Shakespeare in Love
From Wikipedia, the free encyclopedia
Shakespeare in Love | |
---|---|
Directed by | John Madden |
Produced by | David Parfitt Donna Gigliotti Harvey Weinstein Edward Zwick Marc Norman |
Written by | Marc Norman Tom Stoppard |
Starring | Gwyneth Paltrow Joseph Fiennes Geoffrey Rush Colin Firth Ben Affleck Judi Dench Tom Wilkinson Imelda Staunton Rupert Everett |
Music by | Stephen Warbeck |
Cinematography | Richard Greatrex |
Editing by | David Gamble Christopher Greenbury |
Distributed by | Miramax Films (USA) Alliance Atlantis (Canada) Universal Pictures (non-USA/Canada) |
Release date(s) | December 3, 1998 (premiere) 11 December 1998 (limited) 25 December 1998 8 January 1999 29 January 1999 11 February 1999 25 February 1999 |
Running time | 137 min. |
Language | English |
Budget | $25,000,000 |
Gross revenue | $289,317,794 (worldwide) |
Allmovie profile | |
IMDb profile |
Shakespeare in Love is a 1998 drama/romantic comedy film. The film was directed by John Madden and co-written by playwright Tom Stoppard, whose first major success was with the Shakespeare-influenced play Rosencrantz & Guildenstern Are Dead.
The film is largely fictional, although several of the characters are based on real people. In addition, some of the characters, lines, and plot devices are references to Shakespeare's plays.
Shakespeare in Love won a number of Academy Awards in 1998, including Best Picture, Best Actress (for Gwyneth Paltrow) and Best Supporting Actress (for Judi Dench). It was the first comedy to win the Best Picture award since Annie Hall (1977) and no comedy has won the award since.
Contents |
[edit] Historical accuracy
The film makes no pretense at historical accuracy and features many comic anachronisms (such as a psychotherapist, a mug marked "A present from Stratford-on-Avon", Shakespeare leaping into a ferry and saying "Follow that boat!", and Henslowe anticipating the phrase "The show must go on!"). However, the costumes and portrayal of certain famous figures, especially Queen Elizabeth I, do in fact portray accurately the fashion and mode of the time.
[edit] Synopsis
The film centres around the forbidden love of William Shakespeare (Joseph Fiennes) and a noble woman, Viola de Lesseps (Gwyneth Paltrow). According to her actress, Viola hotly disagrees with the way men play females on stage.
To settle his debt to businessman Hugh Fennyman (Tom Wilkinson), Shakepeare's patron Philip Henslowe (Geoffrey Rush) offers Fennyman, a model of a sixteenth-century loan shark, a partnership in the upcoming production of Shakespeare's newest comedy, Romeo and Ethel The Pirate's Daughter. This play will later be renamed Romeo and Juliet and be reworked into a tragedy (but with some comical undertones with a few characters, like the Nurse).
The playwright William Shakespeare is caught with writer's block and searching for a new muse, which he finds in Viola de Lesseps, a young girl inspired by his work and in love with his rhymes. Although forbidden by the laws and customs of the 16th century Viola dresses as a man and auditions for a part in Shakespeare's new play under the alias Thomas Kent. After receiving the part of Romeo, she continues her ruse. She is eventually found out by the playwright, and the two share a secret affair. The romance between the two shows obvious allusions to scenes in Romeo and Juliet, including the ballroom scene from act 2 and the balcony scene immediately following it. The element of forbidden love forms the basis of Shakespeare's inspiration, and many of their conversations later show up as some of the most famous quotes in the play. (eg. "anon, good nurse" "What light through yonder window breaks?" "It is moonlight".)
Shakespeare begins writing feverishly, and thanks to the pressures of his romance with Viola, who is soon to be married, produces a tragedy instead of the promised comedy. Viola plays the part of Romeo throughout the rehearsals, but through her pillow-talk with William, learns Juliet's lines as well. Around this time, the pair must travel to meet the Lord Wessex (Colin Firth), a poor colonist, and Queen Elizabeth I (Judi Dench). Shakespeare dons a woman's disguise during the meeting. At one point, Viola states that she believes a play can capture the nature of true love. Wessex loudly disagrees, and Shakespeare bets an astronomical sum – fifty pounds – that such a play exists. The Queen, who loves Shakespeare's plays, agrees to be a witness to the wager. Afterwards, Wessex proposes marriage to Viola; the action breaks both her and Shakespeare's hearts.
