Stanisław Lem

From Wikipedia, the free encyclopedia

Stanisław Lem

Stanisław Lem in 1966
Born 12 September 1921
Lwów, Poland (now Ukraine)
Died 27 March 2006 (aged 84)
Kraków, Poland
Nationality Polish
Writing period 1946 – 2005
Genres science fiction, philosophy, satire
Official website

Stanisław Lem (pronunciation (help·info) IPA: [staniswaf lɛm], September 12, 1921 – March 27, 2006) was a Polish science fiction, philosophical and satirical writer. His books have been translated into 41 languages and have sold over 27 million copies.[1] In 1976, Theodore Sturgeon claimed that Lem was the most widely read science-fiction writer in the world.[2]

His works explore philosophical themes; speculation on technology, the nature of intelligence, the impossibility of mutual communication and understanding, despair about human limitations and humankind's place in the universe. They are sometimes presented as fiction, but others are in the form of essays or philosophical books. Translations of his works are difficult; Michael Kandel's translations into English have generally been praised as capturing the spirit of the original.

Contents

[edit] Biography

Lem was born in 1921 into a Jewish family in Lwów, Poland (now Ukraine). He was the son of Sabina Woller and Samuel Lem, a wealthy laryngologist, former physician in the Austro-Hungarian Army. His family was secular Jewish[3][4], but Lem was raised a Catholic and later viewed himself as an atheist "for moral reasons ... the world appears to me to be put together in such a painful way that I prefer to believe that it was not created ... intentionally".[5] After the Soviet occupation of Eastern Poland, he was not allowed to study at the Polytechnic as he wished because of his "bourgeois origin" and only due to his father's connections was accepted to study medicine at Lwów University in 1940[6]. During World War II and the Nazi occupation, Lem survived with false papers, earning a living as a car mechanic and welder, and becoming active in the resistance. In 1946, Polish eastern Kresy were annexed into the Soviet Ukraine[7] and the family, like many other Poles, was resettled to Kraków where Lem at his father's pressure took up medical studies at the Jagiellonian University. Since he refused to tailor his answers to the prevailing Lysenkoism, Lem failed his final examinations on purpose so as not to be obliged to become a military doctor.[8] Earlier he had started working as a research assistant in a scientific institution and writing stories in his spare time.

Lem signing in Kraków, 30 October 2005
Lem signing in Kraków, 30 October 2005

Lem made his literary debut in 1946 as a poet, and at that time he also published several dime novels. Beginning that year, Lem's first science fiction novel Człowiek z Marsa (The Man from Mars) was serialized in the magazine Nowy Świat Przygód (New World of Adventures). Between 1947 and 1950 Lem, while continuing his work as a scientific research assistant, published poems, short stories, and scientific essays. However, during the era of Stalinism, all published works had to be directly approved by the communist regime. Lem finished a partly autobiographical novella Hospital of the Transfiguration (Szpital Przemienienia) in 1948, but it was suppressed by the authorities until 1955 when he added a sequel more acceptable to the doctrine of socialist realism. In 1951 he published his first book, Astronauci (The Astronauts); it was commissioned as juvenile SF and Lem was forced to include many references to the 'glorious future of communism' in it. He later criticized this novel (as well as several of his other early pieces, bowing to the ideological pressure) as simplistic; nonetheless its publication convinced him to become a full-time writer.[7]

The de-Stalinization period culminating in the Polish October of 1956 produced greater freedom of speech and thought in Poland. Lem then started his career as a serious international science fiction author, writing some 17 books in the next dozen years. His works were widely translated abroad (although mostly in the Eastern Bloc countries). In 1957 he published his first non-fiction, philosophical book, Dialogi (Dialogues). Dialogi and Summa Technologiae (1964) are his two most famous philosophical texts. The Summa is notable for being a unique analysis of prospective social, cybernetic, and biological advances. In this work, Lem discusses philosophical implications of technologies that were completely in the realm of science fiction then, but are gaining importance today - like, for instance, virtual reality and nanotechnology. Over the next decades, he published many books, both science fiction and philosophical/futurological, although since the 1980s he tended to concentrate on philosophical texts and essays.

