Purvi
From Wikipedia, the free encyclopedia
Purvi is a Thaat raga i.e It's notes represent the material of a whole family of North Indian ragas. Purvi has a deeply serious, quiet and somewhat mystical character.
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[edit] Aroha & Avaroha
Arohana S r G M P d N S'
Thus: C D-flat E F-sharp G A-flat B c
in German : C Des E Fis G As H C
in Aroha S and P are often avoided, specially in fast tanas
Avarohana S' N d P M G r S
[edit] Vadi & Samavadi
Ga and Ni
[edit] Pakad or Chalan
[edit] Organization & Relationships
Thaat: Purvi is the main raga of Purvi Thaat.
[edit] Behavior
[edit] Samay (Time)
Sunset
[edit] Seasonality
none
[edit] Rasa
Raga-Kalpadruma: Charming and beautiful, scantily dressed, lotus-eyed Puravi appears at the end of the day. Idle and sleepy, she suffers from the pangs of separation and dreams only of her lover[1]
Cattvarimsacchata-Raga-Nirupanam:Master of archery, seated on an elephant and dressed in white, Purvika has a splendid body and is served by all the different varnas[2]
Raga-Sagara:I remember Purvika dressed in a garment woven with threads of gold. Fair and charming like the moon, she holds a cup of wine and a parrot in her hands and she is served by woman who are graceful and lively like the young deer. The head of her lover rests in her lap.[3]
[edit] Historical Information
Purvi is an old traditional raga, which originated in the eastern part of India. Its ancient precursor (Purvagauda) had a similar scale to modern Bhairav (S r G m P d N). Purvi itself does not appear in the literature before the 16th century
[edit] Important Recordings
[edit] External links
[edit] References
[edit] Literature
Bor, Joep (1997?), The Raga Guide, Charlottesville,Virginia: Nimbus Records, <http://www.wyastone.co.uk/nrl/world/5536a.html>
Kaufmann, Walter (1968), The Ragas of North India, Calcutta: Oxford and IBH Publishing Company.
Bhatkhande, Vishnu Narayan (1968-73), Kramika Pustaka Malika, Hathras: Sangeet Karyalaya.
Bhatkhande, Vishnu Narayan (1968-75), Sangita Sastra, Hathras: Sangeet Karyalaya.
Rao, B.Subba (1964-66), Raganidhi, Madras: Music Academy.
Ratanjankar, S.N., Abhinava Gita Manjari, Bombay: Popular Prakashan.
Khan, Raja Nawab Ali (1968-78), Mariphunnagatama, Hathras: Sangeet Karyalaya.