Sheila Kaye-Smith
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Sheila Kaye-Smith (4 February 1887 – January 14, 1956) was an English writer, known for her many novels set in the borderlands of Sussex and Kent in the English regional tradition. Her 1923 book The End of the House of Alard became a best-seller, and gave her prominence; it was followed by other successes and her books enjoyed world-wide sales.
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[edit] Life
The daughter of a doctor, Sheila was born in St Leonards-on-Sea, near Hastings, in Sussex, and lived most of her life in that county, apart from a period in London in her youth. She was a distant relative of writer M M Kaye (The Far Pavilions).
In 1924 she married Theodore Penrose Fry, an Anglican clergyman, and in 1925 wrote a book on Anglo-Catholicism. By 1929 she and her husband had converted to Roman Catholicism. Penrose Fry therefore had to give up his Anglican curacy, and they moved to Northiam in Sussex, where they lived in a large converted oast house. Soon afterwards, having noted their own and some of their neighbours' need for a nearby Catholic church, they bought land on which they established a Catholic chapel, St Teresa of Lisieux, at Northiam, which still enjoys a large congregation. Sheila is buried in the churchyard there. Their house, Little Doucegrove, was later owned by novelist Rumer Godden.
[edit] Writing
Kaye-Smith's fiction was noted for being rooted in rural concerns: the nineteenth century agricultural depression, farming, legacies, land rents, the changing position of women, the effects of industrialisation on the countryside and provincial life. Admirers of her work included her close friend G. B. Stern (with whom she collaborated on two books about Jane Austen), Thomas Hardy, and Noel Coward.
Kaye-Smith's novels straddle more than one genre of fiction. Earlier novels in particular partly fit into the 'earthy' rural category, together with that of Mary E Mann, Mary Webb, D. H. Lawrence, and Thomas Hardy, a genre which inspired Stella Gibbons's parody "Cold Comfort Farm". Kaye-Smith's descriptions of the Sussex countryside, coast and marsh are still regarded as some of the finest. Several of her heroines become single parents and most face various gender-related trials, possibly influenced by her early feminism as well as influences such as George Moore and Thomas Hardy. Kaye-Smith also produced many short stories, and journalism published in national journals, magazines and newspapers.
Her novel Joanna Godden based in Romney Marsh was filmed in 1947 as The Loves of Joanna Godden starring Googie Withers and with a score by Ralph Vaughan Williams. The screenplay by H. E. Bates has a very different conclusion to the story. Increasingly her later books came to reflect her religious preoccupations, featuring characters tussling with spiritual crises. Nevertheless her plots reflect the pre- and post- WW2 preoccupations of women's 'middle-brow' fiction of the time, including provincial anxieties about social class and women's 'role', within a mainly rural milieu. Her descriptions of farming and village vernacular are particularly detailed and accurate for this genre.
Joanna Godden and Susan Spray were reissued in the 1980s by feminist publishing house Virago. Her books are now out of print, but are easily available from the used book market.
[edit] Literary Society
The Sheila Kaye-Smith literary society is based in St Leonards-on-Sea, meets regularly, and has published a chronology of her life and works, as well producing an annual journal, The Gleam. There are extensive archives relating to Sheila Kaye-Smith in West Sussex County Library in Chichester.
[edit] Works
- The Tramping Methodist (1908)
- Spell Land: The Story of a Sussex Farm (1910)
- Samuel Richardson (1911)
- Isle of Thorns (1913)
- Willow's Forge and other poems (1914)
- Three against the World (1914)
- Sussex Gorse (1916)
- John Galsworthy (1916) biography
- The Challenge to Sirius (1917)
- Little England (1918)
- Tamarisk Town (1919)
- Green Apple Harvest (1920)
- Joanna Godden (1921)
- Saints in Sussex (1923) poems
- The End of the House of Alard (1923)
- Starbrace (1923)
- Anglo-Catholicism (1925)
- The George and the Crown (1925)
- The Mirror of the Months (1925)
- Joanna Godden Married and other Stories (1926)
- Iron and Smoke (1928)
- A Wedding Morn (1928)
- The Village Doctor (1929)
- Shepherds in Sackcloth (1930)
- Songs Late and Early (1931) poems
- Susan Spray (1931)
- The Children's Summer (1932)
- The Ploughman's Progress (1933)
- Superstition Corner (1934)
- Gallybird (1934)
- Selina is Older (1935)
- Rose Deeprose (1936)
- Three Ways Home (1937) autobiography
- Faithful Stranger and Other Stories (1938) short stories
- The Valiant Woman (1939)
- Ember Lane (1940)
- Tambourine, Trumpet and Drum (1943)
- Talking of Jane Austen (1943) with G. B. Stern
- Kitchen Fugue (1945)
- The Lardners and the Laurelwoods (1948)
- The Happy Tree (1949)
- The Treasures of the Snow (1949)
- More Talk of Jane Austen (1950) with G. B. Stern
- Mrs. Gailey (1951)
- The Hidden Son (1953)
- The Weald of Kent and Sussex (1953) topography
- Quartet in Heaven (1953) religious biography
- The View from the Parsonage (1954)
- All the Books of My Life (1956) autobiography
[edit] References
- A Chronology of the Life and Works of Sheila Kaye-Smith Third edition (2005) Michael Bristow-Smith. (Published by the Sheila Kaye-Smith Society.)
- The Rural Tradition in the English Novel 1900-39 (1977) by Glen Cavaliero. (Macmillan)
- A Gleam of Platnix - The Southern Novels of Sheila Kaye-Smith by Shaun Cooper. (Book & Magazine Collector, August 2007)
- Sheila Kaye-Smith Letters, 1909-1937 by Sheila Kaye-Smith & Sewell Stokes.
- Sheila Kaye-Smith and the Weald Country (1925) by R. Thurston Hopkins
- Women's Writing in English: Britain 1900-1945 (l980) by Anthea Trodd. (Longmans)
- Sheila Kaye-Smith (1980) by Dorothea Walker