1976 US edition of The Cyberiad.
1976 US edition of The Cyberiad.

He gained international fame for The Cyberiad, a series of humorous short stories from a mechanical universe ruled by robots, first published in English in 1974. His best-known novels include Solaris (1961), His Master's Voice (Głos pana, 1983), and the late Fiasco (Fiasko, 1987), expressing most strongly his major theme of the futility of mankind's attempts to comprehend the truly alien. Solaris was made into a film in 1972 by Russian director Andrei Tarkovsky and won a Special Jury Prize at the Cannes Film Festival in 1972[7]; in 2002, Steven Soderbergh directed a Hollywood remake starring George Clooney.

In 1982, with martial law in Poland declared, Lem moved to West Berlin where he became a fellow of the Institute for Advanced Study, Berlin (Wissenschaftskolleg zu Berlin). After that, he settled in Vienna. He returned to Poland in 1988.

Lem died in Kraków on March 27, 2006 at the age of 84 after a battle with heart disease.

A minor planet 3836 Lem, discovered by Soviet astronomer Nikolai Stepanovich Chernykh in 1979 is named after him. [9]

[edit] Honors

[edit] SFWA controversy

Lem was awarded an honorary membership in the Science Fiction Writers of America (SFWA) in 1973 despite being technically ineligible. SFWA Honorary membership is given to people who do not meet the criteria for joining the regular membership but who would be welcomed as members. Lem, however, never had a high opinion of American science-fiction, describing it as ill thought-out, poorly written, and interested more in making money than in ideas or new literary forms.[10] After his American publication, when he was eligible for regular membership, his honorary membership was rescinded. Some of the SFWA members apparently intended this as a rebuke,[11] and it seems that Lem interpreted it thus, but the organization's official line is that honorary membership is only extended to people who are not eligible for regular membership. After his American publication, Lem was invited to stay on with the organization with a regular membership, but declined.[12]

Lem singled out only one American SF writer for praise, Philip K. Dick - see the 1986 English-language anthology of his critical essays, Microworlds. Dick, however, considered Lem to be a composite committee operating on orders of the Communist party to gain control over public opinion, and wrote a letter to the FBI to that effect.[13] After many members (including Ursula K. Le Guin) protested Lem's treatment by the SFWA, a member offered to pay his dues. Lem never accepted the offer. He had also been critical of science fiction in general, and had recently distanced himself from the genre, saying that his early works may have been SF, but his later ones were more mainstream.[12][10]

[edit] Themes

Though several specific themes recur in all his works, Lem's fiction is commonly sorted into two major groups.[7] The first includes his more traditional science fiction, with its speculations of technological advances, space travel, and alien worlds, such as Eden (1959), Return from the Stars (1961), Solaris (1961), The Invincible (1964), His Master's Voice (1968), and Tales of Pirx the Pilot (1968). The second group contains allegorical tales, or fables, such as The Star Diaries (1957), Memoirs Found in a Bathtub (1961), and The Cyberiad (1965).

One of Lem's primary themes was the impossibility of communication between humans and profoundly alien civilizations. His aliens are often incomprehensible to the human mind, be they swarms of mechanical insects (in The Invincible) and a living ocean (in Solaris) or strangely ordered societies of more human-like beings in Fiasko and Eden, describing the failure of the first contact. Lem's book Return from the Stars follows an astronaut's adjustment to a radically changed human society after spending 100 years in space. In His Master's Voice Lem is critical of humanity's intelligence and intentions in deciphering and truly comprehending an apparent message from space.

He wrote about human technological progress and the problem of human existence in a world where technological development makes biological human impulses obsolete or dangerous. He was also critical of most of science fiction, criticizing it in novels (His Master's Voice), literary and philosophical essays (Fantastyka i futurologia) and interviews.[14] In the 1990s Lem forswore science fiction and returned to futurological prognostications, most notably those expressed in Okamgnienie (Blink of an Eye). He became increasingly critical of modern technology in his later life, criticizing inventions such as the Internet.[14]

In many novels, humans become an irrational and emotional liability to their machine partners, who are not perfect either. Issues of technological utopias appeared in Peace on Earth, in Observation on the Spot, and, to a lesser extent, in The Cyberiad.

