Radiance (play)

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Radiance is a play by Australian author and playwright Louis Nowra, which focuses on three Aboriginal half-sisters, who have gone their separate ways in life, and are reunited when they arrive for their mother's funeral service. Radiance has been written both as a stageplay and a screenplay.

[edit] Characters

  • Mother - The mother's name is not given in the stageplay, in the screenplay she referred to by the priest as Mary McKenna. She is already deceased at the start of the play, her daughters give their views of their common mother whilst reminiscing.

It is revealed that the mother was very naive and carefree, however her promiscuous nature was what she was most known for. Her two daughters Mae and Cressy most likely do not have the same biological father, and when child services came for them (see Stolen Generation), she willingly handed them over. Her granddaughter Nona appeared to be her favourite 'child', and she was hidden when officials visited.

The house in which she lived was given to her by Harry Wells, a local Sugarcane plantation owner, most likely as Mae believes to keep her quiet about his affair with her, however the mother truly believed that he loved her. She lived there for the rest of her life, with Mae caring for her in old age and her descent into senility.

  • Mae - The eldest of the three main characters, she is the most cynical and pessimistic of them. Mae appears to be one of the poor cases of the Stolen Generation, where children of Aboriginal descent were taken by the government to be raised in boarding homes or religious institutions.

Mae worked as a nurse, however she became attracted to a married doctor, and tried winning his affection with gifts bought with money she stole from hospital funds. When found out, she was sentenced to community service, and chose to look after her mother. When arriving, she was dismayed at the condition of the house, and repaired it whilst caring for her elderly mother. Whilst it is believed that the mother appreciated Mae's work, she really wanted Cressy or Nona instead.

When her mother went senile, Mae tried keeping her under control in public, however after a string of incidents, including biting the priest's finger and spitting on Harry Wells, Mae's final resort was to tie her mother to the chair each day. Their last confrontation was them both screaming at each other, as Mae was finally fed up with her mother refusing to tell her anything about her heritage or even to admit if she loved her daughter.

  • Cressy - The middle child of the trio, like Mae she was given up to officials, however the major incident involving her happened earlier.

When she about twelve years old, one of her mother's boyfriends violently raped her. Scared of retribution, she kept quiet about her abuse until she discovered she was pregnant. Upon confessing to her mother what had happened, her mother promptly declared that she was lying and assumed that a local boy had knocked her up, and hit her. When Cressy gave birth, she chose the name Nona for her child, and her mother took Nona as her own. It is possible that her mother called child services to take Cressy away, or even that until the pregnancy, she hid Cressy as she was a favored child.

Cressy eventually became an opera singer, becoming the most successful of the three, however she wanted to be a mother to her child. When hearing about her mother's death, she returns to attend the funeral, and eventually tell Nona the truth.

  • Nona - Initially it is believed that Nona is the youngest of the three siblings, however at the end it is revealed to Nona's insistent disbelief that Cressy is her mother. Nona is very much different from her 'siblings', in fact she is almost a living representation of her grandmother. She is shown to be immature, insensitive, and naive.

Aside from various mentions of flings with different men, Nona often fantasises about 'The Black Prince', a handsome man that supposedly was her father that her grandmother made up. At first Cressy tried giving a little half-truth to Nona, in that her father was just another loser who forced himself upon her 'mother', however Nona rejects this idea. It isn't until the end, when Nona is sharing her incest fantasy about the Black Prince, that Cressy snaps and screams the complete truth out, which Nona also denies as real and runs off with her grandmother's ashes. In the screenplay, it is possible that she eventually accepts that Cressy is her mother, however she won't openly admit it.