Prelude in G minor (Rachmaninoff)

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The first measure introduces the prelude's idiosyncratic jumps.

The Prelude in G minor, Op. 23 No. 5 is a composition by Sergei Rachmaninoff completed 1901. It was included in his Opus 23 set of ten preludes despite having been written two years earlier than the other nine. It is an epitome of Rachmaninoff's Russian nationalism, rife with full chords and evocative melodies.

1 General structure
2 Recordings
3 References
4 External links

[edit] General structure

The prelude's form is similar to that of a traditional three-part rondo, consisting of an opening "A" section with punctuated sixteenth-note chords (marked Alla marcia), a more lyrical and melancholy "B" section with arpeggiated triplets in the left hand (marked Poco meno mosso), a transition into the original tempo, and a recapitulation of the initial march. Despite the bombast of the main march theme, the piece ends with a short arpeggiated run to a high G, marked pianissimo.

Although the g minor prelude is not considered to be one of the most technically challenging preludes, the speed of the march section and its thick repeated chords require both strong wrists and dynamic control, while the middle section requires a controlled legato in both hands to ensure that the melody is properly projected.

[edit] Recordings

The composer recorded this piece, but because of the piece's musical "flexibility", it can be found performed in a variety of different styles, much contrary to the composer's recordings.

There is a famous video in which Emil Gilels plays this Prelude at a front in World War II, in support for the Soviet military forces fighting the war. The narrator says (in Russian): "Gilels is playing at the front, to remind us what the war is worth fighting for: Immortal music!"

This Prelude is one of the most performed and recorded pieces of the set, displaying the virtuosity and musical genius of Rachmaninoff.