Lem often placed his characters — like the spaceman Ijon Tichy of The Star Diaries, Pirx the pilot (of Tales of Pirx the Pilot), or the narrator of Return from the Stars in strange, new settings. Thrust into the unknown, he used them to personify various aspects of the possible futures, often having them balance on the thin line separating his belief in the inherent goodness of humanity and his deep pessimism about human limitations.

He also often deploys a wicked sense of humor in his descriptions of even the darkest human situations, most famously in The Futurological Congress and Memoirs Found in a Bathtub. In this regard, he has sometimes been compared to Kurt Vonnegut or Franz Kafka. Many of his lighter tales are about Ijon Tichy, a cosmic traveller in his one-man spaceship, whose adventures challenge commonly accepted ideas about things like time travel, the nature of the soul, and the origin of the universe, in a satiric and ironic, yet undeniably logical way. For example, The Futurological Congress is a hilarious satire on government and academic conferences. In a Kafkaesque turn, at a hotel in Costa Rica, a conference to propose solutions to overpopulation in a time of violence and terrorism soon dissolves into chaos as the hotel's water supply is contaminated by a hallucinogen.

Three of his novels are likely his most famous.[7] Solaris, filmed twice, is set on an isolated research station above the planet Solaris, and is a philosophical work about contact with a completely alien lifeform — a planet-wide sentient ocean. Głos Pana (His Master's Voice) is a very philosophical - much more so than Solaris - story of a scientific effort to decode, translate and understand an extraterrestrial transmission, critically approaching humanity's intelligence and intentions in deciphering and truly comprehending a message from space. Lem's third great book is The Cyberiad. Subtitled Fables for the Cybernetic Age, it is a collection of comic tales about two robot "constructors" who travel about the Galaxy solving engineering problems; but a deeper reading reveals a wealth of profound insights into the human condition.

[edit] Influence

Franz Rottensteiner, Lem's former agent instrumental in introducing him to the Western audience, but with whom they later separated on bitter terms, summarized his importance:

With [number of translations and copies sold], Lem is the most successful author in modern Polish fiction; nevertheless his commercial success in the world is limited, and the bulk of his large editions was due to the special publishing conditions in the Communist countries: Poland, the Soviet Union, and the German Democratic Republic). Only in West Germany was Lem really a critical and a commercial success [... and everywhere... ] in recent years interest in him has waned. But he is the only writer of European SF of whom most books have been translated into English, and [...] kept in print in the USA. Lem's critical success in English is due mostly to the excellent translations of Michael Kandel...

– Franz Rottensteiner , View from Another Shore: European Science Fiction , second updated edition, Liverpool University Press 1999, ISBN 0-85323942-8, Note on the Authors: Stanislaw Lem, p. 252

Stanisław Lem, whose works were influenced by such masters of Polish literature as Cyprian Norwid and Stanislaw Witkiewicz, chose the language of science fiction as in the communist People's Republic of Poland it was easier — and safer — to express ideas veiled in the world of fantasy and fiction than in the world of reality. Despite this — or perhaps because of this — he has become one of the most highly acclaimed science-fiction writers, hailed by critics as equal to the likes of H. G. Wells or Olaf Stapledon.[15]

Lem's works influenced not only the realm of literature, but that of science as well.

In 1981 the philosophers Douglas R. Hofstadter and Daniel C. Dennett included three extracts from Lem’s fiction in their important annotated anthology The Mind's I. ... Hofstadter commented that Lem’s "literary and intuitive approach... does a better job of convincing readers of his views than any hard-nosed scientific article... might do".[15]

Lem's works have even been used as teaching texts for philosophy students.[16]

Texts by Lem were set to music by Esa-Pekka Salonen in his 1982 piece, Floof.

