Sam Haskins

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Sam Haskins, born Samuel Joseph Haskins, (November 11, 1926) is a photographer best known for his contribution to nude photography, pre-Photoshop in-camera image montage, and his books, the most influential of which were Cowboy Kate (1965) and Haskins Posters (1973). Since 2000 he has focused on fashion photography for Vogue, Harper's Bazaar, Allure and New York.

Contents 1 Youth 2 Education 3 Marriage and children 4 Career summary 5 Influences 6 Famous photographs by Sam Haskins 7 Slide show 8 Teaching and Assessing 9 Bibliography 9.1 Books by Sam Haskins 9.2 Books with images by Sam Haskins 9.3 Sam Haskins - Art history and criticism 10 Awards 11 Solo exhibitions 12 Group exhibitions 13 Works in Public Collections 14 Documentaries 15 Notes 16 External links

[edit] Youth

Sam Haskins was born in Kroonstad in the province of the Orange Free State of South Africa. His father Ben was a goods inspector on South African Railways. Early creative influences were fueled by an interest in magic tricks, kite making, drawing and the circus. A talented athlete, as a teenager Sam excelled at hurdling and trained with a circus, resulting in a job offer as a trapeze catcher.

[edit] Education

Formal higher education was at the Johannesburg Technical College, 1945 to 1948, where he did a general arts course followed by a part time photographic module. Between 1949 and 1951 he studied at the London School of Printing and Graphic Arts in Bolt Court, later renamed the London College of Printing and now known as the London College of Communication.

[edit] Marriage and children

Sam Haskins married Alida Elzabe van Heerden in 1952 and they have two sons; Ludwig (August 4, 1955) and Konrad (January 26, 1963). Alida gave up a career in fashion soon after their marriage to become Sam's business partner. She played a key role in the launch of his career by acting as a publishing agent for Five Girls when Sam was still an unknown photographer. She continued to negotiate worldwide publication of all subsequent Haskins books.

[edit] Career summary

Haskins started his career as an advertising photographer in Johannesburg in 1953. He ran what was probably the first modern freelance advertising studio in Africa. He produced commercial work across a very broad spectrum of photography from still life to industrial, fashion and aerial. His first formal creative output was a one-man show at a popular Johannesburg department store called John Orrs in 1960. This featured black and white photography of models in the studio and included some photographs of dolls made by the young Elisabeth Langsch, who later went on to become Switzerland's leading ceramist.

His international reputation and his signature photographic passions were established by four key books published in the 60s. Five Girls (1962) explored a fresh approach to photographing the nude female figure and contained important first explorations with black and white printing, cropping and book design which went on to become a key feature of all his subsequent books. Cowboy Kate (1964) was probably the first creative black and white book of the 20th century to deliberately explore black and white photographic grain as a medium for expression and image design. The book was highly influential at the time and went on to sell roughly a million copies worldwide and win the Prix Nadar in France in 1964. It continues to influence contemporary photographers, film makers, fashion designers and make up artists nearly five decades after its publication.

A shortage of copies of the original edition, which was selling to collectors for up to USD3,000, led Haskins to bring out a digitally remastered 'director's cut' version in October 2006, published by Rizzoli in New York. The new version of Cowboy Kate, apart from image editing and layout revisions, also features 16 pages of additional new images.

November Girl (1966) contained a number of key image collages which formed the basis of many graphic and surrealist experiments in the 1970s and 80s. African Image (1967) was a visual homage to the indigenous people, culture, landscape and wildlife of sub-saharan Africa. The images in the book represent a lifelong interest in photographing graphically stimulating environments and formally document Haskins' personal passion for indigenous craft. He broke bones on river rapids and wrote off two Volvo saloon cars on African dirt roads while shooting African Image. Despite its international award, this meticulously constructed book, celebrating a love for sub-Saharan Africa, is probably the least known of Haskins' major creative projects; nonetheless, it is coveted by serious collectors of African art and photography.

