Puttin' on the Ritz

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"Puttin' on the Ritz" is a popular song written and published in 1929 by Irving Berlin and introduced by Harry Richman in the musical film Puttin' on the Ritz (1930). The title derives from the slang expression "putting on the Ritz", meaning to dress very fashionably. The expression was inspired by the swanky Ritz Hotel. The song gives Gary Cooper as an example of someone who puts on the Ritz.

The original version of Berlin's song included references to the then-popular fad of well-dressed but poor black Harlemites parading up and down Lenox Avenue. For the film Blue Skies (1946), where it was performed by Fred Astaire, Berlin revised the lyrics to apply to affluent whites strutting "up and down Park Avenue".[1] Other lyric changes included:

Original: Spangled gowns upon the bevy of high browns from down the levee, all misfits
Revised: Different types who wear a day coat, pants with stripes and cut away coat, perfect fits

Original: That's where each and ev'ry Lulu-Belle goes, ev'ry Thursday evening with her swell beaus
Revised: Dressed up like a million dollar trouper, trying hard to look like Gary Cooper

Original: Come with me and we'll attend the jubilee, and see them spend their last two bits
Revised: Come, let's mix where Rockefellers walk with sticks, or umber-ellas In their mitts

Hit phonograph records of the tune in its original popularity of 1929-1930 were recorded by Harry Richman and Fred Astaire.

Contents

[edit] Various covers

This tune has enjoyed a number of revivals including:

[edit] 1930 movie

Promotional poster from the 1930 movie
Promotional poster from the 1930 movie

The first of many movies to feature the number was the 1930 film titled Puttin' on the Ritz. The musical film was directed by Edward Sloman and starred Harry Richman, Joan Bennett, and James Gleason.

[edit] References

  1. ^ John Mueller: Astaire Dancing - The Musical Films of Fred Astaire, Hamish Hamilton, London, 1986. ISBN 0-241-11749-6, p.267: "In the original version it told of the ritzy airs of Harlemites parading up and down Lenox Avenue. For the 1946 film, the strutters became well-to-do whites on Park Avenue. The patronizing, yet admiring satire of the song is shifted, then, and mellowed in the process. The change may have had to do with changing attitudes towards race and with Hollywood's dawning wariness about offending blacks."

[edit] External links

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