[edit] Works

[edit] Fiction

  • Człowiek z Marsa (The Man from Mars, 1946, only in magazine serial form) – short SF novel of which Lem often said that 'it should be forgotten'; he allowed republication in 1990s after interest was sparked by a German translation made possible by a contract glitch
  • Hospital of the Transfiguration (Szpital przemienienia; written 1948) – partly autobiographical novella about a doctor working in a Polish asylum during the war, published in expanded form in 1955 as Czas nieutracony: Szpital przemienienia. Translated into English by William Brand in 1988. Made into film in 1979.
  • Astronauci (The Astronauts, 1951) – juvenile science fiction novel. In early 21st century, it is discovered that Tunguska meteorite was a crash of a reconnaissance ship from Venus, bound to invade the Earth. A spaceship sent to investigate finds that Venusians killed themselves in atomic war first. Made into a film in 1960.
  • Obłok Magellana (The Magellanic Cloud, 1955, untranslated into English)
  • Sezam (1955) – Linked collection of short fiction, dealing with time machines used to clean up Earth's history in order to be accepted into intergalactic society. Not translated into English.
  • Dzienniki gwiazdowe (1957, expanded until 1971) – Collection of short fiction dealing with the voyages of Ijon Tichy. Translated into English and expanded as The Star Diaries (1976, translated by Michael Kandel), later published in 2 volumes as Memoirs of a Space Traveller (1982, second volume translated by Joel Stern).
  • Inwazja z Aldebarana (1959) – Collection of science fiction stories. Translated into English as The Invasion from Aldebaran.
  • The Investigation (Śledztwo, 1959; trans. 1974) - philosophical mystery novel. Made into a film in 1979.
  • Eden (1959) – Science fiction novel; after crashing their spaceship on the planet Eden, the crew discovers it is populated with an unusual society. Translated into English by Marc E. Heine as Eden (1989).
  • Bajki robotów (1961) – Released in the US as Mortal Engines (also contains The Hunt from Tales of Pirx the Pilot).
  • Return from the Stars (Powrót z gwiazd, 1961; trans. 1980) - SF novel. An astronaut returns to Earth after a 127 year mission.
  • Solaris (1961) – SF novel. The crew of a space station is strangely influenced by the living ocean as they attempt communication with it. Translated into English from the French translation by Joanna Kilmartin and Steve Cox (author) in 1970. Made into a Russian film in 1972, and US film in 2002.
  • Memoirs Found in a Bathtub (Pamiętnik znaleziony w wannie, 1961; trans. 1973) - Novel set in the distant future about a secret agent, whose mission is so secret that no one can tell him what it is.
  • The Invincible (Niezwyciężony, 1964; translated by Wendayne Ackerman from the German translation 1973) - SF novel. The crew of a space cruiser searches for a disappeared ship on the planet Regis III, discovering swarms of insect-like micromachines.
  • The Cyberiad (Cyberiada, 1967; trans. by Michael Kandel 1974) - collection of humorous stories about the exploits of Trurl and Klapaucius, "constructors" among robots. The stories of Douglas Adams have been compared to the Cyberiad. [1]
  • Głos pana (1968) - SF novel about the effort to translate an extraterrestrial radio transmission. Translated by Michael Kandel as His Master's Voice.
  • Ze wspomnień Ijona Tichego; The Futurological Congress (Kongres futurologiczny, 1971) - An Ijon Tichy short story, published in the collection Bezsenność.
  • Ze wspomnień Ijona Tichego; Professor A. Dońda (1971)
  • A Perfect Vacuum (Doskonała próżnia, 1971) – Collection of reviews of fictional books. Translated into English by Michael Kandel.
  • Opowieści o pilocie Pirxie (1973) – Collection of linked short fiction involving the career of Pirx. Translated into English in two volumes (Tales of Pirx the Pilot and More Tales of Pirx the Pilot)
  • Imaginary Magnitude (Wielkość urojona, 1973) - Collection of introductions to nonexistent books. Also includes Golem XIV, a lengthy essay/short story on the nature of intelligence delivered by eponymous US military computer. In the personality of Golem XIV, Lem with a great amount of humor describes an ideal of his own mind.
  • Katar (The Cold, 1975) - borderline SF novel. A former US astronaut is sent to Italy to investigate a series of mysterious deaths. Translated as The Chain of Chance.
  • Golem XIV (1981) – Expansion of an essay/story from Wielkość urojona.
  • Wizja lokalna (1982) – Ijon Tichy novel about the planet Entia. Not translated into English.
  • Fiasco (Fiasko, 1986, trans. 1987) - SF novel concerning an expedition to communicate with an alien civilization that devolves into a major fiasco.
  • Biblioteka XXI wieku (Library of 21st Century; 1986) – 3 more fictional reviews; translated as One Human Minute
  • Peace on Earth (Pokój na Ziemi, 1987; transl. 1994) – Ijon Tichy novel. A callotomized Tichy returns to Earth, trying to reconstruct the events of his recent visit to the Moon.
  • Zagadka (The Riddle, 1996) – Short stories collection. Not translated into English.
  • Fantastyczny Lem (The fantastical Lem, 2001). Short stories collection. Not translated into English.

