Sabbath Bloody Sabbath
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| Sabbath Bloody Sabbath | |||||
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| Studio album by Black Sabbath | |||||
| Released | December 1, 1973 | ||||
| Recorded | 1973 | ||||
| Genre | Heavy metal | ||||
| Length | 42:35 | ||||
| Label | World Wide Artists Vertigo Warner Bros. (US/Canada) |
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| Producer | Black Sabbath | ||||
| Professional reviews | |||||
| Black Sabbath chronology | |||||
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Sabbath Bloody Sabbath is the fifth studio album by the British heavy metal band Black Sabbath, released in 1973.
With this album, the band expanded upon their slow, crunching style of music and included synthesizers, strings, keyboards and more complex, orchestral arrangements.
Contents |
[edit] Recording
Following the 1972-1973 world tour in support of their Volume 4 album, Black Sabbath again returned to Los Angeles, California to begin work on their next album. Pleased with the Volume 4 album, the band sought to recreate the recording atmosphere, and returned to the Record Plant Studios with new producer and engineer Tom Allom. Although the album credits the band's manager Patrick Meehan as producer, guitarist Tony Iommi said "Meehan's ego got involved, and he stuck his name down as producer".[1] With new musical innovations of the era, the band were surprised to find that the room they had used previously at the Record Plant was replaced by a "giant synthesizer". The band rented a house in Bel Air and began writing in the summer of 1973, but due in part to substance issues and fatigue, were unable to complete any songs. "Ideas weren't coming out the way they were on Volume 4 and we really got discontent" Iommi said. "Everybody was sitting there waiting for me to come up with something. I just couldn't think of anything. And if I didn't come up with anything, nobody would do anything."[1]
After a month in Los Angeles with no results, the band opted to return to England, where they rented Clearwell Castle in The Forest of Dean, Gloucestershire. "We rehearsed in the dungeons and it was really creepy but it had some atmosphere, it conjured up things, and stuff started coming out again".[2] While working in the dungeon, Iommi stumbled onto the main riff of "Sabbath Bloody Sabbath", which set the tone for the new material. Yes keyboardist Rick Wakeman was brought in as a session player, appearing on "Sabbra Cadabra" and "Who Are You".[3]
[edit] Music and lyrics
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Please help improve this section by expanding it. Further information might be found on the talk page or at requests for expansion. |
Building off the stylistic changes introduced on Volume 4, new songs incorporated synthesizers, strings, keyboards and more complex arrangements. Lyrics of some songs on the album were written about problems within the band at the time. "Killing Yourself to Live" was written by bassist Geezer Butler while in hospital for kidney problems caused by heavy drinking. Drummer Bill Ward was also suffering from binge drinking, and the song reflects the problems caused by their "extreme" lifestyles. Similarly, the lyrics of "Sabbath Bloody Sabbath" appear to be inspired by the band's frustration with their former manager, and the sense of betrayal they had felt at times.
[edit] Artwork
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Please help improve this section by expanding it. Further information might be found on the talk page or at requests for expansion. |
Drew Struzan was the artist requested to do the cover painting. It depicts a man on a bed, seemingly having a nightmare or a vision of being attacked by demons in human form. At the top of the bed is a large skull with long, outstretched arms and 666 (the Number of the Beast) written below it.
[edit] Release and reception
Black Sabbath released Sabbath, Bloody Sabbath on December 1, 1973. For the first time in their career, the band began to receive favourable reviews in the mainstream press, with Rolling Stone calling the album "an extraordinarily gripping affair", and "nothing less than a complete success".[4] Later reviewers such as All Music's Ed Rivadavia cite the album as "a masterpiece, essential to any heavy metal collection", while also displaying "a newfound sense of finesse and maturity".[5] The album marked the band's fifth consecutive platinum selling album in the United States. It reached number four on the UK charts, and number eleven in the US.
The band began a world tour in January 1974, which culminated at the California Jam festival in Ontario, California on April 6, 1974. Attracting over 200,000 fans, Black Sabbath appeared alongside such '70s rock giants as Deep Purple, Earth, Wind & Fire and The Eagles. Portions of the show were telecast on ABC Television in the US, exposing the band to a wider American audience.
[edit] Track listing
All songs by Tony Iommi, Geezer Butler, Ozzy Osbourne and Bill Ward.
[edit] Side one
- "Sabbath Bloody Sabbath" – 5:45
- "A National Acrobat" – 6:16
- "Fluff" – 4:11
- "Sabbra Cadabra" – 5:59
[edit] Side two
- "Killing Yourself to Live" – 5:41
- "Who Are You?" – 4:11
- "Looking for Today" – 5:06
- "Spiral Architect" – 5:29
[edit] Personnel
- Ozzy Osbourne – vocals, synthesizer
- Tony Iommi – all guitars, piano, synthesizer, organ, flute
- Geezer Butler – bass guitar, synthesizer, mellotron
- Bill Ward – drums, tympani
- Rick Wakeman – keyboards, synthesizer, piano on "Sabbra Cadabra" and "Who Are You"
- Will Malone – conductor, arranger
[edit] Release history
| Region | Date | Label | Notes |
|---|---|---|---|
| United Kingdom | 1 December 1973 | World Wide Artists | |
| United States | January 1974 | Warner Bros. Records | |
| Canada | ??? | Warner Bros. Records | |
| United Kingdom | 1986 | Castle Communications | released under their "That's Original" series as a double album with Black Sabbath. |
| United Kingdom | 2004 | Sanctuary Records |
[edit] References
- ^ a b Rosen 1996, p. 76
- ^ Rosen 1996, p. 77
- ^ Rosen 1996, p. 79
- ^ Fletcher, Gordon (Feb 1974). Sabbath, Bloody Sabbath Album Review. Roling Stone Magazine #154, February 14, 1974. Retrieved on 2008-02-25.
- ^ Rivadavia, Ed. Sabbath, Bloody Sabbath AMG Review. Allmusic.com. Retrieved on 2008-02-25.
