Sanditon
From Wikipedia, the free encyclopedia
| Sanditon | |
| Author | Jane Austen |
|---|---|
| Country | United Kingdom |
| Language | English |
| Genre(s) | Romantic novel |
| Publication date | 1817 |
| Media type | Print (Hardback & Paperback) |
| ISBN | NA |
Sanditon (1817), also known as Sand and Sandition, is an unfinished novel by the British novelist Jane Austen.
Contents |
[edit] Background
In Sanditon, Austen explored her interest in the verbal construction of a society by means of a town – and a set of families – that is still in the process of being formed. The manuscript for Sanditon was originally titled "The Brothers," likely after the Parker brothers in the story. After her death, her family renamed it "Sanditon." It is the third novel of Austen's named after a place; the other two, Northanger Abbey and Mansfield Park are about ancestral homes and families to which the heroine must assimilate herself.
[edit] Plot summary
The people of “modern Sanditon” (pg 22), as Austen calls it, have moved out of the “old house – the house of [their] forefathers” (22) and are busily constructing a new world in the form of a modern seaside commercial town (based on Eastbourne[1]). The town is less of an actual reality than it is an ideal of the inhabitants – one that they express in their descriptions. These inhabitants have a conception of the town’s identity and of the way in which this identity should be spread to, and appreciated by, the world:
- "My name perhaps… may be unknown at this distance from the coast – but Sanditon itself – everybody has heard of Sanditon, – the favourite – for a young and rising bathing-place, certainly the favorite spot of all that are to be found along the coast of Sussex; – the most favoured by nature, and promising to be the most chosen by man.” (Sanditon, 10-11)
However, the founders of Sanditon must create the town within their own circle of intimate acquaintances before it may be spread to the world. Each time these townsfolk meet, their “conversation turn[s] entirely upon Sanditon, its present number of visitants and the chances of a good season” (36). Thus, these people are the founders and supporters of the town by means of the images that they share through conversation; they build the town by means of words with greater facility than it is built in reality. Mr. Parker, one of the founders and most eager creators of the town demonstrates this oral formation when discussing the relation between the building of streets and the arrival of lodgers: “if we have encouragement enough this year for a little crescent to be ventured on… then, we shall be able to call it Waterloo Crescent – and the name joined to the form of the building, which always takes, will give us the command of lodgers” (23). Later, events demonstrate that there is not likely to be such an abundance of lodgers, and that the town is therefore unlikely to grow so rapidly as Mr. Parker expresses; yet, in his mind and in his communications, the town thrives.
From these conversations amongst intimates, Sanditon’s fame spreads through letters and by word of mouth. Mr. Parker’s sister sends him a letter in which she states that she has “secur[ed]… two large families… I will not tell you how many people I have employed in the business – Wheel within wheel” (31). This letter provides a perfect description of the epistolary and oral communication that furthers the creation of the town by means of reputation. But Austen develops a sense of the artificial foundation of the town by undermining the gossip with which she built it in the first chapters of the story: the two families turn out to be one – exaggerated in number by the multiple “intermediate friend[s]” (65) who had relayed the information – “Mrs. Charles Dupuis lives almost next door to a lady, who has a relation lately settled at Clapham, who actually attends the seminary and gives lessons on eloquence and Belles Lettres” (57). Austen allows the reader to imagine the development of the town’s reputation as it spread from mouth to mouth in one direction and the way in which the number of families was augmented in the other.
Thus, Sanditon is a text that demonstrates Austen's interest in the practical results of communication — an issue with which she had experimented since she used the epistolary novel form in such early works as Lady Susan.
[edit] Critical appraisal
Austen was seriously ill when she wrote the opening chapters of Sanditon; she had less than six months to live. It is thus remarkable that the book is so fresh, innovative, and original. In her last completed novel, Persuasion, Austen had depicted how men of merit and small means could rise to affluence and position by means of service in the British navy. Sanditon builds on this theme, depicting the commercial development of a small watering place and the social confusion of its society (one character is a mulatto heiress from the West Indies).
Sanditon is bitingly witty. One character, in a manner reminiscent of Austen's much earlier novel Northanger Abbey, has read so many Gothic novels that he has convinced himself "that he was formed to be a dangerous Man." Austen's satire of the hypochondriac Parker sisters (who project their hypochondria on to their brother Arthur as well) is poignant in light of her own serious illness at the time.
[edit] Continuations
Because Austen completed setting the scene for Sanditon, it has been a favorite of "continuators" - later writers who try to complete the novel within Austen's vision while emulating her style. Such "completed" versions of Sanditon include:
- Sanditon, by Jane Austen and "another lady", ISBN 0-684-84342-0; also published as Sanditon, by Jane Austen and Marie Dobbs, ISBN 3-423-12666-3 and Sanditon, by Jane Austen and Anne Telscombe, ISBN 0-395-20284-1 1
- A Completion of Sanditon, by Juliette Shapiro, ISBN 1-58939-503-4 (does not include Austen's text)
- Sanditon, by Jane Austen and completed by D.J. Eden, ISBN 0-7541-1610-7
- Jane Austen's Sanditon: A continuation, by Anna Austen Lefroy (Austen's niece), ISBN 0-942506-04-9 (also unfinished)
- Jane Austen out of the blue, by Donald Measham, ISBN 978-1-84728-648-2
- Jane Austen's Charlotte, by Jane Austen and completed by Julia Barrett, ISBN 0-87131-908-X
1 Anne Telscombe is apparently a pseudonym for Marie Dobbs, or vice versa – it is also possible they are both pseudonyms for the same person.
[edit] References
- ^ Cullen, Pamela V., "A Stranger in Blood: The Case Files on Dr John Bodkin Adams", London, Elliott & Thompson, 2006, ISBN 1-904027-19-9
- Chan, Nathan and Shirvani, Sherwin. "Hollywood Park." Ed. Jack Lin. Publishing pending.
- Austen, Jane. Sanditon and Other Stories. Ed. Peter Washington. New York: Alfred A. Knopf; Everyman’s Library, 1996.
- Spacks, Patricia Meyer. Gossip. New York: Alfred A. Knopf, Inc., 1985.
- Tomalin, Claire. Jane Austen: A Life. New York: Vintage, 1997.
[edit] External links
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