Sex and sexuality in science fiction
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Modern science fiction frequently involves themes of sex and sexuality. This was not always so. During the 1930s and 40s "golden age" of science fiction, sex was rarely, if ever, explicitly mentioned, although there was certainly no lack of innuendo and suggestion.
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[edit] The "New Wave"
Sex was rarely explicitly addressed as a topic until the New Wave science fiction of the 1960s and 1970s, which reflected its times by attempting to break earlier taboos about what could and could not be the subject of science fiction. The men's magazine Playboy published regular serious science fiction stories throughout this period, by both male and female authors, offering them significantly more scope than some other publications.
Two different themes emerged: one trying to explore the boundaries of what "sex" could mean in a world of altered humanity and reality. Separately, many writers deepened the exploration of gender in science fiction, examining issues raised by the feminist and gay movements.
[edit] Movies and TV series
Numerous science fiction television series and science fiction films have used science fiction plots as an excuse to fit in gratuitous sexual or fetishistic content: one of the conventions of much filmed science fiction appears to be that the future will be peopled exclusively by attractive people wearing skin-tight clothing in shiny materials. Nevertheless, some science fiction-themed TV shows, such as Farscape, have been acclaimed for their handling of such themes. The series Lexx features sexual themes in almost every episode, one of the main characters of Firefly is a "companion" (courtesan), and Andromeda is imbued with the carefree sexual spirit that seems to characterize the spacefaring future (or, at least, screenwriters' hopes for it).
The various Star Trek series treat sexuality in different ways. James T. Kirk earned a pop-culture reputation for bedding countless green-skinned or otherwise exotic alien women portrayed in the soft lighting characteristic of 1960s romantic pulp. Star Trek: The Next Generation, usually regarded as a pinnacle of principled (i.e., less gratuitous) science fiction TV, featured a risqué theme in episode #2 that involved sex between female officer Tasha Yar and the android Mr. Data. The focus on sexy females was ramped up in all of the subsequent series (with increasing obviousness) - notably Voyager's Seven of Nine, and Enterprise's sultry T'Pol.
The re-imagined version of Battlestar Galactica, by contrast, set out to portray sex in a more realistic fashion. The gratuity and fetishism of bad television "science fiction" were done away with in favour of more natural expressions of sexuality, both good and bad in nature. While initially ridiculed by some for its over-use of sex in certain areas, the producers were quick to point out that nothing happens on the show that hasn't been seen on shows like ER, NYPD Blue or Sex and the City multiple times already, only it was happening in space.
Sexuality in Babylon 5, in keeping with the rest of the show, was more implicitly realistic and experimental - even when used for comic effect. Interspecies mating, alien attitudes towards sex, and even alien sex and reproduction, were dealt with extensively. The series also explored purely human sexuality, including sex between telepaths, celibacy & virginity, and homosexuality.
Influential female sex symbols from movies include characters from the 1968 movie Barbarella as well as Princess Leia in Star Wars Episode VI: Return of the Jedi, where she wore a metallic bikini.
[edit] Themes explored
Some of the themes explored include:
- Sex with aliens, machines and robots
- Reproductive technology including cloning, artificial wombs, uterine replicators, and genetic engineering
- Sexual equality of men and women
- Male- and female-dominated societies, including single-sex societies
- Polyamory
- Changing gender roles
- Homosexuality and bisexuality
- Androgyny and sex changes
- Sex in virtual reality
- Other advances in technology for sexual pleasure such as teledildonics
- Asexuality
- Male pregnancy
- Sexual bonding and politics
- Sexual taboos and morality
- Sex in zero gravity
- Sex with anthropomorphs
- Birth control and other, more radical measures to prevent overpopulation
[edit] Notable works with sexual themes
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[edit] Written Works
Year | Author | Title | Comments | Ref |
1921 | Yevgeny Zamyatin | We | Sex frequency and partners are selected by the government | [citation needed] |