The climax of the film comes days before Viola's wedding to Lord Wessex and the opening night of the play. The Lord of Revels, an official of the Queen, discovers that there is a woman in the playhouse and shuts down the entire company. Left without a stage and a leading role, all hope seems lost. All hope is lost for the two lovers when Viola is married. However, Shakespeare is offered one last chance by the owner of the competing theatre, an offer that allows him to play his story on a different stage. Viola receives news that the play will be acted on the day of her wedding and escapes her new husband (with the help of her nurse, portrayed by Imelda Staunton) to rush to the theater. There, she plays Juliet to Shakespeare's Romeo and their passionate portrayal of two lovers inspires the entire audience. The Lord of Revels and Wessex, who has deduced his new bride's whereabouts, arrive at the theater; the Lord invokes the name of the Queen to arrest all there. Suddenly, Elizabeth I's voice rings out from the back of the theater. She secretly witnessed the whole play.
The company moves outside to discuss the events that have transpired. Elizabeth has guessed at Thomas Kent's true identity, but she chooses to hold her tongue, as she "knows something of a woman in a man's position." However, even a Queen is powerless to break an official marriage of the Church. She orders Thomas to fetch Viola, and tells Wessex that Romeo and Juliet has truly represented a case of ultimate love. Wessex is forced to pay Shakespeare the fifty pounds, which are funds enough to become a shareholder in a new theater. The Queen then commissions Shakespeare to write something "a little more cheerful next time, for Twelfth Night." Viola and Shakespeare part, and he promises to immortalize her by making the main character of his new play a beautiful, strong young woman named Viola.
The film contains many references to other historical characters, not the least of which is Christopher Marlowe (Rupert Everett), who, in the movie, Shakespeare at first wrongly believes has been killed because he was mistaken for himself, when in fact Marlowe has died in a bar brawl of his own instigation.
[edit] Casting
This article does not cite any references or sources. (December 2007) Please help improve this article by adding citations to reliable sources. Unverifiable material may be challenged and removed. |
- Mel Gibson was the first choice to play Philip Henslowe. A cast reshuffle saw Geoffrey Rush win the part.
- Several years before the film was finally made, Michelle Pfeiffer was cast alongside Tom Hanks, but both dropped out a few weeks before filming. The project then went into turnaround at Universal Pictures, where it remained until Miramax Films resuscitated it.
- Meg Ryan, Jodie Foster, Winona Ryder, and Kate Winslet were all considered for the part eventually played by Gwyneth Paltrow.
- Ben Affleck was not considered for his role until Paltrow put him forward, supplying an audition tape to the producers that they had prepared together.
- Julie Andrews was in the running for the role of Queen Elizabeth I which eventually went to Judi Dench
[edit] References to Shakespeare's work
The main source for much of the action in the film is Romeo and Juliet, which the events in the film ultimately inspire Will to write. Will and Viola play out the famous balcony and bedroom scenes; like Juliet, Viola has a witty nurse, and is separated from Will by a gulf of duty (although not the family enmity of the play—the "two households" of Romeo and Juliet are supposedly inspired by the two rival playhouses). In addition, the two lovers are equally 'star-crossed' — they are not ultimately destined to be together (since Viola is of nobility promised to marry Earl of Wessex and Shakespeare himself is already married). There is also Rosaline, Will loves her and finds her with another man.
Many other plot devices used in the film are common in various Shakespearean comedies and in the works of the other playwrights of the Elizabethan era: the Queen disguised as a commoner, the cross-dressing disguises, mistaken identities, the swordfight, the suspicion of adultery (or, at least, cheating), the appearance of a 'ghost', and the 'play within a play'.
The film also features numerous sequences in which Shakespeare and the other characters utter words that will later appear in his plays:
- On the street, Shakespeare hears a Puritan preaching against the two London stages: "The Rose smells thusly rank, by any name! I say, a plague on both their houses!" Two references in one, both to Romeo and Juliet; first, "A rose by any other name would smell as sweet" (Act II, scene ii, lines 1 and 2); second, "a plague on both their houses" (Act III, scene i, line 94).
- Backstage of a performance of The Two Gentlemen of Verona, Shakespeare sees William Kempe in full make-up, silently contemplating a skull (a reference to Hamlet).
- Shakespeare utters the lines "Doubt thou the stars are fire, / Doubt that the sun doth move" (from Hamlet) to Philip Henslowe.
- As Shakespeare's writer's block is introduced, he is seen crumpling balls of paper and throwing them around his room. They land near props which represent scenes in his several plays: a skull (Hamlet), and an open chest (The Merchant of Venice).
- Viola, as well as being Paltrow's name in the film, is the lead character in Twelfth Night and also dresses as a man after the death of her brother.
- At the end of the film, Shakespeare imagines a shipwreck overtaking Viola on her way to America, inspiring the second scene of his next play, Twelfth Night.
- Shakespeare writes a sonnet to Viola which begins: "Shall I compare thee to a summer's day?" (from Sonnet 18).
