Purana Mandir

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Purana Mandir
Directed by	Tulsi Ramsay Shyam Ramsay
Produced by	Kanta Ramsay
Written by	J K Ahuja (story) Kumar Ramsay(screenplay)
Starring	Mohnish Bahl Puneet Issar Aarti Gupta Sadashiv Amrapurkar Pradeep Kumar
Music by	Ajit Singh
Release date(s)	October 15, 1984
Running time	175 min
Language	Hindi
IMDb profile

Purana Mandir (Hindi for The Old Temple) is a 1984 Hindi feature film, produced and directed by the Ramsay brothers. It is a horror film chronicling the story of the monster-demon, Samri.

[edit] Plot

The film opens with a scene taking place some 200 years ago, with the royal procession of Raja Harimansingh of the sultanate of Bijapur, stranded near the Kali Pahari (literally, black mountain). The Raja is concerned because his daughter Princess Rupali has disappeared near the lair of the devil-worshipper Samri (Anirudh Agarwal). The princess wanders into the ruins of an old fortress and is promptly captured and tortured by the villainous Samri. (His trademark attack is when he bites the eyes of the victims; this causes their natural eyes to be replaced with demonic white or red eyes.) Raja Harimansingh catches Samri in this terrible act and orders the soldiers to capture him.

Samri is put on trial, where his terrible litany of crimes is read. He has performed various heinous acts to please his demonic spirit masters and enhance his own shaitaani kuwat or evil powers. He has raped and disembowelled newly wed brides; he has mutilated and cannibalized young children; he has — it shocks the crier as he reads out this charge — exhumed corpses for sacrifice and eating; and he has terrorized the hamlets surrounding Bijapur with his reign of evil. While the rajpurohit (royal priest) suggests Samri be subjected to pure Agni i.e. to be cremated, the Raja proposes another sentence -- Samri is to be decapitated, with the headless body to be buried behind the old temple at Kalighat and the head secured in a strong-box to be kept at the Raja's haveli(mansion). The strongbox is chained with a trishul (trident, the weapon of the Hindu God Shiva) to hold the evil in thrall. Samri pronounces his curse upon the Raja: "So long as my head is away from my body, every woman in your line shall die at childbirth; and when my head is rejoined to my body, I will arise and wipe out every living person in your dynasty."

As the years pass, the princely states merge into the Indian republic, and the great-great-grandson of Raja Harimansingh, Thakur Ranvir Singh (veteran actor Pradeep Kumar, known for his royal roles), now resides in the city. Samri is long gone, but not forgotten. His evil legend is passed from father to son in the Harimansingh clan, and his sinister curse occurs with each generation. Ranvir Singh's wife died at the birth of his daughter Suman (Aarti Gupta). Suman, now a 20-something gal, attends college and has a boyfriend Sanjay (Mohnish Bahl). The Thakur severely disapproves of their relationship ostensibly because Sanjay is not of royal birth. (The real reason is that any man who marries Suman must endure her inevitable death when their child arrives.)

Suman is unaware of the ancient curse and resolute in her love, and Sanjay is steadfast in standing by her. They try to confront the intractable Thakur but he is struck by a heart attack when he attempts to reveal the evil legend. Suman and Sanjay are now scared. They eventually decide to head down to Bijapur and unearth the rest of the sordid tale there. They are accompanied by Sanjay's bosom buddy Anand (Puneet Issar) and his wife.

They undertake a frightening journey to Bijapur. After their car blows a flat, they are met by an old toothless hag Mangli and her mysterious son Durjan (Sadashiv Amrapurkar) who is the cook and chowkidar (caretaker) of the Harimansingh haveli. There is also a deformed woodcutter Sanga (Satish Shah) who makes fast friends with Durjan but secretly believes there is a treasure buried somewhere in the haveli.

The haveli has a painting of Raja Harimansingh; this painting shifts its gaze when Suman looks at it; and the eerie likeness of Samri appears through it. Various other sinister events (creaking beds, flaming torch lamps and random winds) somehow lead Suman and Sanjay to smash the wall behind the painting and uncover the strong box that holds Samri's head. While they head off to find Anand, Sanga yields to his temptations (believing the treasure is within the box) and detaches the trishul.

Samri's undead head leaps up to Sanga and mesmerizes him. Sanga, now in a trance, brings the head to the body behind the old temple and rejoins it, making Samri whole. He promptly slays Sanga and once again wreaks evil all over the surrounding hamlets.

The townsfolk are unprepared to deal with evil of such magnitude. They barely withstand (with many of them falling prey to) Samri when Thakur Ranvir Singh arrives. He relates the legend but he, too, does not know the means to defeat the bloodthirsty Samri.

Despondent, the townsfolk seek refuge at the temple as Samri cannot enter that holy ground. They perform aarti (lamp adornment) to Lord Shiva. Divine guidance comes before Sanjay; the trishul holds the key to check the monster. Reinvigorated, the villagers offer battle to Samri once again.

This time, Sanjay manages to trap Samri in a coffin and, with the trishul in hand to check the monster, drag him out to the village square (next to the old temple). There, they construct a hasty pyre and burn Samri alive for once and for all.