Plácido Domingo
From Wikipedia, the free encyclopedia
José Plácido Domingo Embil KBE (born January 21, 1941)[1], better known as Plácido Domingo, is a world-renowned operatic tenor, known for his versatile and strong voice, possessing a ringing and dramatic tone throughout its range. He is considered to be a talented and hard working musician: in March of 2008, he debuted in his 126th on-stage role[2]. In addition to the 126 roles in his official repertoire, he has also recorded four others, giving Domingo more roles than any other tenor[3][4]. He is also admired for his acting ability, his musicality and musical intellect, and the number and variety of opera roles that he has mastered. In addition to his singing roles, he has also taken on conducting opera and concert performances, as well as serving as the General Director of the Washington National Opera in Washington, D.C. and the Los Angeles Opera in California. His contracts in both Los Angeles and Washington, D.C. have been extended through the 2010–2011 season.
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[edit] Biography and career
[edit] Early years
Plácido Domingo was born near the Barrio de Salamanca section of Madrid,[5] Spain, and moved to Mexico at age eight with his family, who ran a zarzuela company. Domingo was often asked to perform with his parents' company when they needed a child role. He studied piano at first privately and later at the National Conservatory of Music in Mexico City.
In 1957, Domingo made his first professional appearance performing with his mother in a concert at Mérida, Yucatán. At that time, he was working with his parents' zarzuela company, taking parts in baritone roles and as an accompanist for other singers. Among his first performances was a minor role in the first Mexican production of My Fair Lady where he was also the assistant conductor and assistant coach. The company made 185 performances which included a production of Lehár's The Merry Widow where he performed as either Camille or Danilo.
In 1959, Domingo auditioned for the Mexico National Opera as a baritone but was then asked to sight-read some arias and lines in the tenor range. Finally he was accepted in the National Opera as a tenor comprimario and as a tutor for other singers. He provided backup vocals for Los Black Jeans in 1958, a rock-and-roll band lead by César Costa. He learned piano and conducting, but made his stage debut acting in a minor role in 1959 (May 12) at the Teatro Degollado in Guadalajara as Pascual in Marina. It was followed by Borsa in Rigoletto (with Cornell MacNeil and Norman Treigle also in the cast), Padre Confessor (Dialogues of the Carmelites) and others.
In addition, he played piano for a ballet company to supplement his income. Domingo also played piano for a program on Mexico cultural television which was newly founded at that time. The program consisted of excerpts from zarzuelas, operettas, operas, and musical comedies. He acted in a few small parts while at the theater in such plays by Federico García Lorca, Luigi Pirandello, and Anton Chekhov.
[edit] 1960s - 1980s
In 1961, he made his operatic debut in a leading role as Alfredo in La traviata at Monterrey and later in the same year, his debut in the United States with the Dallas Civic Opera where he played the role of Arturo in Donizetti's Lucia di Lammermoor opposite Joan Sutherland as the title role. In 1962, he returned to play the role of Edgardo in the same opera with Lily Pons.[6] At the end of 1962, he signed a six month contract with the Israel National Opera in Tel Aviv but later extended the contract and stay for two and a half years, singing 280 performances of 12 different roles.
In June 1965, after finishing his contract with Hebrew National Opera, Domingo went for an audition at the New York City Opera and scheduled to make his New York debut as Don Jose in Bizet's Carmen but his debut came earlier when he was offered to fill in for an ailing tenor at the last minute in Puccini's Madama Butterfly. On June 17, 1965, Domingo made his New York debut as B F Pinkerton at the New York City Opera. In February 1966, he sang the title role in the US premiere of Ginastera's Don Rodrigo at the New York City Opera, with much acclaim. The performance also marked the opening of the City Opera's new home at Lincoln Center.
