Selma Meerbaum-Eisinger
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Selma Meerbaum-Eisinger (August 15, 1924 – December 16, 1942) was a Romanian-born German-language poet. A Jew, she was a victim of the Holocaust and died at the age of 18 in a labor camp in Ukraine.
Selma Meerbaum-Eisinger was the daughter of a shopkeeper Max Meerbaum in Cernăuţi (Czernowitz), a town in the Northern Bukovina region of Romania (subsequently Chernivtsi, Ukraine). Eisinger was the surname of her stepfather. At an early age she began to study literature. Her work shows a heavy influence by those she studied: Heinrich Heine, Rainer Maria Rilke, Klabund, Paul Verlaine and Rabindranath Tagore. In 1939 she began to write poetry, and was already a skilled translator, being able to translate between French, Romanian, Yiddish and her native German. After German troops invaded in 1940, and the region where she lived was ceded to the Soviet Union in July of 1941, the family was forced to relocate to the city's ghetto. In 1942 the family was deported to the Mikhailovska labor camp in rural Ukraine, where Selma soon died of typhus.
Meerbaum-Eisinger's work comprises 57 poems, which were written in pencil and hand-bound into a volume named Blütenlese (English: Blossom Vintage/The Reaping of Blossoms). 52 poems were of her own and the rest were translations from French, Yiddish and Romanian. The volume was dedicated to her love and best friend, Lejser Fichman, a year her senior. It was planned that Fichman would give the book of poems to another friend of Meerbaum-Eisinger's, who would have the book published upon its arrival in Israel. However, Fichman died en route and was unable to transmit the book. Her poems were rediscovered and published in 1980 in Germany, through the efforts of journalist and researcher Jürgen Serke. The lost volume was published in its entirety under the title Ich bin in Sehnsucht eingehüllt (English: I am engulfed in longing). An audiobook of the poems was produced in November 2005.
[edit] Style and critical reception
The poems left by Meerbaum-Eisinger are written an in a strikingly confident and lyrical impressionist style, with a generally melancholy mood throughout. Literary critics count her among the ranks of world-class poets, and fellow poet Hilde Domin said that her poems were "clear, beautiful, light, yet conveyed a sense of foreboding." Her poems, with the poems of Rose Ausländer and Paul Celan, are considered to make up an important part of the German-Jewish culture of Bukovina.
This article incorporates text translated from the corresponding German Wikipedia article as of 29 May 2006.