In 1968 Haskins moved to London and ran a studio in Glebe Place just off the King's Road. He worked here as an advertising photographer for a list of international consumer brands — Asahi Pentax, Bacardi, Cutty Sark Whisky, Honda, BMW, Haig Whisky, DeBeers, British Airways, Unilever and Zanders — and specialised in the art direction and shooting of calendars, especially for Asahi Pentax in Japan. Although Haskins endorsed Hasselblad for a short period in the late 60s and early 70s his loyalty to the medium format 6x7 camera and lenses from Asahi resulted in a rare longterm association between a camera manufacturer and photographer. From 1970 to 2000 Asahi Optical (later Pentax) produced 30 calendars of which Sam Haskins shot and art-directed 15 editions including the millennium calendar. No other photographer was ever invited to contribute more than once. He is still involved with the Pentax Forum Gallery in Tokyo, which hosts his exhibitions. His first contact came in 1967 when Asahi Optical presented him with a 35mm camera after hearing that he had shot African Image with various competitors' products.

In 1972 he produced his first colour book, Haskins Posters.^[1] The large-format publication contained pages printed on one side using a thick stiff paper and a soft glue perfect binding allowing the pages to be removed and used as posters. Haskins and his wife Alida successfully self-published the book internationally, with their own publishing company, Haskins Press. The book won a gold award at the New York One Show. At the time the best-known image from Haskins Posters, a girl's face superimposed on an apple with a bee near the stem, appeared on the cover or in editorials of almost every major photographic magazine around the world. This image was part of a well-publicised visual and graphic experimentation with the apple theme in the 70s that for a while resulted in photographic journalists nicknaming him 'Sam the Apple man'.

The images in Haskins Posters traversed a number of different creative themes that all became signature passions for Haskins' image-making over the next three decades; graphically strong compositions of nudes characterised by a natural essence in the models while the image-making explored themes of graphic experimentation, humour and sensual eroticism. Haskins' has a recurring theme (rooted in his training as a painter) of creating tension in the surface of his photographs between flat graphic elements and 3D chiaroscuro. These results are often achieved with sophisticated lighting and/or double exposures. A highly creative and design driven approach to lighting almost always plays a key role in Haskins' work, both in the studio and on location. He often develops complex lighting designs for a single specific shot that are never repeated. The most recent example of which is a fashion shoot for New York magazine's 75th anniversary issueshot in New York's Pier 57 studios in August 2006.^[2]

He also often sculpted and painted graphic elements for his photographs and drew inspiration from a combination of surrealism, illustration, film and modern graphic designers.

The graphic experiments first seen in Haskins Posters and related exhibitions at London's Photographer's Gallery and National Theatre resulted in a book called Photo Graphics (1980).^[3] The title of the book coined a new term in photography that has since become widely used.

Haskins' next book, Sam Haskins á Bologna (1984) resulted from an invitation by the mayor of Bologna to photograph the city.^[4] The publication was accompanied by an exhibition in the city. This project led to two more homages to visually rich locations shot over a series of visits; one in Barcelona (1991) and another in Kashmir (between 1992 and 1994).

In 2002 Haskins and his wife Alida moved to the Southern Highlands in Australia and built the third house/studio of their partnership. The move away from London resulted in a renaissance in Haskins' fashion photography. While he always had a passion for fashion from the start of his career, and Cowboy Kate influenced fashion designers who openly credited Haskins, he had not been courted by the mainstream fashion world and it is fair to say that he also did not court them. A shoot for [Yves Saint Laurent (designer)|Yves Saint Laurent] in Paris in 2002 resulted in a 'rediscovery' that led to a stream of assignments in London, New York, Paris, Tokyo and Sydney working for fashion houses and magazines.

In December 2006, a month after his 80th birthday, the first retrospective exhibition of his work (with a portraiture bias) opened at the National Portrait Gallery in Canberra (Australia). This is also his first exhibition at a national museum/gallery. ^[5] The show ran for four and a half months through to April 22, 2007.

The exhibition at the National Portrait Gallery includes several portraits of other artists never seen before including one of the late Jean-Michel Folon, a graphic artist much admired by Sam Haskins. Although one or two of the images from this personal portrait project had previously been published, the majority remained part of a quiet collection built up over decades of meeting and befriending other artists.

Sam Haskins is now concentrating on book production and exhibitions with images drawn from an archive spanning five decades. At the same time he is cherry-picking fashion assignments with a mixture of leading models and actresses as well as new faces.