[edit] Nonfiction

unless noted, not translated into English

  • Dialogi (1957) - Non-fiction work of philosophy. Translated into English by Frank Prengel as Dialogs.
  • Wejście na orbitę (Going into Orbit, 1962)
  • Summa Technologiae (1964) - Philosophical essay. Partially translated into English.
  • Filozofia Przypadku (Philosophy of Coincidence or The Philosophy of Chance, 1968) - Nonfiction
  • Fantastyka i futurologia (1970) - Critiques on science fiction. Some parts were translated into English in the magazine Science Fiction Studies in 1973-1975, selected material was translated in the single volume Microworlds (New York, 1986).
  • Rozmowy ze Stanisławem Lemem Interviews with Stanisław Lem, Stanisław Beres, Wydawnictwo Literackie Kraków(1987) ISBN 83-08-01656-1
  • Rozprawy i szkice (Essays and drafts, 1974) - collection of essays on science, science fiction, and literature in general
  • Wysoki zamek (1975) - Autobiography of Lem's childhood before World War II. Translated into English as Highcastle: A Remembrance.
  • Rozprawy i szkice (1975) - Essays and sketches
  • Lube czasy (Pleasant Times, 1995)
  • Dziury w całym (Looking for Problems, 1995)
  • Tajemnica chińskiego pokoju (Mystery of the Chinese Room, 1996) - Collection of essays on the impact of technology on everyday life.
  • Sex Wars (1996) - essays
  • Dyskusje ze Stanisławem LememM. Szpakowska, Interviews with Stanisław Lem, Warszawa 1996
  • Bomba megabitowa (The Megabit Bomb, 1999) - Collection of essays about the potential downside of technology, including terrorism and artificial intelligence.
  • Świat na krawędzi (The World at the Edge, 2000) - Interviews with Lem.
  • Okamgnienie (A Blink of an Eye, 2000) – Collection of essays on technological progress since the publication of Summa Technologiae
  • Tako rzecze Lem (And Lem says so, 2002) - Interviews with Lem.
  • Mój pogląd na literaturę (My View of Literature, 2003)
  • Krótkie zwarcia (Short Circuits, 2004) - Essays
  • Lata czterdzieste. Dyktanda. (The 40s, 2005) - Lem's works from the 1940s
  • Rasa drapieżców. Teksty ostatnie (2006) - the last book of Stanislaw Lem contains actual feuilletons about art, politic and social problems from polish press "Tygodnik Powszechny".

[edit] Film and TV adaptations

Lem was well-known for criticizing the films based on his work, including the famous characterization of Solaris by Andrei Tarkovsky as "Crime and Punishment in space".

