Rick Danko
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| Rick Danko | |
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 Rick Danko performing in The Last Waltz.
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| Background information | |
| Birth name | Richard Clare Danko |
| Born | December 29, 1942 Green's Corners, Ontario |
| Died | December 10, 1999 (aged 56) Marbletown, New York |
| Genre(s) | Rock and roll, R&B, rock, blues, country, folk rock, folk |
| Occupation(s) | Singer, bassist |
| Instrument(s) | Singing, bass guitar, upright bass, fiddle, guitar, mandolin, accordion, trombone |
| Years active | 1960–1999 |
| Label(s) | Capitol, Arista, Rykodisc, Woodstock, Breeze Hill |
| Associated acts | The Band, The Rick Danko Band, Eric Andersen, Jonas Fjeld, Ringo Starr and His All-Starr Band, Levon and the Hawks, Ronnie Hawkins, Bob Dylan, Paul Butterfield |
Richard Clare "Rick" Danko (December 29, 1942 – December 10, 1999) was a Canadian musician and singer, best known as a member of The Band.
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[edit] Early years (1942–1967)
The third of four sons, Danko was born at the tail end of 1942 in Green's Corners, a farming community outside of the town of Simcoe, Ontario, to a musical family of Ukrainian Canadians. Growing up (as his future bandmates also did) in front of the family radio, he was exposed to country and R&B music at an early age. His musical heroes included Hank Williams and Sam Cooke. He also drew inspiration from the music of his older brother Maurice (known by family and friends as "Junior").
At the age of 14, Danko left school to pursue music. At 17, already a five-year music veteran, he booked himself as the opening act for Ronnie Hawkins, an American rockabilly singer whose group, The Hawks, were considered to be one of the best in Canada. (Among those already in the group were drummer Levon Helm, who had joined Hawkins in 1957 before Hawkins ventured north, and lead guitarist Robbie Robertson, who had joined in 1960.)
Hawkins, impressed by Danko, asked him to join The Hawks as rhythm guitarist. Around this time, Hawks bassist Rebel Paine was fired by Hawkins, who, wasting no time, had Danko learn bass, given help by other members of the band. By September 1960 he was Hawkins' bassist, using the Fender VI six-string bass, then switching to a Fender Jazz Bass.
Soon joined by pianist Richard Manuel and organist/reedsman Garth Hudson, The Hawks played concerts with Hawkins through mid-1963, when an altercation between Danko and Hawkins led Danko, Helm, Robertson, Manuel and Hudson (as well as reedsman Jerry Penfound and occasional singer Bruce Bruno) to give their two-weeks' notice. Initially performing as the Levon Helm Sextet (as Helm had accumulated the most time with Hawkins), they later became The Canadian Squires before finally being called Levon and the Hawks.
Playing a circuit that stretched in an arc from Ontario to Arkansas, they became known as "the best damn bar band in the land". By 1965, with two singles under their belts (and Penfound and Bruno long gone), they met the legendary blues harmonicist and vocalist Sonny Boy Williamson, and planned a collaboration with him as soon as he returned to Chicago. Unfortunately for the group (who on went to play a four-month stand of gigs in New Jersey immediately afterward), Williamson died within days of their meeting and the collaboration never happened.
Around the same time, however, Bob Dylan contacted them, and they became his backing group. The nature of Dylan's tour, however, became too much for Helm, who departed in November.
Through May of 1966, Dylan and the remaining foursome, (together with pick-up drummers, including actor/musician Mickey Jones), traveled across America, Australia and Europe, playing new versions of Dylan classics. After the final shows in England, Dylan retreated to his new home in Woodstock, New York, and the Hawks joined him shortly thereafter.
[edit] The Band (1968–1977)
It was Danko who had found the pink house on Parnassus Lane, just off Stoll Road. He, Hudson and Manuel quickly moved in, with Robertson ensconcing himself nearby. The music that the group had been performing with Dylan, was moved to the basement of the hangout quickly dubbed "Big Pink". The sessions, which began about May 1967, ended around October 1967.
Around the same time, Dylan and his backing group parted ways after his motorcycle crash, eventually with Dylan going to Nashville to record John Wesley Harding and The Hawks beginning demo recordings for their first album. Songs like "Yazoo Street Scandal", "You Don't Come Through", "Ferdinand The Imposter", "Beautiful Thing" and "Words And Numbers" were completed by January 1968 (with Helm returning to the fold sometime between August and November), and their manager, Albert Grossman, secured them a recording deal with Capitol Records.