He official debut at the Metropolitan Opera in New York occurred on September 28, 1968 when he substituted for Franco Corelli, in Cilea's Adriana Lecouvreur singing with Renata Tebaldi. Before Adriana Lecouvreur, he had sung in performances by the Metropolitan Opera of Mascagni's Cavalleria Rusticana and Leoncavallo's Pagliacci in 1966. Since then, he has opened the season at the Metropolitan Opera 21 times,[7] surpassing the previous record of Enrico Caruso by four. He made his debut at the Vienna State Opera in 1967, at the Lyric Opera of Chicago in 1968, at both La Scala and San Francisco Opera in 1969, and at Covent Garden in 1971, and has now sung at practically every other important opera house and festival worldwide. In 1971, he played the role Mario Cavaradossi in Puccini's Tosca at the Metropolitan Opera and continued with the same role for many times. He has played this role more than any other tenor.
Throughout the years, Domingo has also turned his hand to conducting opera (as early as La traviata on October 7, 1973, at New York City Opera) as well as, occasionally, symphonic orchestras. In 1981 Domingo gained considerable recognition outside of the opera world when he recorded the song "Perhaps Love" as a duet with the late American country/folk music singer John Denver. In 1987, he and Denver joined Julie Andrews for an Emmy Award winning holiday television special, The Sound of Christmas, filmed in Salzburg, Austria.
On September 19, 1985, the biggest earthquake in Mexico's history devastated the whole Mexican capital. Domingo's aunt, uncle, his nephew and his nephew's young son were killed in the collapse of the Nuevo León apartment block in the Tlatelolco housing complex. Domingo himself labored to rescue survivors. During the next year, he did benefit concerts for the victims and released an album of one of the events.
[edit] 1990s - present
Throughout 1990s until today, Domingo continued performing in many of the same but also new operas, among them Wagner's Parsifal and Mozart's Idomeneo as the title role, Rossini's Il barbiere di Siviglia as Figaro, Wagner's Die Walküre as Siegmund, Lehár's The Merry Widow as Danilo and Alfano's Cyrano de Bergerac as Cyrano. Between the middle of 1990 to the early of 2008 only, he has added 38 new roles into his repertoire covering opera in six different languages (English, Italian, French, German, Russian and Spanish). The latest was the Italian opera by George Frideric Handel, Tamerlano.
Also see: Domingo's complete repertoire.
Giving him even greater international recognition outside of the world of opera, he participated in The Three Tenors concert at the opening of the 1990 World Cup in Rome with José Carreras and Luciano Pavarotti. The event was originally conceived to raise money for the José Carreras International Leukemia Foundation and was later repeated a number of times, including at the three subsequent World Cup finals (1994 in Los Angeles, 1998 in Paris, and 2002 in Yokohama). Alone, Domingo again made an appearance at the final of the 2006 World Cup in Berlin.
He holds a world record for the longest ovation on the operatic stage with 101 curtain calls and 80 minutes non-stop applause after performing Otello, Verdi's operatic version of Shakespeare's Othello, as the Moor of Venice in Vienna on July 30, 1991.[8] In 2006, Domingo recorded an album Italia Ti amo, dedicated himself to Neapolitan and Italian songs, which include Stanislao Gastaldon's "Musica Prohibita" and the famous "Core N’Grato" by Salvatore Cardillo accompanied by Budapest Philharmonic Orchestra under the baton of Eugene Kohn.
In what has been called his 'final career move', Placido Domingo announced on January 25, 2007 that in 2009 he would switch ranges to baritone by taking on one of Verdi's most demanding baritone roles, as the Doge of Genoa, Simon Boccanegra, in the opera of the same name.
On 16-17 April 2008 he sang during the visit of the Pope Benedict XVI at Nationals Park and at the Italian embassy in Washington DC.
From 1990 to 2008, Domingo has received many awards and honors for his effort in music, benefit concerts and charity. On August 21, 2007, in Mexico City, a two meters tall statue and weighs about 300 kg (660 lbs) was build in his honor. On March 23, 2008, the New Orleans City Council honors his contribution at the Gala Benefits Concert by naming the city theatre's stage, the "Plácido Domingo stage". On April 2008, he was voted as the greatest tenor in history in BBC Music Magazine judged by 16 renowned opera critics. For more awards, honors and the details, see Plácido Domingo awards and honors and Plácido Domingo humanitarian works and initiatives.
