San Francisco Mime Troupe

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The San Francisco Mime Troupe was founded in 1959 by R. G. Davis as a medium of expression of his divergent theatrical concepts. The group debuted with Mime and Word (1959) and The 11th Hour Mime Show (1960). However, by 1961, the group transitioned to the Commedia dell'Arte format to more thoroughly comment on perceived political repression in the United States of America, the growing Civil Rights movement, and American military and covert intervention abroad. In the mid-1960s the group started to rely less on the direct Commedia dell'Arte format and transitioned into a more rambunctious, satirical style. It also began integrating elements of Jazz into its musical composition, eventually leading to the inclusion of a jazz band within the troupe. The group gained significant notoriety for its free performances in Golden Gate Park and numerous altercations with law enforcement.^{[citation needed]}

Contents 1 History 2 Productions 3 See also 4 Bibliography 5 External links

[edit] History

In the early 70s Mr. Davis left the Troupe when it re-formed as a Collective, the members of which operate as the Artistic Director, at which time the Troupe produced one of its most successful shows, The Independent Female (1970). In the 1980s, the group's productions retaliated against the Reagan administration with a number of socialist-angled productions. In Factwino meets The Moral Majority (1981), Factwino, an alcoholic superhero that became a recurring protagonist, bestowed wisdom upon prominent icons, such as Jerry Falwell. Steel Town (1984) characterized the plight of steel workers and the need for union solidarity. For this production, the troupe toured the Midwest, primarily in factory cities. In 1987, the troupe's style of guerrilla, Brechtian theater earned them a special Tony Award for Excellence in Regional Theater.

Some of the Troupe's more recent popular shows include Seeing Double, about a two-state solution in the Israeli/Palestinian conflict, Offshore, about the real cost of Globalization, Eating It, about genetic engineering and profit driven science, 1600 Transylvania Avenue, about corporate government feeding on public wealth, and GodFellas, a farce exposing the dangers of Fundamentalism to Democracy. The Troupe's 2007 show, Making a Killing, is about war propaganda, and the plight of Iraqis contaminated by depleted uranium.

As well as the park-based shows, the Mime Troupe also tours nationally and internationally, having performed throughout Europe, Asia, South and Central America, and has won several awards, including the 1987 Regional Theatre Tony Award. The group also facilitates community workshops. They are a nonprofit making organization. The season traditionally starts on Fourth of July weekend and ends on Labor Day weekend.

Early Mime Troupers include Saul Landau, Steve Reich, Robert Nelson, William T. Wiley, Sandra Archer, Robert Hudson, Walley Hedrick, Judy North.

Later veterans include Peter Coyote, Luis Valdez, Barry Shabaka Henley, Bruce Barthol, Joan Holden, Jim Haynie and Bill Graham.

The current San Francisco Mime Troupe Collective: Velina Brown, Ellen Callas, Christian Cagiga, Michael Carreiro, Amos Glick, Ed Holmes, Lisa Hori-Garcia, Pat Moran, Keiko Shimosato, and Michael Gene Sullivan, Victor Toman.

[edit] Productions

[edit] See also

• Living Theater
• Bread & Puppet
• Teatro Campesino
• Political theatre

[edit] Bibliography

• Mason, Susan Vaneta (2005). The San Francisco Mime Troupe Reader. Ann Arbor: University of Michigan Press. ISBN 047209842X. 
• Davis, R.G. (1975). The San Francisco Mime Troupe: The First Ten Years. Palo Alto, CA: Ramparts Press. ISBN 0878670599. 
• Orenstein, Claudia (1998). Festive Revolutions: The Politics of Popular Theater and the San Francisco Mime Troupe. Jackson, MS: University Press of Mississippi. ISBN 1578060796. Retrieved on 2008-05-30. 

[edit] External links

• The San Francisco Mime Troupe official website
• San Francisco Mime Troupe at the Internet Broadway Database
• "Staging the Revolution: Guerrilla Theater as a Countercultural Practice, 1965-1968"

v • d • e Regional Theatre Tony Award Arena Stage (1976) · Center Theatre Group / Mark Taper Forum (1977) · Long Wharf Theatre (1978) · American Conservatory Theater (1979) · Actors Theatre of Louisville (1980) · Trinity Repertory Company (1981) · Guthrie Theater (1982) · Oregon Shakespeare Festival (1983) · Old Globe Theatre (1984) · Steppenwolf Theatre Company (1985) · American Repertory Theatre (1986) · San Francisco Mime Troupe (1987) · South Coast Repertory (1988) · Hartford Stage (1989) · Seattle Repertory Theatre (1990) · Yale Repertory Theatre (1991) · Goodman Theatre (1992) · La Jolla Playhouse (1993) · McCarter Theatre (1994) · Goodspeed Musicals (1995) · Alley Theatre (1996) · Berkeley Repertory Theatre (1997) · Denver Center Theatre Company (1998) · Crossroads Theatre Company (1999) · Utah Shakespearean Festival (2000) Complete list: (1976-2000) · (2001-present)