1932 | Aldous Huxley | Brave New World | Only promiscuity is socially acceptable and sex is completely separated from reproduction | [citation needed] |
1948 | Lisa Ben (pseud.) | New Year's Day | Depiction of futuristic utopian world in which homosexuality and gay identity are accepted | [citation needed] |
1949 | George Orwell (pseud.) | Nineteen Eighty-Four | Depiction of futuristic dystopian world in which people are indoctrinated to experience sex as joyless and mechanical in order to prevent the formation of any strong inter-personal bonds. | [citation needed] |
1953 | Theodore Sturgeon | The World Well Lost | Alien homosexuality. | [citation needed] |
1953 | Philip José Farmer | The Lovers | Arguably the first science fiction story to feature sex as a major theme | |
1960 | Philip José Farmer | Strange Relations | A collection of five stories about human/alien sexual relations | [citation needed] |
1960 | Philip José Farmer | Flesh | To counter declining male fertility, a hypermasculine antlered man ritually impregnates legions of virgins | [citation needed] |
1960 | Theodore Sturgeon | Venus Plus X | A contemporary man awakens in a futuristic place where the people are hermaphrodites. | [citation needed] |
1961 | Robert A. Heinlein | Stranger in a Strange Land | A form of group marriage in the fictional inspiration for the "Church of All Worlds" | [citation needed] |
1961 | Brian Aldiss | The Primal Urge | Emotion Register on forehead tells others when you experience sexual attraction | [citation needed] |
1962 | Naomi Mitchison | Memoirs of a Spacewoman | Interspecies mating during shore leave; aliens that change their sex | [citation needed] |
1966 | Samuel R. Delany | Babel-17 | Starship crews bonded by group sex; sexual relationships with the "discorporate" spirits of the dead | [citation needed] |
1967 | Harlan Ellison, ed. | Dangerous Visions | A collection of taboo-breaking science fiction stories | [citation needed] |
1968 | Philip José Farmer | Image of the Beast | Sexual sadism on a par with de Sade, committed by shape-shifting creatures from another world | [citation needed] |
1968 | Samuel R. Delany | Nova | First major science fiction novel with a gay male protagonist | [citation needed] |
1969 | Ursula K. LeGuin | The Left Hand of Darkness | Set in a world of androgynous people who become male or female a few days a month. | [citation needed] |
1969 | Philip José Farmer | A Feast Unknown | Superheroes' higher level of existence forces them to resort to extreme violence combined with extreme sex | [citation needed] |
1969 | Norman Spinrad | Bug Jack Barron | Graphic depiction of oral sex coupled with the publishing magazine being funded by the Arts Council leads to parliamentary question | [citation needed] |
1970 | Robert Silverberg | Tower of Glass | Genetically engineered slaves are sterile but superior in every way to their creators - graphic descriptions | [citation needed] |
1970 | Ira Levin | This Perfect Day | Programmers of "UniComp," a master computer, control every aspect of marriage and procreation; women do not grow breasts, men do not grow beards | [citation needed] |
1971 | Robert Silverberg | The World Inside | Promiscuity and procreation are culturally enforced in a world of giant city-towers | [citation needed] |
1972 | Thomas M. Disch | 334 | Flexible sexual relationships, but compulsory contraception; male pregnancy | [citation needed] |
1972 | James Tiptree, Jr. (pseud.) | 'And I Awoke And Found Me Here On The Cold Hill's Side' | Humans become fixated on sexual relationships with aliens | [citation needed] |
1972 | Harlan Ellison, ed. | Again, Dangerous Visions | A sequel to "Dangerous Visions", a collection of taboo-breaking science fiction stories | [citation needed] |
1974 | Samuel R. Delany | Dhalgren | Sexual freedom and exploitation in all conceivable combinations | [citation needed] |
1974 | Joe Haldeman | The Forever War | Homosexuality becomes universal, originally adopted as a form of population control but later becoming the norm by convention | [citation needed] |
1975 | Naomi Mitchison | Solution Three | Privileged homosexuality in a future society used as meditation on privileged heterosexuality | [citation needed] |
1975 | Joanna Russ | The Female Man | Four parallel universes, one without men, one with male sex slaves | [citation needed] |
1978 | Gardner Dozois | Strangers | Human must be surgically changed to alien to mate with his alien lover | [citation needed] |
1978 | Douglas Hill, ed. | The Shape of Sex to Come | Anthology of stories dealing with sex and sexual relations, featuring Brian Aldiss, Thomas M. Disch and Michael Moorcock. | [citation needed] |
