Spirou et les hommes-bulles

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Creative team
Spirou et Fantasio #17 Spirou et les hommes-bulles
Cover of the Belgian edition
Publisher	Dupuis
Date	1964
Series	Spirou et Fantasio
Writer(s)	Franquin
Artist(s)	Franquin with Jean Roba
Original publication
Published in	Le Parisien Libéré, Le Journal de Spirou
Issue(s)	Unknown, #1272 - #1302
Date(s) of publication	Late 1958 - 1960 1962 - 1963
Language	French
ISBN	ISBN 2-8001-0019-2
Chronology
Preceded by	L'ombre du Z, 1962
Followed by	QRN sur Bretzelburg, 1966

Spirou et les hommes-bulles, written and drawn by Franquin, is the seventeenth album of the Spirou et Fantasio series. The title story appeared sequentially (in black & white) in Le Parisien Libéré, and only the accompanying story Les petits formats was serialised in Spirou as well, before both were published in a hardcover album in 1964.

1 Story
2 Background
3 References
4 External links

[edit] Story

In Spirou and the Bubble Men, memories of Le repaire de la murène are invoked as John Helena, "the Moray", escapes from captivity, and Spirou, Fantasio and the Count suspect he is going after the gold that is still in the wreckage of Le Discret. A sudden trend of mini-submarine sabotage prompts the heroes to investigate, and the mystery becomes no more clear when Helena is discovered barely conscious, with gold, feebly warning of an attack by the "Bubble Men".

In The Miniatures, Marsupilami playfully exposes Fantasio's unused film, forcing him to go to Mr.Flashback's photo store to buy replacements. When Spirou next meets Fantasio, he is reduced to a palm-sized, paralyzed miniature statue, which causes Spirou to question his own sanity. In a setting of other similar incidents involving Mr.Flashback, and a suspicious collector of miniatures, Spirou is set on a desperate mission to somehow restore his friend back to normal.

[edit] Background

Uniquely, Spirou et les hommes-bulles was never published in Le Journal de Spirou but only in Le Parisien Libéré, uncoloured, and subsequently the later colour treatment of the two stories in this album is distinctly different from that of other Spirou albums. In comparison to its "prequel", Le repaire de la murène, hailed for its rich and atmospheric colour-use, it is criticized for falling short in this respect, as well as other, more typical, sequel disgruntlement.