She Hate Me
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| She Hate Me | |
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 She Hate Me movie poster. |
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| Directed by | Spike Lee |
| Produced by | Jean Cazes, Jamel Debbouze, Spike Lee |
| Written by | Michael Genet & Spike Lee |
| Starring | Anthony Mackie, Kerry Washington, Ellen Barkin, Kristina Klebe Monica Bellucci, Jim Brown, Brian Dennehy, Woody Harrelson, Jamel Debbouze, Bai Ling, Q-Tip, Dania Ramirez, Lonette McKee, Paula Jai Parker, Sarita Choudhury, John Turturro, Ossie Davis, Reynaldo Rosales |
| Music by | Terence Blanchard |
| Distributed by | Sony Pictures |
| Release date(s) | July 30, 2004 |
| Running time | 138 min. |
| Language | English |
| IMDb profile | |
She Hate Me is a 2004 LGBT independent comedy-drama feature film directed by Spike Lee and starring Anthony Mackie, Kerry Washington, and Ellen Barkin.
The controversial film, as with many of Lee's, touches on comedy, drama, and politics. Unlike many of his previous films, Spike Lee does not have an acting credit in this film.
The film was shot entirely on location in New York City, including each of the city's five boroughs in one way or another. It was nominated for various awards (see below), but did not claim a win in any of the categories in which it was nominated. She Hate Me was released in July 2004 and grossed almost half a million dollars at the box office in limited release.[1]
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[edit] Plot
John Henry 'Jack' Armstrong is a financially successful and upwardly mobile executive at a biotechnology firm who, following the suicide of a colleague, Dr. Herman Schiller, is falsely accused of securities fraud by his superior, Leland Powell (Woody Harrelson). Armstrong's assets are frozen, and he finds himself unable to maintain his quality of life.
In order to make ends meet, he becomes a sperm donor, initially by acquiescing to the desires of his former fiancée, Fatima Goodrich (Kerry Washington), who had come out as a lesbian, to have a child. Although there is still unresolved bitterness and tension between them over Armstrong and Goodrich's prior relationship, she and her girlfriend, Alex Guerrero (Dania Ramirez), offer him a substantial sum of money to impregnate them both. This leads to Goodrich goading Armstrong into establishing a business in which groups of lesbians come over to his house and pay him $10,000 each to have sex with them in order to become pregnant.
One of the women who Armstrong impregnates is the daughter of a mafia boss, Don Angelo Bonasera (played by John Turturro). Armstrong's employers learn of his impregnation business, and they use it in their campaign to sully his image in order to deflect attention from their own criminal business activities. Conflict is also depicted in the turbulent relationship between Armstrong's mother and his dependent diabetic father (Jim Brown).
At the film's climax, Armstrong's situation is portrayed as a cause celebre, with protests being held in support of or against him, and the news media interviewing people on the street with respect to his sexual activities. Armstrong is called before a committee of the United States Senate investigating his alleged securities fraud, where both his services to lesbians and his relationship to the "Bonasera crime family" are raised.
Armstrong's situation is compared, both by cutaway scenes and by direct reference in dialogue, to the plight of Frank Wills, the security guard who discovered the break-in that led to the Watergate scandal, which brought down President Nixon. He eventually wins the case and is seen with nineteen of the children he helped his lesbian acquaintances make at the end.
By the end of the film, Armstrong and Goodrich have come to terms with their lingering feelings for one another, and with the mutual attraction they share for Guerrero. They then begin a three-way polyamorous relationship, and Armstrong apparently maintains a friendship with all of the eighteen women who became pregnant by him.
[edit] Taglines
- One heterosexual male. 18 lesbians. His fee $10,000... each.
- 18 women want children. Jack is a white collar whistle-blower in need of a job.
- From the director of "She's Gotta Have It" and "25th Hour," a new film about one heterosexual male and 18 lesbians.
[edit] Production information
- Spike Lee came up with the title from watching XFL football. A player named Rod Smart gained some notoriety by nicknaming himself He Hate Me; the main character references Smart when explaining why he has decided to nickname his ex-fiancée "She Hate Me".
- John Henry "Jack"'s name alludes to the legend of John Henry, where the man worked hard against his opponent (the steel driving machine) and won, but soon after dies of heart failure. This symbolizes the Black man's plight against racism, classism and oppression by actively working to better himself and when he "achieves" this goal, he dies.
- Raul Midon sang the theme song for the movie, "Adam 'N' Eve 'N' Eve". In the film, Armstrong's brother disapproves of his impregnating lesbians and also uses the phrase "Adam 'N' Eve 'N' Eve.
- Actor Isiah Whitlock Jr. appears in the film as Agent Amos Flood, the same exact role he played in the Spike Lee film 25th Hour but the movies are not sequels and are completely different in style.
- This was the last film featuring Ossie Davis, as he died in February 2005.
- Some real human births are seen with accompanying graphic nudity and related bodily fluids. A live human birth is also portrayed in another Spike Lee film, Mo' Better Blues.
- Jack Armstrong is shown wearing a baseball shirt that simply reads "1918." This is a reference to the last year the Boston Red Sox won the World Series (before 2004). The Red Sox are the long-time rivals of the New York Yankees; Lee is a well-known fan of the Yankees.
- German Actor David Bennent re-appears after a long film career absence, and portrays the German scientist who 'jumps' to his end and creates one of the best, most bittersweet moments of the film. He will long be remembered as the all-observing little Oskar in V.Schloendorf's nazi-era drama 'the Tin Drum'.
[edit] Award nominations
- BET Comedy Awards
- Outstanding Directing for a Theatrical Film (Spike Lee)
- Outstanding Writing for a Theatrical Film (Michael Genet and Spike Lee)
- Black Reel Awards
- Best Breakthrough Performance (Anthony Mackie)
- Best Director (Spike Lee)
- Best Original Score (Terence Blanchard)
- Best Screenplay, Original or Adapted (Michael Genet and Spike Lee)
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