Rashi script
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![The complete Hebrew alphabet in Rashi script [right to left].](../../../../images/local/thumb/0/04/Rashiscript.PNG/200px-Rashiscript.PNG)
Rashi script (Hebrew: כתב רש"י) is a semi-cursive typeface for the Hebrew alphabet, in which Rashi's commentaries are printed both in the Talmud and Tanakh (Hebrew Bible). This does not mean that Rashi himself used such a script: the typeface is based on a 15th century Sephardic semi-cursive hand. What would be called "Rashi script" was employed by early Hebrew typographers such as the Soncino family and Daniel Bomberg, a Christian printer in Venice, in their editions of commented texts (such as the Mikraot Gedolot and the Talmud, in which Rashi's commentaries prominently figure) to distinguish the rabbinic commentary from the text proper, for which a square typeface was used.
[edit] History
When printing was introduced, the selection of a style of type depended upon the same conditions as in the case of the execution of manuscripts. Square or block letters were cast for Biblical and other important works; in the various countries different models for letters were often followed; one form was preferred at one time, another at another; however, the style selected by the Ashkenazim prevailed and maintained its preeminence over all the others. Books of a secondary character, works which accompanied another text, such as commentaries and the like, were printed in the cursive; and here a style of type became popular which very closely resembled the Hispano-African cursive. (The development could be compared to that of Italic script for the Latin alphabet.) Since the script occurs oftenest in commentaries on the Bible and the Talmud by Rashi, it has become known as the Rashi script. For the printing of Yiddish (Judeo-German) texts, a further development of the Ashkenazi alphabet, called "Weiber-Deutsch," was created.
Until shortly before modern times, the handwriting of Sephardic Jews for Hebrew and Ladino was closely based on Rashi script. Modern Israeli cursive, which is essentially nineteenth century Ashkenazic handwriting, is more distantly related, but is still recognisably closer to Rashi script than to the square type.
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This article incorporates text from the 1901–1906 Jewish Encyclopedia, a publication now in the public domain.
