Sergei Lyapunov

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Lyapunov 1910 recording for Welte-Mignon
Lyapunov 1910 recording for Welte-Mignon

Sergei Mikhailovich Lyapunov (Russian: Сергей Михайлович Ляпунов, Yaroslavl, November 30, 1859 - Paris, November 8, 1924) was a Russian composer and pianist.

Contents

[edit] Life

After the death of his father, Mikhail Lyapunov, in Yaroslavl when he was about eight, Sergei, his mother, and his two brothers went to live in the larger town of Nizhny Novgorod. There he attended the grammar school along with classes of the newly formed local branch of the Russian Musical Society. On the recommendation of Nikolai Rubinstein, the Director of the Moscow Conservatory of Music, he enrolled in that institution in 1878. His main teachers were Liszt's former pupil Karl Klindworth (piano), and Tchaikovsky's former pupil and successor at the Conservatory, Sergei Taneyev (composition).

He graduated in 1883 more attracted by the nationalist elements in music of the New Russian School than the more cosmopollitan approach of Tchaikovsky and Taneyev. He went to St. Petersburg in 1885 to seek out Mily Balakirev, becoming the most important member of Balakirev's latter-day circle. Balakirev, who had himself been born and bred in Nizhny Novgorod, took Lyapunov under his wing, and oversaw his early compositions as closely as he had done with the members of his circle during the 1860s, now known as The Five. Balakirev's influence would remain the dominant influence in his creative life.[1]

In 1893, the Imperial Geographical Society commissioned Lyapunov, along with Balakirev and Lyadov, to gather folksongs from the regions of Vologda, Vyatka (now Kirov) and Kostroma. They collected nearly 300 songs, which the society published in 1897. Lyapunov arranged 30 of these songs for voice and piano and used authentic folk songs in several of his compositions during the 1890s.[1]

He succeeded Rimsky-Korsakov as assistant director of music at the Imperial Chapel, became a director of the Free Music School, then its head, as well as a professor at the St. Petersburg Conservatory in 1911. After living through the Revolution, he emigrated to Paris in 1923 and directed a school of music for Russian emigres, but died of a heart attack the following year. For many years the official Soviet line was that Lyapunov had died during a concert tour of Paris, no acknowledgement being made of his voluntary exile.[2]

Lyapunov enjoyed a successful career as a pianist. He made several tours of Western Europe, including one of Germany and Austria in 1910-1911. From 1904 he also made appearances as a conductor, mounting the podium by invitation in Berlin and Leipzig in 1907.[3]

He is largely remembered for his Douze études d'exécution transcendante written in memory of Liszt. In the spring of 1910, Lyapunov recorded some of his own works for the reproducing piano Welte-Mignon (op. 11, nos. 1, 5, and 12; op. 35).

[edit] Sources

  • Garden, Edward, Liner notes for Hyperion CDA 67326, Lyapunov: Piano Concertos 1 & 2; Rhapsody on Ukranian Themes (London: Hyperion Records Limited, 2002).
  • ed. Stankey Sadie, The New Grove Dictionary of Music and Musicians, 20 vols. (London: MacMillian, 1980). ISBN 0-333-23111-2.

[edit] References

  1. ^ a b New Grove, 11:385.
  2. ^ New Grove, 11:385-386.
  3. ^ New Grove, 11:386

