Sound ranging

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In land warfare Sound Ranging is the name for a method of determining the coordinates of a hostile battery using data derived from the sound of its guns (or mortar or rockets) firing. The same methods can also be used to direct artillery fire at a position with known coordinates.

Sound ranging is sometimes confused with sound locating, which is a collection of techniques used to locate the source of other sounds that may originate in the air, on the ground or on or below the sea's surface. This entry is primarily concerned with sound ranging. Sound ranging was one of three methods of locating hostile artillery that rapidly developed in World War I. The others were air reconnaissance (both visual and photographic) and flash-spotting.

Sound ranging using aural and stop-watch methods had emerged before World War I. Stop-watch methods involved spotting a gun firing, measuring the bearing to it and the length of time it took the sound to arrive. Aural methods typically involved a man listening to a pair of microphones a few kilometres apart and measuring the time between the sound arriving at the microphones. This method appears to have been used by the Germans throughout that war, but were quickly discarded as ineffective by the western allies. These allies developed scientific methods of sound ranging whose descendants are still used.

The basis of scientific sound ranging is to use pairs of microphones to produce a bearing to the source of the sound. The intersection of these bearings gives the location of the battery. The bearings are derived from the differences in the time of arrival at the microphones.

Contents 1 Background 1.1 Basic equipment setup 1.2 Example 1.3 Advantages and disadvantages 2 History 2.1 World War I 2.2 Between the World Wars 2.3 World War II 2.4 Korean War 2.5 Vietnam 2.6 Present-Day 3 Sound Locating 4 Notes

[edit] Background

[edit] Basic equipment setup

A scientific method of sound ranging system requires the following equipment.

• An array of 4 to 6 microphones extending several kilometres
• A system capable of measuring the sound wave arrival time differences between the microphones.
• A means of analyzing the time differences to compute the position of the sound source.

The basic method is to use microphones in pairs and measure the difference in the time of arrival of a sound wave at each microphone in the pair (inner microphones are members of two pairs). From this a bearing to the origin of the sound can be found from the point mid-way between the two microphones. The intersection of at least 3 bearing will be the location of the sound source.

Figure 1 illustrates the basic system.

Some systems may not allow arbitrary placement of the microphones. For example, they may require the microphones to be placed on a straight line. These constraints would be imposed to simplify the calculation of the artillery position and are not a characteristic of the general approach.

The microphones also may be designed to pick up only the sound of the gun firing. There are three types of sounds that can be picked up by the microphone.

• the gun firing (the desired signal)
• the sound of the shell moving through the air
• the impact of the shell

During World War I it was discovered that the gun firing makes a low rumbling sound that is best picked up with a microphone that is sensitive to low frequencies and rejects high frequencies.^[1]

[edit] Example

Figure 2 shows an example of an artillery location problem. Assume that we position three microphones with the following relative positions (all measurements made relative to Microphone 3).

• Distance from Microphone 1 to Microphone 3: r₅ = 1267.9 meters
• Distance from Microphone 2 to Microphone 3: r₄ = 499.1 meters
• Angle between Microphone 1 and Microphone 2 measured from Microphone 3: 16.177^o

These values would be established during an initial survey of the microphone layout.

Figure 2: Example of An Artillery Location Problem.

Assume that two time delays are measured (assume speed of sound 330 meters per second).

• Microphone 1 to Microphone 2 time delay: 0.455 s 150 meters
• Microphone 1 to Microphone 3 time delay: 0.606 s 200 meters

There are a number of ways to determine the range to the artillery piece. One way is to apply the law of cosines twice.^[2]

(Microphone 3, Microphone 2, Gun)

(Microphone 1, Microphone 3, Gun)

This is a system of two equations with two unknowns (θ, r₁). This system of equations, while nonlinear, can be solved using numerical methods to give a solution for r₁of 1621 meters. While this approach would be usable today with computers, it would have been a problem in World War I and II. During these conflicts, the solutions were developed using one of the following methods.

• graphically using hyperbolas drawn on paper (for a nice discussion of this procedure, see this LORAN example).^[3]
• assuming the artillery is far away and using the asymptotes of the hyperbolas, which are lines, to find an approximate location of the artillery.^[4]
• Approximate solutions can be generated using sets of metal disks whose radii differ by small increments. By selecting three discs that approximate the situation in question, an approximate solution can be generated.^[4]

[edit] Advantages and disadvantages

Sound ranging has a number of advantages over other methods:

• Sound ranging is a passive method, which means that there are no emissions traceable back to the sound ranging equipment. This is different from radar, which emits energy that can be traced back to the transmitter.
• Sound ranging equipment tends to be small. It does not require large antennae nor large amounts of power.

