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Sindhi poetry which originally consisted of slightly modified Hindi Dohas and Sorthas was, in the course of time, supplemented by Persian forms of prosody like Ghazal, Mathnavi, Rubai etc., and, thereafter, in the forties of this century, was further strengthened by Sonnet and Blank Verse. Soon after the partition of the sub-continent, these forms were re-inforced by Triolet, Haiku, etc. At present, these forms continue to co-exist, albeit in a varying degree, with Azad Nazm having an edge over them all.
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