Rolf Billberg
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| Rolf Billberg | |
|---|---|
| Born | August 22, 1930 Lund, Sweden |
| Died | August 17, 1966 (aged 35) |
| Genre(s) | Bebop |
| Instrument(s) | Alto saxophone (primary) Tenor saxophone, Clarinet |
| Years active | 1950s—1960s |
| Associated acts | Simon Brehm, Lars Gullin, Ib Glindemann, Carl-Henrik Norin, Nils Lindberg |
Rolf Billberg (August 22, 1930—August 17, 1966) was a Swedish alto saxophone player active during the 1950s and 1960s.
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[edit] Biography
Rolf Billberg was born in Lund, Sweden on August 22, 1930 and grew up living with his mother in Gothenburg. At age 17 Billberg began playing clarinet and playing with the an Uddevalla millitary band for four years. He then made the switch to the tenor saxophone and worked with local bands in Visby, Borås and Gothenburg, going to Stockholm in 1954 to join the Simon Brehm orchestra. From 1954—1955 Billberg also worked with Lars Gullin and made some recordings with him. In 1955 he worked in Copenhagen, Denmark with the Lasse Wanderyd orchestra and later for the Ib Glindemann orchestra in 1956. From 1956—1957, Billberg was performing in various American clubs located in Germany and France with vibraphonist Vera Auer. It was during this period that Billberg made the switch to alto saxophone.[1]
In 1957 he began working with the Carl-Henrik Norin orchestra in Stockholm. Over the coming years he would work frequently in Copenhagen with groups such as the Jazz Quintet 60 and the Danish Radio Jazz Orchestra. Back in Sweden he continued his work with Lars Gullin and also worked frequently with trumpet player Jan Allan. In 1966 he joined the Danish Radio Big Band (led by Ib Glindemann), spending the summer in Gothenburg helping to look after his mother's hotel there. There he became seriously ill and died on his way to the hospital on August 17, 1966.[1]
The liner notes to the CD Rare Danish Recordings 1956-1957 states that:
According to the most credible jazz witnesses in Denmark and Sweden...Billberg was an extroverted artist with a gluttonous appetite for life and all it has to offer – including intoxicants, which came to affect both his emotional and physical health - but never stopped his love of playing in all tempos and keys.[2]
[edit] Criticism
Music broadcaster Peter H. Larsen has drawn comparisons between Billberg's lyricism and that of American Lee Konitz.[2]
[edit] Discography
- 1955-1956: Lars Gullin with Chet Baker, Vol. 1 (1955) Dragon Records
- Great Lars Gullin, Vol. 1 (1955) Dragon Records
- Sax Appeal & Trisection (1963) by Nils Lindberg (Dragon Records)
- 1944-1955, Vol. 3: Late Summer (1995) by Lars Gullin (Dragon Records)
- Symphony No. 1 & Jazz From Studio A (1998) by Nils Lindberg (Dragon Records)
- 50 Years on Stage (2002) by Ib Glindemann (Edel Mega)
- Stan Kenton with the Danish Radio Big Band (2003) Storyville Records
- Darn That Dream (2002) Dragon Records
- Brand New! Swedish Jazz, Vol. 9: 1960-1964 (2004) Caprice Records
- Rare Danish Recordings 1956-1957 (2005) Storyville Records
- Altosupremo (2007) Anagram Records
[edit] Notes
- ^ a b Knox, Keith (2006). A Swedish jazzlegend. Mickey Billberg.
- ^ a b *Larsen, Peter H.. Rare Danish Recordings (liner notes). Storyville Records.
[edit] References
- Larsen, Peter H. (2005). Rare Danish Recordings 1956-1957 (liner notes). Storyville Records.
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