Portal:Poetry/Selected article archive/2007 archive
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This is an archive of article summaries that have appeared in the Selected article section of Portal:Poetry in 2007. For past archives, see the complete archive page.
Der Erlkönig (often called just "Erlkönig") is a poem by Johann Wolfgang von Goethe. It depicts the death of a child assailed by a supernatural being, the "Erlking" (widely translated as "Elf King", but see the discussion of the legend below). It was originally composed by Goethe as part of a 1782 ballad opera entitled Die Fischerin.
The poem has been used as the text for lieder (art songs for voice and piano) by many classical composers; a list appears here. Of these, the most famous is undoubtedly the one by Franz Schubert, his op. 1 D. 328 (see section below). It was Schubert's most popular song during his lifetime. There have been many other adaptations, notably by Johann Friedrich Reichardt, Carl Friedrich Zelter, Robert Schumann, Hugo Wolf, and Johann Carl Gottfried Löwe; Beethoven attempted to set it to music but abandoned the effort.
Hrafnkels saga ([ˈr̥apncɛls ˌsaːɣa] ) is one of the Icelanders' sagas. It tells of struggles between chieftains and farmers in the east of Iceland in the 10th century. The eponymous main character, Hrafnkell, starts out his career as a fearsome duellist and a dedicated worshipper of the god Freyr. After suffering defeat, humiliation, and the destruction of his temple, he becomes an atheist. His character changes and he becomes more peaceful in dealing with others. After gradually rebuilding his power base for several years, he achieves revenge against his enemies and lives out the rest of his life as a powerful and respected chieftain. The saga has been interpreted as the story of a man who arrives at the conclusion that the true basis of power does not lie in the favor of the gods but in the loyalty of one's subordinates.
The saga remains widely read today and is appreciated for its logical structure, plausibility, and vivid characters. For these reasons, it has served as a test case in the dispute on the origins of the Icelandic sagas.
Augustan drama can refer to the dramas of Ancient Rome during the reign of Caesar Augustus, but it most commonly refers to the plays of Great Britain in the early 18th century, a subset of 18th-century Augustan literature. King George I referred to himself as "Augustus," and the poets of the era took this reference as apropos, as the literature of Rome during Augustus moved from historical and didactic poetry to the poetry of highly finished and sophisticated epics and satire.
In poetry, the early 18th century was an age of satire and public verse, and in prose, it was an age of the developing novel. In drama, by contrast, it was an age in transition between the highly witty and sexually playful Restoration comedy, the pathetic she-tragedy of the turn of the century, and any later plots of middle-class anxiety. The Augustan stage retreated from the Restoration's focus on cuckoldry, marriage for fortune, and a life of leisure. Instead, Augustan drama reflected questions the mercantile class had about itself and what it meant to be gentry: what it meant to be a good merchant, how to achieve wealth with morality, and the proper role of those who serve.
- April 2007
Portal:Poetry/Selected article archive/April 2007
- May 2007
Portal:Poetry/Selected article archive/May 2007
- June 2007
Portal:Poetry/Selected article archive/June 2007
The Gettysburg Address is the most famous speech of U.S. President Abraham Lincoln and one of the most quoted speeches in United States history. It was delivered at the dedication of the Soldiers' National Cemetery in Gettysburg, Pennsylvania, on November 19, 1863, during the American Civil War, four and a half months after the Battle of Gettysburg.
Lincoln's carefully crafted address, secondary to other presentations that day, came to be regarded as one of the greatest speeches in American history. In fewer than 300 words delivered in just over two minutes, Lincoln invoked the principles of human equality espoused by the Declaration of Independence and redefined the Civil War as a struggle not merely for the Union, but as "a new birth of freedom" that would bring true equality to all of its citizens.
Beginning with the now-iconic phrase "Four score and seven years ago," Lincoln referred to the events of the American Revolution and described the ceremony at Gettysburg as an opportunity not only to dedicate the grounds of a cemetery, but also to consecrate the living in the struggle to ensure that "government of the people, by the people, for the people, shall not perish from the earth."
- August 2007
Portal:Poetry/Selected article archive/August 2007
- September 2007
Portal:Poetry/Selected article archive/September 2007
- October 2007
Portal:Poetry/Selected article archive/October 2007
- November 2007
Portal:Poetry/Selected article archive/November 2007
- December 2007
Portal:Poetry/Selected article archive/December 2007
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