Siegbert Tarrasch

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Siegbert Tarrasch
Image:Tarrasch.jpg
Siegbert Tarrasch
Full name Siegbert Tarrasch
Country Flag of Germany Germany
Born March 5, 1862(1862-03-05)
Breslau (Wrocław), Prussian Silesia
Died February 17, 1934 (aged 71)
Munich

Siegbert Tarrasch (March 5, 1862February 17, 1934) was one of the strongest chess players and most influential chess teachers of the late 19th century and early 20th century.

Tarrasch was born in Breslau (Wrocław), Prussian Silesia. Having finished school in 1880, he left Breslau to study medicine in Halle. Later he lived most of his life with his family in Nuremberg, Bavaria, and later in Munich. He had five children. Tarrasch was Jewish, and a patriotic German who lost a son in World War I, and lived until the early stages of Nazism.

Tarrasch was a highly esteemed chess writer. It was Tarrasch who wrote in his Preface to The Game of Chess (1931) that oft repeated line, "Chess, like love, like music, has the power to make men happy."

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[edit] Chess career

A medical doctor by profession, Tarrasch may have been the best player in the world in the early 1890s. He scored heavily against the aging Steinitz in tournaments, (+3-0=1), but refused an opportunity to challenge for the world title in 1892 because of the demands of his medical practice. Soon afterwards, Tarrasch drew a hard-fought match against Steinitz' challenger Mikhail Chigorin (+9-9=4). Tarrasch also won four major tournaments in succession: Breslau 1889, Manchester 1890, Dresden 1892, and Leipzig 1894.

However, after Emmanuel Lasker became world chess champion in 1894, Tarrasch could not match him. Fred Reinfeld wrote: "Tarrasch was destined to play second fiddle for the rest of his life."[1] There was no love lost between the two masters. The story goes that when they were introduced at the opening of their 1908 championship match, Tarrasch clicked his heels, bowed stiffly, and said, "To you, Dr. Lasker, I have only three words, check and mate" - then left the room. [2] When Lasker finally agreed to a title match in 1908, he beat Tarrasch convincingly +8-3=5. Tarrasch remained a powerful player, however, demolishing Frank Marshall in a match in 1905 (+8-1=8), and winning Ostend 1907 over Schlechter, Janowski, Marshall, Burn, and Chigorin.

As one of the five finalists at the very strong Saint Petersburg tournament of 1914, he was named one of the five original grandmasters. This was probably his swan song, because his chess career was not very successful after this, although he still played some highly regarded games.

[edit] Chess teachings

Tarrasch was a very influential chess writer, and was called Praeceptor Germaniae, meaning "Teacher of Germany." He was editor of the magazine Deutsche Schachzeitung in 1897 and wrote several books, including Die moderne Schachpartie and Three hundred chess games. Although his teachings became famous throughout the chess world, until recently his books had not been translated into English.

He took some of Wilhelm Steinitz's ideas (e.g., control of the center, bishop pair, space advantage) and made them more accessible to the average chess player. In other areas he departed from Steinitz. He emphasized piece mobility much more than Steinitz did, and disliked cramped positions, saying that they "had the germ of defeat."

Tarrasch stated what is known as the Tarrasch rule, that rooks should be placed behind passed pawns — either yours or your opponent's. Andrew Soltis quotes Tarrasch as saying "Always put the rook behind the pawn.... Except when it is incorrect to do so." (Soltis 2003:129)

[edit] Clash with hypermodern school

He was a great target of the hypermodern school, led by Richard Réti, Aron Nimzowitsch, and Savielly Tartakower, all of whom criticized his ideas as dogmatic. However, many modern masters regard Tarrasch's actual play as not dogmatic. For example, Tarrasch annotated his victory on the Black side of the Advance French against Paulsen (Nuremberg 1888), 1. e4 e6 2. d4 d5 3. e5 c5 4. c3 Nc6 5. Nf3 Qb6 6. Bd3 (Tarrasch gives his next move 6 ... cxd4 an exclamation mark, and points out that 6 ... Bd7 allows 7 dxc5 with a good game.) cxd4 7. cxd4 Bd7 8. Be2 Nge7 9. b3 Nf5 10. Bb2 Bb4+ 11. Kf1 Be7 12. g3 a5 13. a4 Rc8 14. Bb5 Nb4 15. Bxd7+ Kxd7 16. Nc3 Nc6 17. Nb5 Na7 18. Nxa7 Qxa7 19. Qd3 Qa6 20. Qxa6 bxa6 21. Kg2 Rc2 22. Bc1 Rb8 23. Rb1 Rc3 24. Bd2 Rcxb3 25. Rxb3 Rxb3 26. Bxa5 Rb2 27. Bd2 Bb4 28. Bf4 h6 29. g4 Ne7 30. Ra1 Nc6 31. Bc1 Rc2 32. Ba3 Rc4 33. Bb2 Bc3 34. Bxc3 Rxc3 35. Rb1 Kc7 36. g5 Rc4 37. gxh6 gxh6 38. a5 Ra4 39. Kg3 Rxa5 40. Kg4 Ra3 41. Rd1 Rb3 42. h4 Ne7 43. Ne1 Nf5 44. Nd3 a5 45. Nc5 Rc3 46. Rb1 Nxd4 47. Na6+ Kd8 48. Rb8+ Rc8 49. Rb7 Ke8 50. Nc7+ Kf8 51. Nb5 Nxb5 52. Rxb5 Ra8 53. f4 a4 54. Rb1 a3 55. f5 a2 56. Ra1 Ra4+ 57. Kh5 Kg7 58. fxe6 fxe6 59. Rg1+ Kh8 60. Ra1 Kh7 61. Rg1 a1=Q 62. Rg7+ Kh8 0-1 However, most accounts credit Nimzovitch with such anti-dogmatic hypermodern inventiveness when he played this against Gersz Salwe almost a quarter of a century later (Karlsbad 1911).