[edit] Family
He was born to Plácido Domingo Ferrer (March 8, 1907 - November 26, 1987) [9] and Pepita Embil (1918 - September 1, 1994),[10] two Spanish zarzuela stars who nurtured his early musical abilities. Domingo's father is half Catalan and half Aragonese while his mother is a Basque. His father, Plácido Domingo Ferrer was a violinist performing for opera and zarzuela orchestra. He was a baritone and actively taking roles in zarzuela. However his promising career as a baritone ended after he damaged his voice by singing with a cold. Domingo's mother was an established singer who made her zarzuela debut at the Gran Teatre del Liceu in Barcelona. She met her husband at age 21 while performing in Federico Moreno Torroba's Sor Navarra. In 1946 Moreno Torroba and Domingo's parents formed a zarzuela company and travelled frequently to Mexico. His parents later stayed permanently in Mexico and established their own zarzuela troupe, the Domingo-Embil Company.[11] In addition to their son, they also have a daughter, Mari Pepa Sanchez.
At age 16 in 1958, Plácido Domingo married a fellow piano student, and his first son, José Dominguez was born within the year.[12] However, the marriage didn't last long, the couple separated shortly thereafter. In 1962, Plácido Domingo married Marta Ornelas, a lyric soprano from Veracruz, Mexico, whom he met during his conservatory days. In the same year, Marta had been voted "Mexican Singer of the Year" but she gave up her promising career to devote her time to her family. They have two sons, Plácido Jr born in 1965 and Alvaro Maurizio born in 1968.[13]
[edit] Recordings
- See also: List of recordings by Plácido Domingo
He has made well over 100 recordings, most of which are full-length operas, often recording the same role more than once. Among these recordings is a boxed set of every tenor aria Verdi ever wrote, including several rarely-performed versions, in different languages from the original operas, which Verdi wrote for specific performances.
In August 2005, EMI Classics released a New studio recording of Richard Wagner's Tristan und Isolde in which Domingo sings the title role of Tristan. A review of this recording, headlined "Vocal perfections", that appeared in the August 8, 2005 issue of The Economist begins with the word "Monumental" and ends with the words, "a musical lyricism and a sexual passion that make the cost and the effort entirely worthwhile". It characterized his July 2005 performance of Siegmund in Wagner's Die Walküre at Covent Garden as "unforgettable" and "luminous". The review also remarks that Domingo is still taking on roles that he has not previously performed.
New recordings that have been released in the first half of 2006 include studio recordings of Puccini's Edgar, Isaac Albéniz's Pepita Jiménez, as well as a selection of Italian and Neapolitan songs, titled Italia ti amo (all three with Deutsche Grammophon). Amongst many television appearance in many countries over the years (a large number for charitable purposes), Domingo appeared as the star act in the New Orleans Opera Association's A Night For New Orleans with Frederica von Stade and Elizabeth Futral, in March 2006. The concert was to raise funds for the rebuilding of the city.
[edit] Appearances on film and television
Domingo has appeared in numerous opera films, among them are Jean-Pierre Ponnelle's Madama Butterfly, Francesco Rosi's Carmen (Grammy Award for Best Opera Recording), Gianfranco de Bosio's Tosca with Raina Kabaivanska, Brian Large's Tosca with Catherine Malfitano (Emmy Award),[14] Franco Zeffirelli's Otello with Dame Kiri te Kanawa, Cavalleria rusticana & Pagliacci, and La traviata (with Teresa Stratas, which received a Grammy Award for Best Opera Recording).
