Stefan Avalos
From Wikipedia, the free encyclopedia
 |
The creator of this article, or someone who has substantially contributed to it, may have a conflict of interest regarding its subject matter. |
 |
This article does not cite any references or sources. (February 2008) Please help improve this article by adding citations to reliable sources. Unverifiable material may be challenged and removed. |
Stefan Avalos is an American musician and filmmaker.
His early life started out being trained as a classical violinist. As a violinist, he won major competitions and was a soloist with, among others, the Philadelphia Orchestra. He was touted as a child prodigy but by early high school, Avalos realized his true love was film. Amateur movies in high school were followed by a college education in filmmaking. He won numerous awards with his student short films before moving into a professional film career. He worked in many aspects of the film business producing and directing commercials for foreign television as well as working for numerous clients as varied as Rescue 911, Frontline and MTV. In 1993, he wrote, produced and directed his first feature film, The Game (also known as The Money Game).
In 1997, Avalos partnered with Lance Weiler to write, direct, produce and co-star in The Last Broadcast. The film received international attention as the first desktop-based feature film[citation needed] and then went on to many festivals, winning Best Feature Film Silver Prize at the Chicago Underground Film Festival.
The trek continued when, partnering with Esther Robinson and David Beard, Wavelength Releasing was created. In October 1998, Wavelength Releasing made cinematic history with the first fully digital national theatrical release of a feature film via satellite.
In 1999, The Last Broadcast became the first feature motion picture to screen digitally at the Cannes Film Festival.
Through theatrical, cable, video, and foreign sales, The Last Broadcast has gone on to become, based on a budget-to-profit ratio, one of the most profitable movies in history.[citation needed]
Stefan Avalos has been recognized as "one of the twenty five people helping to reinvent entertainment" by Wired magazine.[citation needed] Stories about The Last Broadcast and Avalos have appeared in many major publications including Time, People and The Wall Street Journal. He has lectured in Europe, the United States, South America, Japan and Canada about digital filmmaking as well as written for numerous publications about the experience.
In 2004, Avalos took the next generation of "homegrown" digital films to a new level with the supernatural thriller, The Ghosts of Edendale. Described as Rosemary's Baby meets The Player[citation needed], it is distributed in the U.S. and Canada by Warner Bros. It can also be seen worldwide through various distributors such as Anchor Bay UK and Japan's New Select.
Other work includes animation work for Lost in La Mancha, the documentary about the spectactular demise of a Terry Gilliam movie, directed by Keith Fulton and Louis Pepe.
Other interests include, playing the classical violin and playing a rockabilly guitar.