[edit] Influences

Sam Haskins is unusual among photographers for also being recognised as a designer. He has on various occasions given tribute to the following artists as being an influence on his work. Photographers: Irving Penn, Richard Avedon, Edward Steichen, and Henri Cartier-Bresson. Designers and typographers: McKnight Kaufer, Paul Rand, Louis Dorfsman, Willy Fleckhaus, Alexey Brodovich, Herb Lubalin, Milton Glaser, Paul Rand, and Saul Bass. Painters: René Magritte, Surrealism, Dadaism, Impressionism, Post Impressionism, 20th Century art from Paris, Pop Art. Film makers: Federico Fellini, Carol Reed (for his directing of The Third Man), Sergei Eisenstein (primarily for the directing of Strike).

[edit] Famous photographs by Sam Haskins

The following are (with links to the author's web site) examples of signature images from his career. All these photographs proved to be popular with magazine and book editors and have been published on multiple occasions.

• Gill from Five Girls in profile[1] 1963
• The Cowboy Kate gunbelt, front view[2] 1965
• The Cowboy Kate gunbelt, rear view [3] 1965
• Masai and Pondo ladies[4] in a double page spread designed in 2006 with images taken from African Image, 1967
• Mood swings[5] a recent spread that juxtaposes the front cover from Haskins Posters with a popular expressive face from November Girl, 1973 & 1966
• The Apple Face [6] from Haskins Posters, probably the single most reproduced image by Sam Haskins, 1973
• Lindy Run [7] from Haskins Posters, an image that typifies the dynamism of Haskins fashion photography, 1973
• Delia with two fish[8] from a Pentax calendar[9] shot in the Seychelles, 1973
• Cityscape montage[10] from 'Sam Haskins a Bologna', 1984
• Maria Carla Boscono[11] shot for Vogue Japan in London 2002

[edit] Slide show

Sam Haskins developed a medium format slide show compromising up to 500 images (each displayed for 7 seconds) synchronised to music. These were shown with a traditional manual projector operated by Sam using a darkroom timer. First shown in Brighton at an international photo conference in 1970 the show was hugely popular, filling theatres, cinemas and convention halls at photo conferences and public performances in over 50 cities around the world.

The initial format of the slides was 6cmx6cm as all Sam's medium format images at that point had been shot on Hasselblad and Rolleiflex. Sam took delivery of his first 6x7 Pentax in 1970 in Tokyo but it took several years to build up a body of 6x7 slides. The conversion of the slides to 6x7 format took place in 1975 and it was at this point that the show took on a much higher profile internationally.

A small collage of tickets from these shows can be seen here.

[edit] Teaching and Assessing

Sam returned to his alma mater, The London College of Printing, in 1975 as outside assessor on the photographic diploma course, a position he maintained until 1982.

Between 1980 and 1985 he also ran one week workshops for writers, cinematographers, directors and set designers at Norwegian Television's training school in Oslo.

He also ran one week training workshops for prosumers and professionals in Italy, Sweden and South Africa in the 70s.

The rest of his teaching was usually at one day workshops at photo conferences and to groups visiting his studio. Sam maintained close links with Cyracuse University in the USA, hosting groups of visiting students at his studio in London every summer from 1975 to 1988.

[edit] Bibliography

[edit] Books by Sam Haskins

Five Girls
Concept, Photography & Design	Sam Haskins
Format	144 p, 350x270mm, Cased, Offset
Images	Black and white Photographs
Printed in	U.S.
Library of Congress catalogue No.	62-20049
Introduction by	Aaron Sussman
Hardcover Published 1962
Crown Publishing Inc.	New York
Bodley Head	London
Europäische Bücherei Hiernonimi	Bonn
Paperback
Bantam Books	New York
Corgi	London

Cowboy Kate
Concept, Photography & Design	Sam Haskins
Format	160p, 350x270mm, Cased, Gravure
Images	Black and white Photographs
Printed by	Heliographia S.A., Lausanne
Library of Congress catalogue No.	67-112870
Introduction by	Norman Hall
Text by	Desmond Skirrow
Hardcover Published 1964
Crown Publishing Inc.	New York
Bodley Head	London
Edition Prisma	Paris
Europäische Bücherei Hiernonimi	Bonn
Besige Bij	Amsterdam
Paperback
Bantam Books	New York
Corgi	London
Europaische Bucherei	Bonn
Signed Limited Edition 1974
Haskins Press	London