Working over the next few months, the five-piece churned out what would become their debut album, Music From Big Pink. Touring behind the album, however, was not to be; Danko was severely injured in a car accident, breaking his neck and back in six places, which put him in traction for months. (It would be April 1969 before the group finally debuted in concert as The Band, at Bill Graham's Winterland in San Francisco.)
By this time, they were already hard at work on their eponymous second album. On that record, better known as "The Brown Album," Danko sang what would become two of his signature songs—and two of the group's best-loved classics: the reflective yet whimsical story-song "When You Awake" and the achingly poignant "The Unfaithful Servant." Both songs exemplified Danko's talents as a lead singer and showcased his naturally plaintive, almost mournful, voice, which would become part of the signature vocal style for which he was known.
The Band's albums were defined by each member—Robertson's lyrics and guitar work, Helm's "bayou folk" drumming and Southern voice, Manuel's Ray Charles-like vocals and rhythmic piano, and Hudson's arrangements and genius behind whatever he fancied playing. But Danko's iconic tenor, his on-top-of-the-melody harmonies, and his percussive, melodic bass-playing style were an integral part of the group's sound. He eventually moved from the Fender Precision Bass to an Ampeg fretless model and later a Gibson Ripper for The Last Waltz.
[edit] Later years (1977–1999)
Though The Band had performed its farewell concert at Winterland in November, 1976 (The Last Waltz), Danko had no intention of calling it quits. Clive Davis offered him a contract with Arista Records, making him the first Band member to record a solo album. Issued in 1977, his self titled début featured each of his bandmates as well as Ronnie Wood and Eric Clapton. Primarily recorded at the Band's California Studio, Shangri-La, it is the best and most accessible example of a member of The Band's solo career. The poor showing of the album, however, (it barely cracked the Billboard 200), destined it for rarity status, and although he recorded a follow-up album, Danko was dropped from Arista. (The follow-up album, presumed lost for many years, was finally released as a part of 2005's Cryin' Heart Blues.)
From 1983 to 1999, Danko alternated between a reformed version of The Band featuring Helm, Hudson, and guitarist Jim Weider (and from 1983 to 1986 Manuel), a busy solo career, and a number of collaborations, including award-winning work with singer/songwriter Eric Andersen and Norway's Jonas Fjeld.
In 1989, Danko toured with Levon Helm & Garth Hudson as part of Ringo Starr's first All-Star Band.
He sang on Comfortably Numb with Van Morrison, Roger Waters and Levon Helm on 21 July 1990 in Roger Waters concert staging of The Wall Concert in Berlin
Danko recorded demos and made a number of appearances on albums by other artists throughout the 1980s and 1990s, and in 1997, he released Rick Danko in Concert. Two years later, a third solo album (Live on Breeze Hill), was released, and Danko was busy at work on a fourth (Times Like These) at the time of his death.
In the meantime, The Band recorded three albums of their own, and Danko teamed with Fjeld and Andersen for two trio albums, Danko/Fjeld/Andersen in 1991 and Ridin' on the Blinds in 1994.
On December 10, 1999,[1], just days after the end of a brief tour of the Midwest that included two shows in the Chicago area and a final gig at The Ark in Ann Arbor, Michigan, Danko's heart finally gave out, and he died in his sleep at his home near Woodstock, New York.
He was survived by his wife, Elizabeth, stepson Justin, and daughter, Lisa, by his first marriage. (His son Eli, also from his first marriage, had died in 1989 at the age of 18, following a severe asthma attack.)
In 1997, Danko was found guilty of trying to smuggle heroin into Japan, and told the presiding judge that he had begun using the drug (together with prescription morphine) to fight life-long pain resulting from his 1968 auto accident. At the time of his death, however, he was clean.[citation needed]
[edit] Birth and death
It was widely reported in the press that Danko died the day after his fifty-sixth birthday, but this is incorrect as he actually died nineteen days before turning fifty-seven. The following sources give the correct date and age:
- Memorial card: [2]
- Article by Jan Høiberg: [3]
- January 1999 Interview with Danko: [4]
- December 1999 Interview with Danko: [5]
[edit] Discography
- 1977: Rick Danko
- 1991: Danko/Fjeld/Andersen (with Jonas Fjeld and Eric Andersen)
- 1994: Ridin' on the Blinds (with Jonas Fjeld and Eric Andersen)
- 1997: Rick Danko in Concert
- 1999: Live on Breeze Hill
- 2000: Times Like These
- 2002: One More Shot (with Jonas Fjeld and Eric Andersen)
- 2005: Cryin' Heart Blues
[edit] External links
- Rick Danko's Authorized Biography, written by his longtime publicist, Carol Caffin: [6]
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