Ruth Dudley Edwards

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Ruth Dudley Edwards is an Irish historian, crime novelist, journalist and broadcaster.

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[edit] Background

Dudley Edwards was born and brought up in Dublin and educated at University College Dublin and Girton College, Cambridge. Her father was the distinguished Irish historian Professor Robert Dudley Edwards. Her brother Owen Dudley Edwards is a historian at Edinburgh University. She married a fellow UCD graduate, the journalist Patrick Cosgrave in 1965 but they later divorced [1].

[edit] Works

Her non-fiction books include An Atlas of Irish History, James Connolly, Victor Gollancz: A Biography (winner of the James Tait Black Memorial Prize), The Pursuit of Reason: The Economist 1843-1993, The Faithful Tribe: An Intimate Portrait of the Loyal Institutions (shortlisted for Channel 4/The House Politico’s Book of the Year) and Newspapermen: Hugh Cudlipp, Cecil King and the glory days of Fleet Street. Her Patrick Pearse: The Triumph of Failure (winner of the National University of Ireland Prize for Historical Research), first published in 1977, has just been reissued by Irish Academic Press. At present she is finishing a book about the civil case against the Omagh bombers.

Also a crime fiction writer, her novels include: Corridors of Death, The Saint Valentine's Day Murders, The English School of Murder, Clubbed to Death, Matricide at St. Martha's, Ten Lords A-Leaping, Murder in a Cathedrals, Publish and Be Murdered, Anglo-Irish Murders, Carnage on the Committee, and Murdering Americans.

[edit] Reviews

Following the Cannes prize announcement, for The Wind That Shakes the Barley, Irish Historian Ruth Dudley Edwards wrote in the Daily Mail on 30 May 2006 that Loach's political viewpoint "requires the portrayal of the British as sadists and the Irish as romantic, idealistic resistance fighters who take to violence only because there is no other self-respecting course,"[2] and attacked his career in an article containing inaccuracies.[3] The following week, Edwards continued her attack in The Guardian, admitting that her first article was written without seeing the film (which at that stage had only been shown at Cannes), and asserting that she would never see it "because I can't stand its sheer predictability."[4]

[edit] References