Sound ranging also has a number of disadvantages:

• the speed of sound varies with temperature. Wind also introduces errors. There are means by which to compensate for these factors.^[4]
• at a distance, the sound of a gun is not a sharp crack but more of a rumble (this makes it difficult to accurately measure the exact arrival time of the wavefront at different sensors)
• guns cannot be located until they fire
• artillery is often fired in large numbers, which makes it difficult to determine which wavefront is associated with which artillery piece
• every microphone has to be emplaced and very accurately surveyed to find its coordinates, which takes time
• each microphone has to have a communication channel to the recording apparatus, before effective radio links appeared this meant field cable, which had to be laid and maintained to repair breaks from many causes

Military forces have found various ways to mitigate these problems, but nonetheless they do create additional work and reduce the accuracy of the method and the speed of its deployment.

[edit] History

[edit] World War I

World War I saw the birth of scientific sound ranging. It brought together the necessary sensors, measurement technology, and analysis capabilities required to do effective sound ranging. Like many technology concepts, the idea of using sound to locate enemy artillery pieces came to a number of people at about the same time.

• A Canadian soldier, Lieutenant Colonel Andrew McNaughton
• A German officer, Capt Lowenstein, patented a method in 1913^[5]
• The French developed the first operational equipment^[6]
• The Americans proposed a scheme early in World War I^[7]

World War I provided the ideal environment for the development of sound ranging because:

• electrical processing of sound was becoming mature because of the development of telephone and recording technology
• the technology for recording sound was available (this facilitated making time difference measurements accurate to hundreths of a second)
• the need for counter battery artillery fire provided a strong technology driver

While the British were not the first to attempt the sound ranging of artillery, it was the British during World War I who actually fielded the first effective operational system. British sound ranging during World War I began with crews that used both sound and flash detection. The sound ranging operators used equipment that augmented human hearing Using the gun flash, the flash crew would determine a bearing to the gun using a theodolite or transit. The sound detection crew would determine the difference in time between the gun flash and the sound of the gun, which was used to determine the range of the gun. This provided the range and bearing data needed for counter battery fire. These methods were not very successful. ^[8]

In mid 1915 the British assigned the great Australian scientist and Nobel Lauriate Sir William Lawrence Bragg to the problem. Bragg was a Territorial officer of the Royal Horse Artillery in the British Army. When Bragg came on the scene, sound ranging was slow, unreliable, and inaccurate. His first task was to investigate what was available, in particular looking at French efforts.

The French had made an important development. They had taken the string galvanometer and adapted it to record signals from microphones onto photographic film. This work had been done by two Frenchmen, Bull and Nordman (an astronomer at the Paris observatory). Processing the film took some minutes but this was not a significant drawback because artillery batteries did not move very frequently. However, the apparatus could not run continuously because of the expenditure of film. This meant that it had to be switched on when enemy guns fired, which necessitated the deployment of Advanced Posts (AP) in front of the microphones who could switch on the recording apparatus remotely via field cable.

Bragg also found out that the nature of gun sounds was not well understood and that care needed to be taken to separate the sonic boom of the shell from the actual sound of the firing. This problem was solved in mid 1916 when one of Bragg's detachment, Cpl William Sansome Tucker, formerly of the Physics Dept, London University, invented the low-frequency microphone. This separated the low frequency sound made by the firing of the gun from the sonic boom of the shell. It used a heated platinum wire that was cooled by the sound wave of a gun firing.

Later in 1916 2Lt WS Tucker formed an experimental sound ranging section in UK and the following year techniques were developed to correct the sound data to compensate for meteorological conditions. Other matters were researched including the optimum layout and positioning of a 'sound ranging base' - the array of microphones. It was found that a shallow curve and relatively short length base was best. With these impovements, enemy artillery could be located accurately to within 25 to 50 meters under normal circumstances.^[6]

The program was very well developed by the end of World War I. In fact, the method was expanded to determine the gun location, caliber, and the intended target. The British deployed many sound ranging sections on the Western Front and sections also operated in Italy, the Balkans and Palestine. When the US entered the war in 1917 they adopted the British equipment. ^[1]

[edit] Between the World Wars

British research continued between the wars as it did in other nations. It appears that in Britain this led to better microphones and recording apparatus using heat sensitive paper instead of photographic film. Radio link was also developed, although this could only connect the microphones to the recording apparatus, it did not enable the APs to switch on the recorder. Another innovation in the late 1930s was development of the comparator. This was a mechanical computer that calculated first order differential equations, it provided a fast means of comparing the coordinates of the fall of shot located by sound ranging with the coordinates of the target and hence deduction of a correction to the fall of shot.

[edit] World War II

During World War II, sound ranging was a mature technology and widely used, particularly by the British (in corps level artillery survey regiments) and Germans (in Beobachtungs Abteilungen). Development continued and better equipment was introduced, particularly for locating mortars. At the end of the war the British also introduced multiplexing, which enabled microphones to share a common field cable to the recording apparatus. sound ranging and flash detection photos.

