Santiago de Murcia

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Santiago de Murcia (place/date of birth unknown); died after 1732) was a Spanish guitarist and composer.

Contents

[edit] Biography

Few details about the life of Santiago de Murcia remain. He may have been related to the stringed instrument makers, Gabriel and Antonio de Murcia, but this has never been proven. Although he mentions the guitarist and composer Francisco Guerau in the introduction to his own printed collection of guitar music, there is no evidence that he actually studied with Guerau.

In his printed collection of guitar music "Resumen de acompanar" Murcia describes himself as Master of Guitar to the Spanish Queen Maria Luisa Gabriela de Savoy. She was the first wife of the first Bourbon king of Spain, Felipe V, a grandson of Louis XIV of France who succeeded to the Spanish throne on the death of Carlos II in November 1700. The marriage took place by proxy in Turin on 11th September 1701. On 3rd November marriage was re-celebrated in Figueras in Catalunya. In April 1702, Felipe V left on a tour of his Italian possessions appointing Maria Luisa as regent in his absence. There is no reason to suppose that Murcia travelled with him to Naples, Italy, or met the composers Arcangelo Corelli and Alessandro Scarlatti. Maria Luisa arrived in Madrid on 30th June and Murcia is not likely to have been appointed as her Master of Guitar before this date. It is assumed that he held the post until her death in 1714. Antonio de Murcia was appointed instrument maker to the Queen in 1704.

From 1714 Santiago de Murcia lived in the house of Jacome Francisco Andriani, Extraordinary Envoy for the Catholic Cantones (those areas of Switzerland that remained Catholic at the Reformation) and Caballero of the Order of Santiago.

Although two of the surviving manuscript collections of Murcia's music - "Passacalles y obras" and "Codice Saldivar no. 4" - came to light in Mexico in modern times, they were most probably taken there at a later date by subsequent owners. It now seems unlikely that Santiago de Murcia actually travelled to Mexico himself. "Passacalles y obras" is dedicated to a certain Joseph Alvarez de Saavedra, but it is not known whether this is the same "Joseph Alvarez" who died in Puebla in 1737.

Apparently Andriani had trading links with the Latin America, especially with Chile and Mexico. The most likely scenario is that Murcia made manuscript copies of his music for patrons which were exported to the New World.

Murcia's date of death is unknown.

One of the important aspects of the music of Murcia is his interest in a wide range of pre-existing music for guitar, including that by Spanish, French and Italian composers, and in popular dance forms which probably originated in Africa (rather than Mexico). Thus the collections offer works of different styles grouped next to one another, which certainly offers a rich and varied panorama of the baroque repertoire for guitar.

On 18th September, 2006, it was reported in the newspaper El Mercurio that the manuscript of music by Santiago de Murcia Cifras selectas de guitarra dating from 1722 had been discovered in Chile. The discovery was made by the musicologist Alejandro Vera from the Music Institute at Pontificia Universidad Catolica de Chile. The music consists of French and Spanish dances.

[edit] Works

[edit] Bibliography

  • Monica Hall: Guitar anthologies of Santiago de Murcia. Open University dissertation. English : Book, Milton Keynes : Open University, 1983. OCLC: 59292792. British Library Reference number D50374-84
  • Craig H Russell: Santiago De Murcia: Spanish theorist and guitarist of the early eighteeth century. English: Book : Thesis/dissertation/manuscript, Microform. 1981. OCLC: 25778189
  • Craig H. Russell (edited) : Santiago de Murcia's Codice Saldivar no. 4. English: Book - 2 vols. University of Illinois Press. 1995.
  • Elena Machado Lowenfeld: Santiago de Murcia's thorough-bass treatise for the baroque guitar (1714) Engels : Book : Thesis/dissertation/manuscript.1974. OCLC: 8075098
  • Neil Douglas Pennington: The development of baroque guitar music in Spain, including a commentary on and transcription of Santiago de Murcia's 'Passacalles y obras' (1732) Engels : Book. Publisher: [S.l. : s.n.], 1979. OCLC: 66179517
  • Alejandro Vera: Una nueva fuente para la música del siglo XVIII: el manuscrito Cifras Selectas de Guitarra de Santiago de Murcia (1722). Revista Resonancias Nº 18, Mayo 2006 . Facultad de Artes . Pontificia Universidad Catolica de Chile
  • Alejandro Vera : Santiago de Murcia's "Cifras Selectas de Guitarra (1722) : a new source of music for the baroque guitar" in "Early Music, Vol.15, No.2, May 2007, pp.251-269.

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