Poor Butterfly
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"Poor Butterfly" Introduced in the Broadway show The Big Show |
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Music by | Raymond Hubbell |
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Lyrics by | John Golden |
Published | 1916 |
Language | English |
Original artist | Sophie Bernard |
Recorded by | Elsie Baker (using the pseudonym Edna Brown) Victor Military Band Grace Kerns Elizabeth Spencer Prince's Orchestra (or Prince's Band) The Hilltoppers many other artists (see #Other recorded versions) |
"Poor Butterfly" is a popular song. It was inspired by Puccini's opera Madame Butterfly.
The music was written by Raymond Hubbell, the lyrics by John Golden. The song was published in 1916. It was introduced in the Broadway show The Big Show, which opened in August 1916, and was sung in the show by Sophie Bernard[1].
The song became a pop standard, recorded by many artists.
Contents |
[edit] Recorded versions
[edit] Biggest hit versions in 1917
The two biggest hit versions in 1917 were recorded by Elsie Baker (using the pseudonym Edna Brown) and by the Victor Military Band[1].
Baker's recording was made on December 15, 1916 and released on Victor as catalog number 18211[1], with the flip side being a recording of "Alice in Wonderland" by Howard & McDonough[2].
The Victor Military Band recording was issued by Victor as catalog number 35605[1][3], with the flip side “Katinka.”
Another version which received a significant amount of popularity[1] was by Grace Kerns recording under the name Catherine[4] (or Katherine[1]) Clark. This version was recorded in November 1916 and released by Columbia Records as catalog number A-2167, with the flip side “Century Girl”[4].
Somewhat less popular, but still noted at the time, were a recording by Elizabeth Spencer, released by Thomas Edison's recording company as a disk, catalog number 50386, and an Amberol cylinder, catalog number 3039[1], and a recording by Prince's Orchestra[3] (or Prince's Band[5]), recorded December 1916 and released by Columbia Records as catalog number A-5930, with the flip side “You and I”[5].
[edit] 1954 revival
The song was revived in the 1950s by The Hilltoppers for a top-20 chart hit. Their recording was released by Dot Records as catalog number 15156. It first reached the Billboard magazine Best Seller chart on April 14, 1954 and lasted 5 weeks on the chart, peaking at #15[6]. (Other sources[7] give the first date on the chart as April 24 and the highest position as #12.)
[edit] Other recorded versions
- Herman Chittison Trio (recorded February 2, 1945, released by Musicraft Records as catalog number 323, with the flip side “These Foolish Things”[8])
- Arnett Cobb and his orchestra (recorded June 14, 1953, released by Mercury Records as catalog number 70101, with the flip side “Congratulations to Someone”[9])
- Columbia Saxophone Sextette (recorded January 24, 1917, released by Columbia Records as catalog number A-2203, with the flip side “Katinka: Allah's Holiday”[4])
- Hank D'Amico Sextette (released by MGM Records as catalog number 10641, with the flip side “If Dreams Come True”[10])
- Guido Deiro (recorded January 1917, released by Columbia Records as catalog number A-2202, with the flip side “Madame Butterfly”[4])
- Deanna Durbin (released by Decca Records as catalog number 18297B, with the flip side “Annie Laurie”[11])
- The Ebon-Knights (released 1958 by Stepheny Records as catalog number 1817, with the flip side "The Way the Ball Bounces"[12])
- Emerson Symphony Orchestra (recorded January 1917, released by Emerson Records as catalog number 7123, with the flip side “Shadowland”[13])
- Erroll Garner Trio (recorded June 28, 1950, released by Columbia Records as catalog number 39145, with the flip side “How High the Moon”[14], also released by Columbia Records as catalog number 39166, with the flip side “Long Ago and Far Away”[14])
- Benny Goodman and his orchestra (recorded June 1944, released by Silvertone Records as catalog number 545, with the flip side “The Sheik”[15]; re-recorded October 15, 1946, released by Harmony Records as catalog number Ha1061, with the flip side “Cherry”[16])
- Charles Harrison (recorded February 1917, released by Columbia Records as catalog number A-2206, with the flip side “My Rosary for You”[4])
- Al Hibbler and his orchestra (released by Miracle Records as catalog number M-503[17], also by Sunrise Records as catalog number 503[18], both with the flip side “Tonight I Shall Sleep”[17][18]; also released by Chess Records as catalog number 1569, with the flip side “Fat and Forty”[19])
- Ahmad Jamal (released 1960 by Argo Records as catalog number 5370, with the flip side "Billy Boy"[20])
- Jack Kane (released 1958 by Coral Records as catalog number 62038, with the flip side "Some of These Days"[21])
- Andy Kirk and Clouds of Joy (released by Decca Records as catalog number 1663A, with the flip side “Lover, Come Back to Me”[22])
- Johnny Long and his orchestra (released by Signature Records as catalog number 15196A, with the flip side “Night and Day”[23])
