Serbian epic poetry
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Serbian epic poetry is a form of epic poetry originating in the territories of today's Serbia, Bosnia and Herzegovina, Montenegro and, to a lesser extent, Croatia. The main cycles were composed by unknown authors between the 14th and 19th centuries. They are largely concerned with historical events and personages.
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[edit] Structure
Their structure contains some repeating formulas ("Dear God, a great miracle", "years of days", "writes a tiny letter", "they have fought till summer day noon") and numbers; the number three is used to such extremes that, for example, if something breaks, it always "breaks into three halves". Longer songs can have more than five hundred lines. Each line has exactly ten syllables and caesura after fourth syllable. An older form, called Bugarshtica, exists, which has fifteen to sixteen syllables. Songs could be recited, but traditionally they are sung accompanied by a musical instrument called gusle.
[edit] Corpus
The corpus of Serbian epic poetry is divided into cycles:
- Non-historic cycle
- Pre-Kosovo cycle - songs about events that predate the Battle of Kosovo
- Cycle of Marko Kraljević
- Kosovo cycle - songs about events that happened just before and after Battle of Kosovo (no song covers the battle itself)
- Post-Kosovo cycle - songs about more recent events
- Cycle of Hajduks- song about them
- Cycle of Uskoks- songs about them
- Songs about the liberation of Serbia
- Songs about the liberation of Montenegro
Songs that sing about historical events depict them with varying degrees of accuracy.
[edit] Modern Serbian Epic Poetry
Serbian epic poetry is being made even today in this same form. Modern songs sing about modern events and people, such as the Kosovo war or Radovan Karadžić. Some modern songs are published in books or recorded, and under copyright, but some are in public domain, and modified by subsequent authors just like old ones. There are new songs that mimic Serbian epic poetry, but are humorous and not epic in nature; these are also circulating around with no known author. In the latter half of the 19th century, a certain MP would exit the Serbian parliament each day, and tell of the debate over the Monetary Reform Bill in the style of epic poetry.
[edit] Excerpts
Slavic antithesis: There two pines were growing together, and among them one thin-topped fir; neither there were just some two green pines nor among them one thin-topped fir, but those two were just some two born brothers one is Pavle, other is Radule and among them little sis' Jelena.
(Marko Kraljević speaks: ) "I'm afraid that there will be a brawl. And if really there will be a brawl, Woe to one who is next to Marko!"
"Thou dear hand, oh thou my fair green apple, Where didst blossom? Where has fate now plucked thee? Woe is me! thou blossomed on my bosom, Thou wast plucked, alas, upon Kosovo!"
"Oh my bird, oh my dear grey falcon, How do you feel with your wing torn out?" "I am feeling with my wing torn out Like a brother one without the other."
[edit] Quotes
- "The ballads of Serbia occupy a high position, perhaps the highest position, in the ballad literature of Europe. They would, if well known, astonish Europe... In them breathes a clear and inborn poetry such as can scarcely be found among any other modern people." - Jacob Grimm
- "Everyone in the West who has known these poems has proclaimed them to be literature of the highest order which ought to be known better." - Charles Simic
[edit] See also
[edit] External links
- An article about Serbian oral tradition
- Songs from Kosovo cycle
- The Battle of Kosovo - Serbian Epic Poems Preface by Charles Simic Swallow Press/Ohio University Press, Athens 1987
- Heroic Ballads of Servia translated by George Rapall Noyes and Leonard Bacon, 1913
[edit] MP3s
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