In 1944 it was found that radar could be used to locate mortars, but not guns or rockets. Although the radar should 'see' the shells their elliptic trajectories could not be solved.

The US Marines included sound ranging units as standard parts of their defense battalions.^[9] These sound ranging units were active in the Marines both before and during World War II. The US Army also used sound locators.^[10] During the Okinawa campaign, the US Army used its sound ranging sets to provide effective counter battery fire.^[11] The Japanese tried to counter this effective counter-battery fire with the tactic of "shoot and scoot," which means shooting a small number of rounds and leaving the firing position before the counter-battery fire could arrive. While an effective tactic against counter-battery fire, this approach tends to reduce the effectiveness of artillery fire.

During World War II, the British made extensive use of sound ranging. There are a number of excellent memoirs that address their use of sound ranging for artillery spotting available on the web.^[12] This article describes the electronic equipment involved with these operations.^[13]

[edit] Korean War

Sound ranging of artillery was done in Korea, but mainly was supplanted by counter-mortar radar and aircraft-based artillery observers. Since anti-radar countermeasures were limited at this time and the UN had air superiority throughout the war, these approaches were simpler and more accurate.^[14]

[edit] Vietnam

Most counter battery work in Vietnam was with artillery spotting done using radar or aircraft. Australia deployed a sound ranging detachment 1967-70 in Vietnam, which operated a cross-base to provide all-round observation.^[15]

Also during this period the British deployed ad hoc 'Cracker' batteries, with sound ranging and mortar locating radars, to Borneo and Oman.

In the early 1970s an effective VHF radio link was introduced that enabled the APs to switch-on the recording apparatus. Soon after advances in electronics meant that the manual plotting of bearings and some other calculations were replaced by electronic caclulators.

Some third world users of sound ranging had the manpower that enabled them to deploy a detachment with every microphone, an unheard of practice in western armies!

[edit] Present-Day

Although effective gun locating radars finally supplemented the counter-mortar radars from the late 1970s onwards, sound ranging is undergoing a renaissance because some armies retained it in spite of its drawbacks. It appears that some also recognised its potential to operate as an automatic AP for the radars.

The British led the way in a new approach, developed by Roke Manor Research Limited then Plessey who had developed VHF radio link sound ranging. This replaced with the traditional sound ranging base with an array of microphone clusters. Each comprised three microphones a few metres apart, a meteorological sensor and processing. Each unmanned cluster listened continuously for sound and calculate the bearing to it and record other characteristics, these were automatically sent to a control post where they were automatically collated and the location of the sound source calculated. Prototypes of the new system, HALO (Hostile Artillery LOcating) were used in Sarajevo in 1995. The production system, ASP (Advanced Sound Ranging Project), entered British service in about 2001. Reportedly it located hostile artillery at 50 km distance in Iraq in 2003. It is now being adopted by several other armies including the US Marines. A similar system has also been developed in Germany.^[16]

[edit] Sound Locating

Besides locating artillery, other military uses have included locating submarines^[17] and aircraft.^[18] The civilian uses include locating wildlife^[19] and locating the shooting position of a firearm^[20]. Using radio signals, the basic methodology of sound ranging is applied to the general navigation problem in the LORAN and GPS navigation systems.

.^[21] The instruments usually consisted of large horns or microphones connected to the operators ears using tubing, much like a very large stethoscope.^[22]

Most of the work on anti-aircraft sound ranging was done by the British. They developed an extensive network of sound mirrors that were used from World War I through World War II.^[23] Sound mirrors normally work by using moveable microphones to find the angle that maximizes the amplitude of sound received, which is also the bearing angle to the target. Two sound mirrors at different positions will generate two different bearings, which allows the use of triangulation to determine a sound source's position.

Prior to the development of radar, sound ranging was the only technology available for detecting aircraft at a distance. Britain developed a sound ranging system.^[24] As World War II neared, radar began to become a credible alternative to the sound ranging of aircraft. However, the sound ranging stations were left in operation as a backup to radar.^[25]

While sound ranging for artillery spotting had a secure place during the war, aircraft spotting proved less useful. During the Battle of Britain, sound ranging was used as a backup for radar in locating inbound aircraft.^[25] Since aircraft in World War II were much faster than in World War I, aircraft sound ranging only gave a few minutes of warning.^[18] This made it a much less attractive approach than radar. Today, the abandoned sites are still in existence and are readily accessible.^[23]

After World War II, sound ranging played no further role in anti-aircraft operations.

Because the cost of the associated sensors and electronics is dropping, the use of sound ranging technology is becoming accessible for other uses, such as for locating wildlife.^[26]

The US government has been showing interest in using sound ranging to determine the location of gunfire in large cities.^[20]

[edit] Notes