November Girl
Concept, Photography & Design	Sam Haskins
Format	129 p, 350x270mm, Cased, Gravure
Images	Black and white Photographs
Printed by	Heliographia S.A., Lausanne
Library of Congress catalogue No.	71-385000
Text by	Desmond Skirrow
Hardcover Published 1966
Grosset & Dunlap	New York
The Bodley Head	London
Edition Prisma	Paris
Europäische Bücherei Hiernonimi	Bonn
Paperback
Bantam Books	New York
Corgi	London

African Image
Concept, Photography & Design	Sam Haskins
Format	160p, 350x270mm, Cased, Gravure
Images	Black and white Photographs
Printed by	Heliographia S.A., Lausanne
Library of Congress catalogue No.	(no number assigned)
Foreword by	L. Fritz Gruber
Hardcover Published 1967
Thomas Crowell	New York
Bodley Head	London

Haskins Posters
Concept, Photography & Design	Sam Haskins
Front Cover Design/Typography	Alan Fletcher at Pentagram
Format	32 p, 480x350mm, Soft Cover, removable pages
Images	Colour and Black and White Photographs
Printed by	Lichtdruck AG, Dielsdorf
Library of Congress catalogue No.	73-176000
Foreword by	Sam Haskins
Softback (main edition) Published 1972
Haskins Press	London
Thomas Crowell	New York
Fitzhenry	Toronto
Westside Ltd	Toronto
KKK	Tokyo
Europäische Bücherei Hiernonimi	Bonn
Limited Edition Hardback Published 1972
Cover Design by	Paul Colsell at Pentagram

Photo Graphics
Concept, Photography & Design	Sam Haskins
Format	100 p, 310x245mm, Cased, Offset
Images	Black and white and colour photographs
Printed by	Rotovision, Geneva
Library of Congress catalogue No.	82-126090
Hardcover Published 1980
Rotovision S.A.	London
Rotovision S.A.	Geneva
Colucci Edizione	Milan
Nippon Geijutsu Shp.	Tokyo

Sam Haskins a Bologna
Concept, Photography & Design	Sam Haskins
Format	88p, 280x240mm, Soft Cover, Offset
Images	Black and white and Colour Photographs
Printed in	Bologna
Library of Congress catalogue No.	(no number available)
Introduction by	Profs. Carlo Gentile & Renzo Renzi
Hardcover Published 1984
Graphis Edizione	Bologna

Cowboy Kate (Director's Cut)*
Concept, Photography & Design	Sam Haskins
Format	194p, 350x270mm, Cased, Offset
Images	Black and white Photographs
Printed in	China
Library of Congress catalogue No.	2006923016
Foreword by	Philippe Garner
Introduction by	Norman Hall
Text by	Desmond Skirrow
Hardcover Published 2006
Rizzoli	New York

• 'Cowboy Kate and other stories - Director's Cut' published in 2006 is entirely digitally remastered by the author with edits to the original story and 16 additional pages of images. Printed in offset litho as opposed to the original which was photo gravure printed in Switzerland.

