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Rehearsing My Choir is the fourth full length album by The Fiery Furnaces and was released in 2005. It is a concept album featuring Olga Sarantos, grandmother of the band's Matthew and Eleanor Friedberger, narrating stories relating to her life. Though the instrumentation is as complex as on the band's previous releases, the vocals mostly take the form of spoken word. At points Eleanor Friedberger speaks or sings words corresponding to the character of a younger Olga Sarantos, the two engaging in dialogue. This aspect has made many draw relations between the album and a radio play. Olga Sarantos died on December 31, 2007. [1]
[edit] Track listing
- "The Garfield El" – 4:23
- "The Wayward Granddaughter" – 6:23
- "A Candymaker's Knife in My Handbag" – 4:48
- "We Wrote Letters Everyday" – 4:17
- "Forty-Eight Twenty-Three Twenty-Second Street" – 4:55
- "Guns Under the Counter" – 4:31
- "Seven Silver Curses" – 9:20
- "Though Let's Be Fair" – 2:05
- "Slavin' Away" – 6:54
- "Rehearsing My Choir" – 5:43
- "Does It Remind You of When?" – 5:22
[edit] Additional information
Though, unlike the band's previous album Blueberry Boat, most of the storyline is immediately understandable, like Blueberry Boat it shifts around in a non time-linear way. It also includes a few sections separate from the main story. In the album's press release, Matthew Friedberger, the writer of the lyrics and music gives a summary and explanation:
Dear Listener, Tracks 3 and 4 take place in the 40's; tracks 5 and 6 in the 20's and 30's; track 7 in the later 50's; track 8 starts in the very early 40's; track 9 goes back and forth; track 10 takes place in the early 60's; the final track takes place in the early 90's. Track 2 takes place a few years ago; track 1 took place when it was recorded. The action depicted in "The Wayward Granddaughter" and "Slavin' Away" does not include the character Olga Sarantos plays on the rest of the record. "Slavin' Away" imagines that character--the main character-- fantasizing, a bit remotely, about the hard lot of other women. Now, I wouldn't guess that the Main Character actually thought the woman concerned was riding around in a Norton side-car and operating her own cottage industry trinket assembly/sweatshop: but it might have pleased her to picture it so. "The Wayward Granddaughter" is about a different Greek-American grandmother and her popular granddaughter ("Connie"). They're from Chicago's south suburbs and don't figure in the rest of the record; I wanted to have another (slightly younger) grandmother and family in there for perspective or comparison's sake, so to speak. Thank you for your time, Matthew Friedberger
