Second Best (film)
From Wikipedia, the free encyclopedia
| Second Best | |
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 Second Best |
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| Directed by | Chris Menges |
| Produced by | Sarah Radclyffe |
| Written by | David Cook |
| Starring | William Hurt, Chris Cleary Miles, John Hurt |
| Music by | Simon Boswell |
| Editing by | George Akers |
| Distributed by | Warner Bros. |
| Release date(s) | 1994 |
| Language | English |
| IMDb profile | |
Second Best is a 1994 film produced by Sarah Radclyffe and directed by Chris Menges. It closely follows the 1991 novel of the same name by David Cook, who also wrote the screenplay.
Graham Holt (William Hurt) is a single man aged thirty six who attempts to adopt a 10-year-old boy. Graham is a sub-postmaster in Warwickshire, England. James Lennards (Chris Cleary Miles) is a disturbed child brought up in care. Graham wants a son, but James doesn't want another father.
Graham Holt's emotional development has been smothered by his protective parents. His mother has died and he has to care for his bed-ridden father who has had a stroke.
James has been shunted from care home to foster home, causing disruption and being unable to relate to women. He only has a vague memory of his mother when he was aged 3, but has a vivid and romantic image of his father. James' father is in prison and has spun tales of him being a mercenary in the few times they've spent together on the run.
As Graham goes through the extended vetting process to be an adoptive parent, he spies James' picture in a local journal and immediately selects him as his future son. He then has to attend classes and meet regularly with social workers. Graham and James meet and the embarrassed silences demonstrate Graham's nervousness and James' manipulation of the situtaion. He knows what he has to do and how he has to behave if he is to have any chance of adoption. Graham is not sure how to behave, nor what to say. Asked by his social worker if he's sure he really likes children, he replies in the affirmative, adding, "But I'm not sure I could eat a whole one." Later, as the young social worker mocks at his discomfit, he imagines that she thinks of him as "a grubby little man attempting to procure himself a ten-year-old boy."
As the meetings continue, Graham starts to call James 'Jamie' and he doesn't object. But he refuses to answer to Jimmy, the name his father used. Graham and his father were only close for one week in his life, when the two of them went away for a few days when Graham was aged 12. He shows pictures of that trip to James and breaks down and cries.
When James is shown the room that would be his if the 'fostering with a view to adoption' went through, he performs a calculated action. He moves towards 'the man' and places his arms around the man's waist. He then hugs him briefly, thus getting their first moment of physical contact over with quickly.
On a trip out in the car, Graham tries to explain that for the relationship to work, they should end up feeling a kind of love for each other. James asks "Would that be the same sort of love you and your father had for each other, that week you spent on holiday?" Graham has to show that he has a support network and takes James to meet Lynn, a neighbour. James notices that Lynn would like to share her life with Graham and is now jealous. He also grasps that she is trying to guess if he has been sexually abused by Graham and in what manner.
Graham decides to take James camping and the boy helps choose the equipment they need to buy. It's a happy experience and Graham notices the flicker of a look from the boy that he interprets not as love, but as holding out the possibility of a deeper relationship between man and boy. James tells Graham he will need a large sleeping bag, but Graham realises later that this was a ruse when the boy climbs into his sleeping bag at night. Graham is petrified that the human warmth, the never before experienced closeness of another body, albeit a child's body, might excite him sexually. He is also worried that the embrace by an emotionally damaged child might be a re-enactment of some form of seduction he had experienced in the past. Graham experiences an overwhelming desire to shout for joy and return the boy's embrace, but he remains still. The contact of the boy's head on his chest; his arm on his stomach and James' right leg resting on top of his, does give Graham an erection. Graham accepts that had James been a sexually aware child looking for excitement, then he might have been seduced, because of his need and longing for love, and might have 'crossed over a line that he could not cross and hope to be his parent'. Thinking about the experience later, he concludes that James recognised that Graham had to confront the 'deadly rivals' of 'sexuality and the physicality which is not sexual but gives comfort and pleasure.
After a few weekends together, Graham takes James to meet Graham's father's brother Uncle Turpin (John Hurt). Turpin questions Graham's motives, saying "It is all above board with you and the little lad, isn't it?" Turpin then tells Graham that his father had a homosexual relationship during the war and this explains some of the relationship problems Graham has had with his father.
As the man/boy relationship develops and has its ups and downs, nothing shakes Graham's belief that he is the one person who can make all the difference and that between them, they could change each other. James withdraws into himself as he is unable to geet to meet his father, then his father unexpectedly turns up at the post office, thin and suffering from AIDS. The man is dying, and Graham invites him in and he and James care for him as he lives his last few months.
The stress gets too bad for James and one cold night he gets out of bed and goes into the woods, digs himself a hole and goes to sleep in a sleeping bag inside it, just as he has aged 3 with his father. A frantic Graham searches for him, eventually finds him, enlarges the hole and goes to sleep with him in the sleeping bag.
In the morning, Graham tells James he refuses to be 'Second Best'. At the very end, Jamie walks quickly to catch up with Graham, slips his hand into Graham's, and then they walk on much more slowly in step.