[edit] Books with images by Sam Haskins

Year	City	Title	Editor/Author
1964	Tokyo	Photography of the World	Heibonsha Ltd
1966	Cape Town	Silver Images	Dr A Bensusan
1966	London	British Journal of Photography Annual	Arthur Dalladay
1966 + '68, '71-'75, '77-'82, '84	Zurich	Photographis	Walter Herdeg
1968	London	British Journal of Photography Annual	Arthur Dalladay
1970	Geneva	Art Director's Index to Photographers1	Rotovision
1970 +'71, '73, '75, '77	Tokyo	Pentax Forum	Pentax
1970	Munich	4 Meister der erotischen Fotografie	Photokina
1970	Cologne	Photokina Bilder und Texte	Photokina
1971	London/New York	Views on Nudes	Bill Jay
1972	London	The Century - 100 Years of Posters	Bevis Hillier
1974	Zurich	Graphis Posters	Walter Herdeg
1974	New York	The One Show	New York Art Director's Club
1974	Zurich	Graphis Posters	Walter Herdeg
1975	Friburg	Friburg International Trienalle	Friburg Museum of Art
1976	London	Graphis Glamour Calendar Art	Michael Colmer
1977	London	Photography 35mm Camera	R H Mason
1977	Tokyo	Asahi Pentax Annual	Pentax
1977	Cologne	Geschichte der Fotografie im 20 Jh.	Peter Tausk
1977	London	Masterpieces of Erotic Photography	Aurum Press
1978	Friburg	Friburg International Triennale	Friburg Museum of Art
1978	Brno	Brno Biennale '78	8th Graphic Art
1978	Cologne	Dumont Foto 1	Fotokunst Int.
1978	London	The Visual Dictionary of Sex	MacMillon
1978	London	Modern Publicity	Van Nostrand Reinhold
1979	London	The Erotic Arts	Peter Webb
1980	Zurich	Graphis, Photographics	William B McDonald
1981	Milan	Women in the Magic Mirror	Bert Hartkamp
1982	London/New York	The Dictionary of Visual Language	Philip Thompson & Peter Davenport
1983	Cambridge	The Autograph Book
1984	Hamburg	Die Schönen Geschöpfe - Tierfotos	Stern
1984	Hamburg	Der Erotische Augenblick	Stern Bibliothek
1985	Munich	Das Aktfoto	Münchner Stadtmuseum
1985	London	Photographers Encyclopedia International 1893 to the Present	Michele Auer & Michel Auer
1986	Schaffhausen	Ansichten vom Körper	Michael Kohler
1987	London	The Naked and the Nude	Jorge Lewinsky
1987 to 1997 inclusive	Tokyo	Pentax Annual	Pentax
1989	Rochester	Professional Photographic Illustration	LoSapio
1990	New York	Angels - An Endangered Species	Malcolm Godwin
1990	North Abbot	The Tree	Peter Wood
1995	Munich	Twen, Revision einer Legende	Michael Koetzle
1995	London	Contemporary Photographers 3rd Edition	Martin Evans
1997	Paris	Love in the 20th Century	F. Montreynaud
1997	Munich	Willy Fleckhaus	Michael Koetzle & Carsten M Wolf
2000	New York	Cross	Kelly Klein
2000	U.S.	Emerging Bodies / Polaroid	Barbara Hitchcock
2004	Piermont	Mary McFadden, High Priestess of High Fashion, A life in Haute Couture	Mary McFadden & Ruta Saliklis
2004	Paris	Belles en Vogue	Florence Müller
2006	Paris	Nus : Les plus grands photographes du monde	Anthony LaSala
2007	Paris	Livres de nus	Alessandro Bertolotti

(1) The Art Director's Index is a paid entry publication but on this occasion the publishers requested editorial material from Sam.

[edit] Sam Haskins - Art history and criticism

Year	City	Book Title	Author	Publisher
1976	Paris	La Photo	Chenz & Jeanloup Sieff	Denoël
1980	London	Photography in the 20th Century	Petr Tausk	Focal Press
1983	London	How Famous Photographers Work	Jack Schofield	Watson-Guptil
1985	Prague	Creative Colour Photography	Petr Tausk	Focal Press
1986	Frankfurt	Modern Colour Photography '36-'86
1987	London	Masters of Photography	D. Mrazkova	Hamlyn
1996	New York	Art Fundamentals - Theory & Practice	Otto Ocvirk	McGraw Hill
1997	Oxford	The Story of Photography	Michael Langford	Focal Press
1998	Munich	Nude Photography - masterpieces from the past 150 years	Peter-Cornel Richter	Prestel
2001	New York	Masters of the 20th Century(1)	Mervyn Kurlansky	Graphis
2004	Gothenburg	The Open Book - A history of the photographic book from 1878	Andrew Roth	Hasselblad Center
2005	Switzerland	The World's Top Photographers - Nudes.	Anthony la Sala	Rotovision

(1) Masters of the 20th Century is a book featuring graphic designers and typographers with the work of only two photographers, viewed in this context as photographic illustrators; Sam Haskins and Rankin Waddell.