[edit] Selected works

[edit] Works with opus numbers

  • Op. 1 - Three Pieces
    1. Etude in D-flat
    2. Intermezzo in E-flat minor
    3. Waltz in A-flat major
  • Op. 2 - Ballade (orchestra; 1883; also arranged for 2 pianos)
  • Op. 3 - Rêverie du soir
  • Op. 4 - Piano Concerto No. 1 in E flat minor (1890)
  • Op. 5 - Impromptu, A-flat major
  • Op. 6 - Seven Preludes
  • Op. 7 - Solemn Overture on Russian Themes (1886)
  • Op. 8 - Nocturne in D-flat
  • Op. 9 - 2 Mazurkas (1898)
  • Op. 10 - 30 Russian Folksongs
  • Op. 11 - 12 Transcendental Études (dedicated to Franz Liszt)
    1. Berceuse ("Lullaby") in F# major
    2. Ronde des Fantômes ("Ghosts' dance") in D# minor
    3. Carillon in B major
    4. Térek ("The River Terek") in G# minor
    5. Nuit d'été ("Summer night") in E major
    6. Tempête ("Tempest") in C# minor
    7. Idylle in A major
    8. Chant épique ("Epic song") in F# minor
    9. Harpes éoliennes ("Aeolian harps") in D major
    10. Lesghinka in B minor
    11. Ronde des sylphes ("Dance of the sylphs") in G major
    12. Elégie en mémoire de François Liszt ("Elegy in memory of Liszt") in E minor
  • Op. 12 - Symphony No. 1 in B minor (1887)
  • Op. 13 - 35 Russian Folksongs (1897)
  • Op. 14 - 4 songs
  • Op. 15 - Russian songs (1900)
  • Op. 16 - Polonaise (piano; later orchestrated)
  • Op. 17 - Mazurka No. 3
  • Op. 18 - Novelette
  • Op. 19 - Mazurka No. 4
  • Op. 20 - Valse pensive
  • Op. 21 - Mazurka No. 5
  • Op. 22 - Chant du crépuscule
  • Op. 23 - Valse-Impromptu No. 1
  • Op. 24 - Mazurka No. 6
  • Op. 25 - Tarentelle
  • Op. 26 - Chant d'automne
  • Op. 27 - Piano Sonata in F minor
  • Op. 28 - Rhapsody on Ukrainian Themes
  • Op. 29 - Valse-Impromptu No. 2
  • Op. 30 - 4 songs
  • Op. 31 - Mazurka No. 7
  • Op. 32 - 4 songs
  • Op. 33 - Two piano pieces from Glinka's Ruslan and Ludmilla
    1. Fairies' Lullaby
    2. Combat and Death of Tchernomor
  • Op. 34 - Humoresque
  • Op. 35 - Divertissements
    1. Loup-garou
    2. Le Vautour: jeu d'enfants
    3. Ronde des enfants
    4. Colin-maillard
    5. Chansonette enfantine
    6. Jeu de course
  • Op. 36 - Mazurka No. 8
  • Op. 37 - Symphonic Poem in Memory of Chopin "Zhelazova Vola" (Cyrillic, Жeлaзoвa Вoлa; a reference to Chopin's birth place Żelazowa Wola)
  • Op. 38 - Piano Concerto No. 2 in E major
  • Op. 39 - Three Songs
  • Op. 40 - Three Pieces
    1. Prélude
    2. Elégie
    3. Humoresque
  • Op. 41 - Fêtes de Noël
    1. Nuit de Noël
    2. Cortège des mages
    3. Chanteurs de Noël
    4. Chant de Noël
  • Op. 42 - Three songs (1910-11)
  • Op. 43 - Seven songs (1911)
  • Op. 44 - Three songs (1911)
  • Op. 45 - Scherzo (1911)
  • Op. 46 - Barcarolle
  • Op. 47 - Five Quartets (male voices)
  • Op. 48 - Five Quartets (male voices; 1912)
  • Op. 49 - Variations on a Russian Theme (1912)
  • Op. 50 - Four songs (1912)
  • Op. 51 - Four songs (1912)
  • Op. 52 - Four songs (1912)
  • Op. 53 - Hashish
  • Op. 54 - Prelude Pastorale (organ)
  • Op. 54b - Prelude Pastorale (arr. 2pf) (not confirmed if arrangement is by the composer)
  • Op. 55 - Grande Polonaise de Concert (ded. Josef Lhevinne)
  • Op. 56 - Four songs (1913)
  • Op. 57 - Three Pieces (1913)
  • Op. 58 - Prelude and Fugue (1913)
  • Op. 59 - Six Easy Pieces
    1. Jeu de paume (Playing ball)
    2. Berceuse d'un poupée (Lullaby for a doll)
    3. Sur une escarpolette (On the swings)
    4. A cheval sur un bâton (Riding on a stick)
    5. Conte de la bonne ("La vieille et l'ours") (Nurse’s story)
    6. Ramage des enfants (Children’s chatter)
  • Op. 60 - Variations on a Georgian Theme
  • Op. 61 - Violin Concerto (1915; revised 1921)
  • Op. 62 - Sacred works (mixed; 1915)
  • Op. 63 - Sextet for string quartet, double bass & piano (1915, rev. 1921)
  • Op. 64 - Psalm (1916 revised 1923)
  • Op. 65 - Sonatina (1917)
  • Op. 66 - Symphony No 2 in B flat (1917)
  • Op. 67 - ?
  • Op. 68 - Vechernyaya pesn [Evening song], Cantata for Tenor, Chorus and Orchestra (1920)
  • Op. 69 - Four songs (1919)
  • Op. 70 - Valse-Impromptu No. 3
  • Op. 71 - Four songs (1919-1920)


[edit] Works without opus numbers

  • 6 Very Easy Pieces (1918-1919)
  • Toccata and Fugue (1920)
  • Canon (1923)
  • Allegretto scherzando (1923)
  • 2 Preludes
  • Piano transcription of Pachelbel's Canon in D
  • Piano transcription of Glinka's "Kamarinskaya"

[edit] External links