatre to appear there; even Elisabeth Olin had performed here, and it was in fact used by actors and singers to work in during their conflicts with the managements with their regular stages.

The director Carl Stenborg, who was a celebrated opera singer at the Royal Swedish Opera, resided in one of the apartments, were him and his wife, the singer Betty Olin, hosted gatterings and parties for the cultural elite of the city.

In 1798, the new monopol of the royal theatres were proclaimed in the city of Stockholm, and the Stenborg theatre was closed the year after (the monopol was in effect until 1842). The building itself was torn down in 1899.

[edit] Staff at the Stenborg theatre of 1791

Stage manager

  • D. G. Björn

Director

Actors

  • M. Bonn
  • A. Lundberg
  • C. Ljunggren
  • J. P. Lindskog
  • C. Bonn
  • J. Sundman

Actresses

Guest actors

[edit] See also

[edit] References

Languages