Samuel Barlow
From Wikipedia, the free encyclopedia
Samuel Barlow (June 1, 1892 - September 19, 1982) was an American composer.
Barlow studied at Harvard University and then in New York under Percy Goetschius and Franklin Robinson; he also studied with Ottorino Respighi in Rome in 1923. He worked in civic agencies which classical music from the 1910s into the 1930s; among them was the New York Community Chorus, of which he was the first chairman. He was a regular contributor to the journal Modern Music.
His opera Mon ami Pierrot, based on the life of Jean-Baptiste Lully, was performed at the Opera-Comique in Paris on January 11, 1935; it was the first opera ever written by an American to be performed there. He wrote a symphonic concerto, Babar, which makes use of slide projectors. His works are musically conservative and show the influence of Johannes Brahms.
[edit] Works
Partial
- 3 Songs from the Chinese (voice and ensemble, 1924)
- Vocalise (1926)
- Alba (symphonic poem, 1927)
- Ballo Sardo (ballet, 1928)
- Circus Overture (1930)
- Piano Concerto (1931)
- Scherzo (string quartet, 1933)
- Spanish Quarter (piano, 1933)
- Mon ami Pierrot (opera after Sacha Guitry, 1934)
- Biedermeier Waltzes (1935)
- Babar (symphonic concerto, 1936)
- Amanda (opera, 1936)
- Aphitryon 38 (incidental music, 1937)
- Leda (1939)
- Sousa ad Parnassum (1939)
- Conversation with Tchekhov (piano trio, 1940)
- Jardin de La Notre (piano)
[edit] References
- H. Wiley Hitchcock, "Samuel Barlow". The New Grove Dictionary of Music and Musicians online.