Spaghetti Western

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América rugiente (Cinque figli di cane, 1969) poster, shows the mix of Italian, Spanish and American names typical of spaghetti westerns
América rugiente (Cinque figli di cane, 1969) poster, shows the mix of Italian, Spanish and American names typical of spaghetti westerns

Spaghetti Western, in Europe more often called Italo-Western, is a nickname for a broad sub-genre of Western film that emerged in the mid-1960s, so named because most were produced by Italian studios, usually in coproduction with a Spanish partner. The typical team was made up of an Italian director, Spanish technical staff and a fifty-fifty cast of Italian and Spanish actors sometimes surrounding a falling Hollywood star.

The films were primarily shot in the Andalucia region of Spain, and in particular the Tabernas Desert of Almería, because it resembles the American Southwest. (A few were shot on Sardinia.) Because of the desert setting and the readily available southern Spanish extras, a usual theme in Spaghetti Westerns is the Mexican Revolution, Mexican bandits, and the border region shared by Mexico and the US.

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[edit] History

Originally Spaghetti Westerns had in common the Italian language, low budgets, and a recognizable highly fluid, violent, and minimalist cinematography that eschewed (some said "demythologized") many of the conventions of earlier Westerns — partly intentionally, partly as a result of the work being done in a different cultural background and with limited funds. The term was originally used disparagingly, but by the 1980s many of these films came to be held in high regard, particularly because it was hard to ignore the influence they had in redefining the entire idea of a western.

Alex Nicol with Maria Granada and Richard Basehart in The Savage Guns.
Alex Nicol with Maria Granada and Richard Basehart in The Savage Guns.

Paradoxically enough, the movie that qualifies as the very first spaghetti-western, The Savage Guns / Tierra brutal (1961), showed no Italian involvement at all, being a British-Spanish coproduction; but it was shot in Almería and featured the absurdly heterogeneous cast (in this case, lead by ex-Hollywood Americans Richard Basehart and Alex Nicol, and the Spanish folklóricas Paquita Rico and María Granada) that later became typical of any film of that kind; the whole being directed by an English specialist in horror B movies, Michael Carreras.

The best-known and perhaps archetypal Spaghetti Westerns were the Man With No Name trilogy (or the Dollars Trilogy) directed by Sergio Leone, starring then-TV actor Clint Eastwood and with musical scores composed by Ennio Morricone (all of whom are now synonymous with the genre): A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). Atypically for the genre, the last had a relatively high budget, over one million USD. His following film after the so-called "trilogy" was Once Upon a Time in the West, which is often lumped in with the previous three for its similar style and accompanying score by Morricone, differing by the absence of Clint Eastwood in the starring role.


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[edit] Other "Food Westerns"

The name led to various other non-U.S. westerns being associated with food and drink.

Chorizo/paella western are used for similar films financed by Spanish capital, although Leone's earlier films were actually shot in Almería. Publicity for the Japanese comedy film Tampopo coined the phrase "Noodle Western" to describe the parody made about a noodle restaurant. Robert Rodriguez's westerns, El Mariachi, Desperado and Once Upon a Time in Mexico, have been called "Burrito Westerns." Sometimes Hrafn Gunnlaugsson's Viking movies are called "Cod Westerns." The German Westerns of the 1960s, which were successful in Europe before the Italian Westerns, often made after novels by Karl May and mostly filmed in Yugoslavia are often called "Sauerkraut Westerns". The GDR DEFA Studios made Sauerkraut Westerns in Yugoslavia like their West German counterparts and also had a Native American as hero (usually played by Gojko Mitic).

The Red Dwarf episode Gunmen of the Apocalypse has been described as the world's only "Roast Beef Western", although the British director Shane Meadows' film Once Upon a Time in the Midlands has been described as a "tinned-spaghetti Western." John Woo's Western movies were described by Roger Ebert as "Dim Sum Western." The Thai film Tears of the Black Tiger by director Wisit Sasanatieng has been dubbed both a "stir-fry horse opera" and "a Pad Thai Western" by critics. The "Red Western" or "Ostern" is the Soviet and eastern bloc's take on the genre. (Time magazine dubbed the animated TV series Samurai Jack, which combined elements of — among others — anime and the Sergio Leone films, a "Soba Western.") Monty Python's Flying Circus provided a "cheese Western" parody as a film critic discussed Sam Peckinpah's Rogue Cheddar film.

An entire sub-genre of Westerns produced by the Indian film industry, and especially Bollywood based in Mumbai, is whimsically named "Curry Western." Notable as being one of the most successful box-office hits of all time in India is the "Curry Western" Sholay.

Danish moviemakers did a couple of dismal westerns in the sixties, which are usually referred to as "potato-westerns". The Danish word is "kartoffel-western".

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[edit] References

  • Weisser, Thomas, Spaghetti Westerns: the Good, the Bad and the Violent — 558 Eurowesterns and Their Personnel, 1961–1977. (Jefferson, N.C.: McFarland, 1992)

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