  • Der Schweigende Stern (literally The Silent Star, shown in USA as First Spaceship on Venus, German Democratic Republic – Poland 1960), loosely based on The Astronauts
  • Przekładaniec (Layer Cake/Roly Poly, 1968, by Andrzej Wajda)
  • Ikarie XB1 (in USA as White Planet or Voyage to the End of the Universe, Czechoslovakia 1963) [2] – loosely based on The Magellanic Cloud, uncredited
  • Solaris (1972, by Andrei Tarkovsky)
  • Pirx kalandjai (1973, Hungarian TV)
  • Test pilota Pirxa or Дознание пилота Пиркса (from Pirx story "The Inquest", joint Soviet (Ukrainian-Estonian)-Polish production 1978, directed by Marek Piestrak)
  • Szpital przemienienia (Hospital of the Transfiguration, 1979, by Edward Zebrowski)
  • Victim of the Brain (1988, by Piet Hoenderdos) includes adaptation of "The Seventh Sally"
  • Marianengraben (1994, directed by Achim Bornhak, written by Lem and Mathias Dinter)
  • Solaris (2002, by Steven Soderbergh)
  • Ijon Tichy: Raumpilot (2007), German TV (ZDF) miniseries, 6 episodes, directed by Oliver Jahn, after his student's film from 1998.
  • 1 (2008, by Pater Sparrow)
  • Solaris 29th July 2007, BBC Radio 4 Classic Serial radio play adaptation, 2 one hour episodes, adapted by Hattie Naylor, produced by Polly Thomas.

[edit] Opera adaptation

[edit] References

  1. ^ Stanislaw Lem 1921 - 2006. Obituary at Lem's official site
  2. ^ Theodore Sturgeon: Introduction to Roadside Picnic by Arkady and Boris Strugatsky, MacMillan Publishing Co., Inc, New York 1976
  3. ^ Stanislaw Lem: Chance and Order, autobiographical essay, The New Yorker 59 (30 January 1984) 88-98; Lives in Brief, The Jewish Chronicle, 18 May 2006
  4. ^ Polish Science Fiction Writer Stanislaw Lem Dies At 84
  5. ^ An Interview with Stanislaw Lem by Peter Engel. Missouri Review Volume 7, Number 2, 1984.
  6. ^ Stanislaw Lem about himself
  7. ^ a b c d e Lem, Stanislaw. (2006) In Encyclopædia Britannica. Retrieved June 30, 2006, from Encyclopædia Britannica Premium Service
  8. ^ Stanislaw Lem about himself
  9. ^ Schmadel, Lutz D. (2003). Dictionary of Minor Planet Names, 5th, New York: Springer Verlag, p. 325. ISBN 3540002383. 
  10. ^ a b Stanislaw Lem - Frequently Asked Questions
  11. ^ The Lem Affair (Continued)
  12. ^ a b Lem and SFWA in Science Fiction and Fantasy Writers of America FAQ, "paraphrasing Jerry Pournelle" who was SFWA President 1973-4
  13. ^ P.K.Dick, Letter to FBI quoted on Lem's homepage
  14. ^ a b Stanislaw Lem - Interview February 2003
  15. ^ a b "Stanislaw Lem", The Times, 2006-03-28. 
  16. ^ For instance, in the subject Natural and Artificial Thinking, Faculty of Math. & Phys., Charles University in Prague, or Philosophy in sci-fi at Masaryk University in Brno

[edit] Further reading

  • Peter Swirski, Stanislaw Lem Reader, Northwestern University Press, 1997, ISBN 0-81011495-X description
  • Richard E. Ziegfeld, Stanislaw Lem, Frederick Ungar, 1985, ISBN 0-80442994-4 review
  • Jerzy Jarzębski, Zufall und Ordnung: Zum Werk Stanislaw Lems, trans. Friedrick Griese [from Przypadek i Ład. O twórczości Stanisława Lema] Frankfurt/Main: Suhrkamp Verlag, 1986 review
  • Acta Lemiana Monashiensis ed. Lech Keller, „Acta Polonica Monashiensis” 2002, vol. 2, nr 2 Monash University 2003, 207 s. review in Polish

[edit] External links

Wikimedia Commons has media related to:
Wikiquote has a collection of quotations related to:
Obituaries
Persondata
NAME Lem, Stanisław
ALTERNATIVE NAMES Lem, Stanislaw
SHORT DESCRIPTION Polish science fiction author
DATE OF BIRTH September 12, 1921
PLACE OF BIRTH Lviv, Poland
DATE OF DEATH March 27, 2006
PLACE OF DEATH Krakow, Poland