Six (Soft Machine album)
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Six | |||||
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Studio album by Soft Machine | |||||
Released | 1973 | ||||
Recorded | 1972 | ||||
Genre | Jazz/Rock jazz fusion | ||||
Length | 76:25 | ||||
Label | Columbia | ||||
Producer | Soft Machine | ||||
Professional reviews | |||||
www.music.com |
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Soft Machine chronology | |||||
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Six is a 1973 jazzy instrumental album, originally released as a double LP by the British psychedelic, progressive rock and jazz/fusion band Soft Machine who were one of the central bands in the Canterbury scene. It is their first album with Karl Jenkins (reeds, keyboards, from Ian Carr's Nucleus) who had replaced Elton Dean. The album is unusual in having the oboe as a featured instrument in a jazz-rock setting. The "B.O." to whom the track Stanley Stamp's Gibbon Album is dedicated is Bill Oddie. Six won first place in the Melody Maker British Jazz Album of the Year award in 1973.
[edit] Track listing
Record 1 (live) 41:45 Side 1:
- "Fanfare" (Jenkins) – 0:42
- "All white" (Ratledge) – 4:46
- "Between" (Jenkins, Ratledge) – 2:24
- "Riff" (Jenkins) – 4:36
- "37 1/2" (Ratledge) – 6:51
Side 2:
- "Gesolreut" (Ratledge) – 6:17
- "E.P.V." (Jenkins) – 2:47
- "Lefty" (Hopper, Jenkins, Marshall) – 4:56
- "Stumble" (Jenkins) – 1:42
- "5 from 13 (for Phil Seamen with love & thanks)" (Marshall) – 5:15
- "Riff II" (Jenkins) – 1:20
Record 2 (studio) 34:40 Side 3:
- "The soft weed factor" (Jenkins) – 11:18
- "Stanley Stamp's Gibbon Album (for B.O.)" (Marshall) – 5:58
Side 4:
- "Chloe and the Pirates" (Ratledge) – 9:30
- "1983" (Hopper) – 7:54
[edit] Personnel
- Hugh Hopper - bass, sound effects on 1983
- Karl Jenkins - oboe, baritone & soprano saxes, electric and grand pianos, celeste
- John Marshall - drums, percussion
- Mike Ratledge - organ, electric and grand pianos, celeste
Record 1: Recorded at the Dome, Brighton and at the Civic Hall, Guildford and mixed at Advision Studios, London during the months of October and November 1972.
Record 2: "1983" recorded and mixed at Advision Studios, London. All other compositions recorded and mixed at CBS Studios, London during the months of November and December 1972.
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