Stabat Mater (Poulenc)

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Stabat Mater is a musical setting of the Stabat Mater sequence composed by Francis Poulenc's in 1950. Poulenc composed the piece in response to the death of his friend, artist Christian Bérard; he considered writing a Requiem for Bérard, but, after returning to the shrine of the Black Virgin of Rocamadour, he selected the medieval Stabat Mater text.[1] Poulenc's setting, scored for soprano solo, mixed chorus, and orchestra, premiered in 1951 at the Strasbourg Festival. The Stabat Mater was well-received throughout Europe, and in the United States it won the New York Critics’ Circle Award for Best Choral Work of the year.[2]

Contents

[edit] Structure

The Stabat Mater is divided into twelve movements, which vary dramatically in character from somber to light and frivolous, even on the most serious of texts.

  1. Stabat mater dolorosa (Très calme) Chorus
  2. Cujus animam gementem (Allegro molto--Très violent) Chorus
  3. O quam tristis (Très lent) Chorus a cappella
  4. Quae moerebat (Andantino) Chorus
  5. Quis est homo (Allegro molto--Prestissimo) Chorus
  6. Vidit suum (Andante) Soprano, Chorus
  7. Eja mater (Allegro) Chorus
  8. Fac ut ardeat (Maestoso) Chorus a cappella
  9. Sancta mater (Moderato--Allegretto) Chorus
  10. Fac ut portem (To. de Sarabande) Chorus
  11. Inflammatus et accensus (Animé et très rythmé) Chorus
  12. Quando corpus (Très calme) Soprano, Chorus

[edit] Instrumentation

[edit] References

  • Hell, Henri. Francis Poulenc. London: John Calder, 1959.
  • Benjamin Ivry(1996). Francis Poulenc, 20th-Century Composers series. Phaidon Press Limited. ISBN 0-7148-3503-X.
  • Mellers, Wilfrid. Francis Poulenc. New York: Oxford University Press, 1993.

[edit] Notes

  1. ^ Mellers.
  2. ^ Hell.

[edit] External links

Latin text and English translation

Languages