[edit] Contribution to opening theory

A number of chess openings are named after Tarrasch, with the most notable being:

  • The Tarrasch Defense, Tarrasch's favorite line against the Queen's Gambit.
  • The Tarrasch Variation of the French Defence (3.Nd2), which Tarrasch considered refuted by 3...c5, although this is certainly not thought so today.
  • The Tarrasch Variation of the Ruy Lopez, also sometimes known as the Open Defence (1.e4 e5 2.Nf3 Nc6 3.Bb5 a6 4.Ba4 Nf6 5.0-0 Nxe4).

[edit] Famous Tarrasch combinations

Image:chess zhor 26.png
Image:chess zver 26.png a8 b8 c8 rd d8 e8 f8 g8 rd h8 Image:chess zver 26.png
a7 b7 c7 d7 qd e7 f7 g7 h7 pd
a6 pd b6 c6 d6 e6 f6 g6 h6 bd
a5 pl b5 kd c5 pd d5 e5 bl f5 g5 h5
a4 b4 pd c4 d4 pd e4 f4 pl g4 h4
a3 b3 pl c3 d3 pl e3 f3 ql g3 h3
a2 b2 c2 rl d2 e2 f2 g2 pl h2 pl
a1 b1 c1 rl d1 e1 f1 g1 kl h1
Image:chess zhor 26.png
Tarrasch versus Allies, Naples 1914

In the game Tarrasch versus Allies, Black seems to be holding here (at least against immediate catastrophe), because the black queen guards against Qb7+ (followed by Kxa5 Ra1#), while the black rook on c8 defends against Rxc5#. Tarrasch played the ingenious interference move 31.Bc7! (known as a Plachutta interference because the pieces both move orthogonally). This blocks off both defences, and whatever piece captures becomes overloaded. That is, if 31...Rxc7, the rook is overloaded, having to look after both the key squares, since the queen is blocked from b7. So White would play 32.Qb7+ Rxb7, deflecting the rook from defence of c5, allowing 33.Rxc5#. But if Black plays instead 31...Qxc7, the queen blocks off the rook's defence of c5 and becomes overloaded: 32.Rxc5+ Qxc5 deflects the queen from defence of b7, allowing 33.Qb7+ Kxa5 34.Ra1#. Black actually resigned after this move.

Image:chess zhor 26.png
Image:chess zver 26.png a8 b8 c8 d8 bd e8 f8 g8 rd h8 kd Image:chess zver 26.png
a7 b7 c7 d7 e7 f7 g7 h7 pd
a6 pd b6 c6 d6 e6 f6 g6 h6
a5 b5 c5 pd d5 bd e5 qd f5 nl g5 rd h5 nd
a4 pl b4 pd c4 d4 pd e4 f4 rl g4 h4
a3 b3 pl c3 d3 ql e3 f3 g3 pl h3
a2 b2 bl c2 pl d2 nl e2 f2 rl g2 h2 pl
a1 b1 c1 d1 e1 f1 g1 kl h1
Image:chess zhor 26.png
Tarrasch versus Walbrodt, Hastings 1895

In the game against Walbrodt, Tarrasch played rather poorly, and his opponent had the better of it for a long time. But the game is redeemed by the following startling combination:

34.Rxd4 seems obvious, because 34...cxd4 allows 35.Bxd4 winning the queen. But Black has a seemingly strong counterattack which had to be foreseen ... 34...Nxg3 35.Nxg3 Rxg3+ 36.hxg3 Rxg3+ 37.Kf1! Rxd3 and now the startling 38.Rg4!! with devastating threats of 39. Rf8+ mating and Bxe5 not to mention cxd3 to follow. Black resigned.

[edit] See also

[edit] References

  1. ^ Fred Reinfeld, Tarrasch's Best Games of Chess, David McKay Co., Philadelphia, 1947, p. xvii.
  2. ^ Harold C. Schoenberg, Grandmasters of Chess, W.W. Norton & Co., New York, Rev. Ed. 1981, p. 124.

[edit] External links