[edit] Awards

Year	City	Award	Presented for;	Award Organisation
1964	Paris	Prix Nadar	Cowboy Kate and other stories	Prix Nadar
1969	Jerusalem	Silver Medal	African Image	International Art Book Competition
1974	New York	Gold Award	Haskins Posters	New York Art Director's Club
1980	New York	Book of the Year	Photo Graphics	Kodak

[edit] Solo exhibitions

Year	City	Exhibition	Location
1960	Johannesburg	Photographic Illustration	Orrco Theatre
1970	Tokyo	Sam Haskins	Pentax Gallery
1970	Tokyo	Sam Haskins '70	Isetan Gallery
1972	London	Haskins Posters	Photogephers Gallery
1973	Paris	Haskins Posters	FNAC Gallery
1973	Tokyo	Haskins Posters	Isetan Gallery
1974	Amsterdam	Haskins Posters	Canon Gallery
1974	London	Pentax Calendar '75	Pentax Gallery
1976	Tokyo	Scandinavian Landscapes	Isetan Gallery
1976	London	Calendar '77	Pentax Gallery
1979	London	New Work	Pentax Gallery
1980	London	Photo Graphics	National Theatre
1980	London	Photo Graphics	Kodak Gallery
1980	Norwich	Photo Graphics	Sainsbury Centre
1980	Bath	Photo Graphics	RPS Gallery
1981	Glasgow	Photo Graphics	Hillhead Gallery
1981	Rotterdam	Photo Graphics	Pentax Gallery
1981	Zurich	Photo Graphics	Pentax Gallery
1981	Tokyo	Photo Graphics	Pentax Forum
1981	New York	Photo Graphics	Neikrug Gallery
1984	Bologna	Sam Haskins a Bologna	Galleria d'Accursio
1985	Tokyo	The Best of Sam Haskins	Pentax Forum
1986	Osaka	The Best of Sam Haskins	Printemps
1987	London	Graphic Work	Saatchi & Saatchi
1987	Tokyo	Calendar '88	Pentax Forum
1990	Tokyo	The Image Factor	Pentax Forum
1990	Osaka	The Image Factor	Pentax Forum
1991	Auckland	The Image Factor	Conference Centre
1991	Sydney	The Image Factor	Conference Centre
1991	Hong Kong	The Image Factor	Conference Centre
1992	Tokyo	Remember Barcelona	Pentax Forum
1992	Osaka	Remember Barcelona	Pentax Gallery
1992	Glasgow	Now & Then	MNS Photocolor
1993	Tokyo	Hearts	Pentax Forum
1993	Osaka	Hearts	Pentax Gallery
1996	Tokyo	Sam Haskins - Monochrome	Pentax Forum
1996	Osaka	Sam Haskins - Monochrome	Pentax Gallery
1999	London	Innovations & other stories	Focus Gallery
2000	Berlin	Image²	Gallery Argus Fotokunst
2003	New York	Sam Haskins	Michael Gallagher Gallery
2004	Paris	Sam Haskins	Marlat
2004	Amsterdam	Sam Haskins	Gallery Wouter van Leeuwen
2006-2007 (December 8 - April 22)	Canberra	Sam Haskins - Portraits & Other stories[12]	National Portrait Gallery

[edit] Group exhibitions

Year	City	Exhibition	Gallery
1970	Cologne	4 Masters of Erotic Photography	Photokina '70
1970	Europe	4 Masters of Erotic Photography	(Toured Europe)
1972	London	Who Are You	Gimpel Fils Gallery
1973	Hamilton (Canada)	Top 10 Photographers	Mc Masters University
1985	Munich	Das Aktfoto	Münchner Stadtmuseum
1986	Germany	Das Aktfoto	(Toured Germany)
1986	Cologne	50 yrs. Modern Colour Photography	Photokina
1989	Prague	150 Years of Photography	Narodni Gallery
1995	Munich	Twen Magazine	Münchner Stadtmuseum
2005	New York	The Open Book: A History of the Photographic Book from 1878 to the Present [13]	International Center of Photography
2007	London	Fashion [14]	Michael Hoppen Gallery

[edit] Works in Public Collections

• Victoria and Albert Museum, London
• National Portrait Gallery (Australia), Canberra

[edit] Documentaries

Year	City	Title	Production Company
1973	London	Sam Haskins	William Webb
1987	Locarno	Grandii Fotografi	Polyvideo SA
1990	London	Sam Haskins - Pentax 67	Luke Jeans
2002	London	Oral History of British Photography	British Library Sound Archives

[edit] Notes

1. ^ Haskins Posters on Haskins' site.
2. ^ Fashion shoot, anniversary.
3. ^ Photo Graphics at Haskins' site.
4. ^ Sam Haskins á Bologna at Haskins' site.
5. ^ ExhibitionNational Portrait Gallery - Canberra. First retrospective show.

[edit] External links

• Haskins' site
• Haskins' blog