1978 | Elizabeth A. Lynn | A Different Light (novel) | Gay sexual relationship | [citation needed] |
1979 | Diane Duane | The Door Into Fire | Gay sexual relationship; high fantasy | [citation needed] |
1979 | Elizabeth A. Lynn | Watchtower | Gay sexual relationship; high fantasy | [citation needed] |
1981 | Elizabeth A. Lynn | The Sardonyx Net | Plot revolves in large part around central character's sexual sadism | [citation needed] |
1982 | Tanith Lee | Silver Metal Lover | Human-robot sex | [citation needed] |
1983 | Isaac Asimov | The Robots of Dawn | Human-robot sex (not explicit), culture largely free from sexual taboos | [citation needed] |
1983 | Norman Spinrad | The Void Captain's Tale | Starship FTL drive powered by female orgasm | [citation needed] |
1984 | Samuel R. Delany | Stars in My Pocket Like Grains of Sand | Love, individuality and humanity are explored in this romance of a "cultural plague" survivor with cosmically idiosyncratic sexual preferences | [citation needed] |
1984 | Jeffrey M. Elliot | Kindred Spirits | First anthology highlighting gay and lesbian SF | [citation needed] |
1984-86 | Mike Resnick | Tales of the Velvet Comet | Four novels set on a spaceship bordello | [citation needed] |
1985 | Margaret Atwood | The Handmaid's Tale | Women are subjugated by men in a theocratic America; five classes of women, one only for procreation | [citation needed] |
1985 | Geoff Ryman | The Warrior Who Carried Life | Transgendered protagonist; gender issues | [citation needed] |
1986 | Theodore Sturgeon | Godbody | Religious sexuality | [citation needed] |
1986 | Joan L. Slonczewski | A Door Into Ocean | Humans engineered into an aquatic parthenogenetic race | [citation needed] |
1986 | Lois McMaster Bujold | Ethan of Athos | Reproductive scientist on a planet with no women | [citation needed] |
1989 | Spider Robinson | Callahan's Lady | A time-travelling madam runs a unique house of prostitution | [citation needed] |
1990 | Ellen Datlow (editor) | Alien Sex: 19 Tales | Notable theme anthology | [citation needed] |
1991 | Marge Piercy | He, She and It (also published as City of Glass) | A woman trains a cyborg in what it means to be human; this leads them to a sexual relationship | [citation needed] |
1993 | David Brin | Glory Season | Sexual vs. asexual reproduction | [citation needed] |
1995 | Neal Stephenson | The Diamond Age | An orgiastic culture of "drummers" in a sort of neural net functions as a means of technological advance | [citation needed] |
1997 | Nicola Griffith & Stephen Pagel (editor) | Bending the Landscape: Fantasy | The first in three genre-themed gay and lesbian anthologies | [citation needed] |
2002 | Greg Egan | Schild's Ladder | A culture in which sexual identity is an irrelevance as genital couplings are malleable, uniquely molding partners together. | [citation needed] |
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[edit] Cinema and television
Year | Written by | Title | Comments |
1968 | Terry Southern & Roger Vadim | Barbarella | Celebrated 1960s film of a science fiction comic book heroine and her sexual adventures |
1968 | Meyer Dolinsky | "Plato's Stepchildren" (Star Trek episode) | First inter-racial kiss shown on US television, between Lt Uhura and Captain Kirk |
1971 | George Lucas & Walter Murch | THX 1138 | 'Soma-like drugs used to suppress emotion, including sexual desire; characters include a holographic porn actor and scenes include a female character's use of an upright electronic device for providing sexual stimulation |
1973 | Woody Allen & Marshall Brickman | Sleeper | Orgasmatron orgasm booths after all men, except those of Italian descent, become impotent and all women become frigid |
1974 | Jason Williams & Suzanne Fields | Flesh Gordon | A campy erotic spoof of the Flash Gordon serial films from the 1930s |
1982 | Anne Carlisle & Slava Tsukerman | Liquid Sky | A comedic science fiction film in which space aliens land to feed off of endorphins released during orgasm |
1995 | Dennis Feldman | Species | An alien mimics a human in order to reproduce |
2004 | Carlos Atanes | FAQ: Frequently Asked Questions | Not only sex, but physical contact between human beings is forbidden. |
2006 | Russell T Davies, et al. | Torchwood | Every character has both heterosexual and homosexual experiences, however fleeting: 1950s time travellers allow different attitudes to sexuality and sexual conduct to be explored |
[edit] See also
[edit] External links
- Imagined Sexual Futures: reading list
- Feministsf.org: Feminist SF, Fantasy & Utopias: annotated bibliographies
- Feminist science fiction wiki
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