- Grady Martin and his Slewfoot 5 (released by Decca Records as catalog number 28689, with the flip side “Bandera”[24])
- George McMurphy and his orchestra (recorded June 18, 1928, released by Columbia Records as catalog number 1498D, with the flip side “Allah's Holiday”[25])
- Eddie "Piano" Miller (released 1950 by Rainbow Records as catalog number 90099, with the flip side "I'm A Ding Dong Daddy From Dumas"[26])
- Lee Morse and her Bluegrass Boys (recorded January 25, 1928, released by Columbia Records as catalog number 1328D, with the flip side “After We Kiss”[25])
- Red Nichols and his orchestra (vocal: Scrappy Lambert) (recorded March 2, 1928, released by Brunswick Records as catalog number 20062A, with the flip side “Can't Yo' Heah Me Callin' Caroline”[27]; re-recorded October 2, 1939, released by Bluebird Records as catalog number 10522B, with the flip side “A Pretty Girl Is Like a Melody”[28])
- Pathé Dance Orchestra (released by Pathé Records as catalog number 20150, with the flip side “Home Again”[29])
- The Pied Pipers (released by Capitol Records as catalog number 10159, with the flip side “My Melancholy Baby”[30])
- Leo Reisman and his orchestra (recorded April 13, 1941, released by Victor Records as catalog number 27435, with the flip side “Limehouse Blues”[31], also as catalog number 27627, with the flip side “April in Paris”[32])
- Sherbo's Castle-by-Sea Orchestra (recorded January 1917, released by Pathé Records as catalog number 20132, with the flip side “Topsy”[29])
- Joseph C. Smith's Orchestra (recorded January 19, 1917, released by Victor Records as catalog number 18246A, with the flip side “Allah's Holiday”[2])
- Willie "The Lion" Smith (recorded December 1950, released by Commodore Records as catalog number 654, with the flip side “Smoke Gets in Your Eyes”[33])
- Victor Sylvester and his orchestra (released by Decca Records as catalog number 1070, with the flip side “Vienna, City of My Dreams”[34])
- Art Tatum (recorded 1945, released by ARA Records as catalog number 4502, with the flip side “Lover”[35])
- Bobby True Trio (recorded June 1947, released by Mercury Records as catalog number 5073, with the flip side “Why Should I Cry Over You?”[36])
- Sarah Vaughan released by Mercury Records as catalog number 71085, with the flip side “April Give Me One More Day”[9]
- Paul Weston Orchestra (released by Capitol Records as catalog number 54-520[37], also released by Capitol Records as catalog number 10130[30], both with the flip side “Time on My Hands”[37][30])
- Paul Whiteman and his orchestra (recorded February 7, 1928, released by Victor Records as catalog number 24078, with the flip side “San”[38])
- Florence Wright (recorded February 11, 1950, released by National Records as catalog number 9105, with the flip side “Imagination”[39][40])
[edit] References
- ^ a b c d e f g Gardner, Edward Foote (2000). Popular Songs of the 20th Century: Chart Detail & Encyclopedia, 1900-1949. St. Paul, Minnesota: Paragon House. ISBN 1-55778-789-1.
- ^ a b Victor Records in the 18000 to 18499 series
- ^ a b Whitburn, Joel (1999). Joel Whitburn Presents a Century of Pop Music. Menomonee Falls, Wisconsin: Record Research. ISBN 0-89820-135-7.
- ^ a b c d e Columbia Records in the A-2000 to A-2499 series
- ^ a b Columbia Records in the A-5500 to A-5999 series
- ^ Whitburn, Joel (1973). Top Pop Records 1940-1955. Menomonee Falls, Wisconsin: Record Research.
- ^ Lonergan, David (2004-01-28). Hit Records 1950-1975. Lanham, Maryland: Scarecrow Press. ISBN 978-0810851290.
- ^ Musicraft Records in the 201 to 597 series
- ^ a b Mercury Records in the 70000 to 70499 series
- ^ MGM Records in the 10500 to 10999 series
- ^ Decca Records in the 18000 to 18499 series
- ^ Stepheny Records in the 1801 to 1843 series
- ^ Emerson Records in the 700 to 799 and 7100 to 7556 series
- ^ a b Columbia Records in the 39000 to 39499 series
- ^ Silvertone Records listing
- ^ Harmony Records in the 1001 to 1087 series
- ^ a b Miracle Records listing
- ^ a b Sunrise Records listing
- ^ Chess Records in the 1475 to 1750 series
- ^ Argo Records in the 5251 to 5569 series
- ^ Coral Records in the 62000 to 62565 series
- ^ Decca Records in the 1500 to 1999 series
- ^ Signature Records in the listed tecords series
- ^ Decca Records in the 28500 to 28999 series
- ^ a b Columbia Records in the 1000D to 1499D series
- ^ Rainbow Records listing
- ^ Brunswick Records in the 20000 to 20123 series
- ^ Bluebird Records in the 10500 to 10999 series
- ^ a b Pathé Records in the 20000 to 20499 series
- ^ a b c Capitol Records in the 10000 to 10210 series
- ^ Victor Records in the 27000 to 27499 series
- ^ Victor Records in the 27500 to 27999 series
- ^ Commodore Records listing
- ^ Decca Records in the 1000 to 1499 series
- ^ ARA Records in the 4501 to 4515 series
- ^ Mercury Records in the 5000 to 5497 series
- ^ a b Capitol Records in the 500 to 999 series
- ^ Victor Records in the 24000 to 24499 series
- ^ National Records in the 3001 to 25000 series
- ^ Another National Records listing