Qiu Zhijie
From Wikipedia, the free encyclopedia
Qiu Zhijie (邱志傑; born 1969) is a contemporary Chinese artist who works primarily in video and photography. Overall, Qiu Zhijie's work suggests the struggle between the forces of destiny and self-assertion. Other common themes are social fragmentation and transience.[1]
Zhijie was born in 1969 in Fujian province. In 1992, he graduated from Zhejiang Academy of Fine Arts, Hangzhou. He now lives and works in Beijing.
The artist's break-through exhibition was in 1992 with China's New Art, Post-1989 at the Hanart Gallery and Hong Kong Arts Centre. By 1999, his work began receiving overseas interest with his inclusion in Revolutionary Capitals: Beijing-London at the Institute of Contemporary Arts, London.
In 2005, his work was exhibited in the Victoria and Albert Museum's Between Past And Future: New Photography And Video From China, including Tattoo 1, which explores Qiu Zhijie's assertion that in our media-saturated age, "signs and codes have overpowered actual human beings, and our bodies have become merely their vehicles." The character bu — meaning "no" — is written across the artist's body and on the wall behind him, creating the illusion that it floats free of the body.
[edit] References
- ^ Cotter, Holland. "Art In Review, Qiu Zhijie", New York Times, April 20, 2001.
[edit] See also
- Chinese art
- Yang Fudong
- Feng Mengbo
- Huang Yong Ping