Christopher Marlowe appears in the film as the master playwright whom everyone in the film considers the greatest English dramatist — this is accurate, yet also humorous, since everyone in the audience knows what will eventually happen to Shakespeare. He gives Shakespeare a plot for his next play, "Romeo and Ethel the Pirate's Daughter" ("Romeo is Italian...always in and out of love...until he meets...Ethel. The daughter of his enemy! His best friend is killed in a duel by Ethel's brother or something. His name is Mercutio.") Marlowe's Doctor Faustus is quoted ad nauseam: "Was this the face that launched a thousand ships/ And burned the topless towers of Ilium?"
The child John Webster who plays with mice is a reference to the leading figure in the Jacobean generation of playwrights. His plays (The Duchess of Malfi, The White Devil) are known for their blood and gore, which is why he says that he enjoys Titus Andronicus, and why he says of Romeo and Juliet when asked by The Queen "I liked it when she stabbed herself."
When the clown Will Kempe says to Shakespeare that he would like to play in a drama, he is told that "they would laugh at Seneca if you played it," a reference to the Roman tragedian renowned for his sombre and bloody plotlines which were a major influence on the development of English tragedy.
Will is shown signing a paper repeatedly, with many relatively illegible signatures visible. This is a reference to the fact that several versions of Shakespeare's signature exist, and in each one he spelled his name differently.
[edit] Controversy
After the film's release, publications including Private Eye noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S J Simon, which also features Shakespeare falling in love and finding inspiration for his later plays.
In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love"), Ned Sherrin mentioned that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the novel.
Additionally, the writers of Shakespeare in Love were sued in 1999 by Faye Kellerman, author of the book The Quality of Mercy. Ms. Kellerman claimed that the story was lifted from her book.[1]
[edit] Awards
[edit] Wins
- Academy Award for Best Picture
- Academy Award for Best Actress — Gwyneth Paltrow
- Academy Award for Best Supporting Actress — Judi Dench
- Academy Award for Best Art Direction — Martin Childs & Jill Quertier
- Academy Award for Costume Design — Sandy Powell
- Academy Award for Original Music Score — Stephen Warbeck
- Academy Award for Writing Original Screenplay — Marc Norman & Tom Stoppard
- BAFTA Award for Best Film
- BAFTA Award for Best Performance by an Actress in a Supporting Role — Judi Dench
- BAFTA Award for Best Performance by an Actor in a Supporting Role — Geoffrey Rush
- BAFTA Award for Best Editing — David Gamble
- Golden Globe Award for Best Motion Picture - Musical or Comedy
- Golden Globe Award for Best Actress - Motion Picture Musical or Comedy — Gwyneth Paltrow
- Golden Globe Award Best Screenplay - Comedy/Musical Film - Marc Norman & Tom Stoppard
- Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Motion Picture
- Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Leading Role in a Motion Picture - Gwyneth Paltrow
- Writers Guild of America Award for Best Original Screenplay — Marc Norman & Tom Stoppard
[edit] Nominations
- Academy Award for Directing — John Madden
- Academy Award for Best Supporting Actor — Geoffrey Rush
- Academy Award for Best Cinematography — Richard Greatrex
- Academy Award for Film Editing — David Gamble
- Academy Award for Makeup — Lisa Westcott & Veronica Brebner
- Academy Award for Sound — Robin O'Donoghue, Dominic Lester, Peter Glossop
- BAFTA David Lean Award for Direction — John Madden
- BAFTA Award for Best Actress — Gwyneth Paltrow
- BAFTA Award for Best Actor in a Leading Role - Joseph Fiennes
- BAFTA Award for Best Actor in a Supporting Role — Tom Wilkinson
- BAFTA Award for Best Cinematography — Richard Greatrex
- BAFTA Award for Best Original Screenplay — Marc Norman & Tom Stoppard
- BAFTA Award for Best Make Up/Hair — Lisa Westcott
- BAFTA Award for Best Sound — Robin O'Donoghue, Dominic Lester, Peter Glossop, John Downer
- BAFTA Anthony Asquith Award for Film Music — Stephen Warbeck
- BAFTA Award for Best Costume Design — Sandy Powell
- BAFTA Award for Best Production Design — Martin Childs
- Directors Guild of America Award for Outstanding Directorial Achievement in Motion Pictures — John Madden
- Golden Globe Award for Best Director - Motion Picture — John Madden
- Golden Globe Award for Best Supporting Actor - Motion Picture — Geoffrey Rush
- Golden Globe Award for Best Supporting Actress - Motion Picture — Judi Dench
[edit] Cultural influence
'Shakespeare in Love' has since been used as material in the VCE (Victorian Certificate of Education) in Australia.
[edit] External links
[edit] References
Awards | ||
---|---|---|
Preceded by Titanic |
Academy Award for Best Picture 1998 |
Succeeded by American Beauty |
Preceded by As Good as It Gets |
Golden Globe: Best Motion Picture, Musical or Comedy 1998 |
Succeeded by Toy Story 2 |
Preceded by The Full Monty |
BAFTA Award for Best Film 1998 |
Succeeded by American Beauty |
|
|