He has also appeared on television in the 1978 La Scala production of Puccini's Manon Lescaut which marked the Scala debut of Hungarian soprano Sylvia Sass, as well in zarzuela evenings, and Live at the Met telecasts and broadcasts. In 2007, Domingo had a cameo in "The Homer of Seville", an episode of The Simpsons which revolves around Homer Simpson becoming an opera singer. In his cameo, Domingo sang briefly. Domingo appeared on The Cosby Show Season 5 as Alberto Santiago, a colleague of Dr Cliff Huxtable. He is also sang as the operatic moon in 2001 film Moulin Rouge!.
He is the executive producer of the critically acclaimed 1998 Mexican film, The Other Conquest, produced by his son Alvaro, in which Domingo also performs the original aria "Mater Aeterna", composed by Samuel Zyman.
[edit] Christmas in Vienna
- Further information: Christmas in Vienna, Christmas in Vienna II, Christmas in Vienna III, and Christmas in Vienna VI
In 1990, the idea for a Christmas-themed concert, involving the collaboration of Domingo, fellow operatic tenor and friend José Carreras, and pop music legend Diana Ross was first brought up. Then in 1992, Vienna was chosen to host the event due to its international reputation as the capital of music and the particular charm of Austria during Christmas time. The world-famous Wiener Symphoniker under the direction of maestro Vjekoslav Šutej provided the orchestral music, and the Gumpoldskirchen Children's Choir provided choral vocals. On December 23, 1992 the first in what would turn out to be a series of Christmas in Vienna concerts was held.
The first Christmas concert proved to be a rousing success, being seen worldwide by several hundred million people. Plácido Domingo returned to Vienna for many more equally successful Christmas in Vienna concerts, performing with many of music's greatest luminaries and his friends from the music industry, such as Dionne Warwick, Charles Aznavour, Sissel Kyrkjebø, Sarah Brightman, Riccardo Cocciante, Patricia Kaas, Luciano Pavarotti, Tony Bennett, and many others.
[edit] Complete repertoire
Perhaps the most versatile of all living tenors, Domingo has sung 126 roles on stage and as many as 130 roles (when also counting studio recorded roles) in six different languages[15], ranging from Mozart to Ginastera. His main repertoire however is Italian (Otello, Cavaradossi in Tosca, Don Carlo, Des Grieux in Manon Lescaut, Dick Johnson in La fanciulla del West, Radames in Aida), French (Faust, Werther, Don José in Carmen, Samson in Samson et Dalila), and German (Lohengrin, Parsifal, and Siegmund in Die Walküre). He continues to add more operas to his repertoire, the latest was Handel's Tamerlano as "Bajazet" on March 26, 2008 at Teatro Real.
Year | # | Title | Composer | Role | Debut date | Opera house / Studio recording |
Location |
---|---|---|---|---|---|---|---|
1959 | 1 | Rigoletto | Verdi | Borsa | 23-09-1959 | Palacio de Bellas Artes | Mexico City |
2 | Dialogues of the Carmelites | Poulenc | Chaplain | 21-10-1959 | Palacio de Bellas Artes | Mexico City | |
1960 | 3 | The Merry Widow | Lehár | Danilo, Camille |
1960 | Palacio de Bellas Artes | Mexico City |
4 | Turandot | Puccini | Altoum | 11-09-1960 | Teatro de la Ciudad | Monterrey | |
5 | Turandot | Puccini | Pang | 01-10-1960 | Teatro de la Ciudad | Monterrey | |
6 | Lucia di Lammermoor | Donizetti | Normanno | 05-10-1960 | Teatro de la Ciudad | Monterrey | |
7 | La traviata | Verdi | Gastone | 08-10-1960 | Teatro de la Ciudad | Monterrey | |
8 | Carmen | Bizet | Remendado | 15-10-1960 | Teatro de la Ciudad | Monterrey | |
9 | Otello | Verdi | Cassio | 17-10-1960 | Teatro de la Ciudad | Monterrey | |
1961 | 10 | La traviata | Verdi | Alfredo | 19-05-1961 | Teatro de la Ciudad | Monterrey |
11 | El Ultimo sueno | Vázquez | Enrique | 28-05-1961 | Palacio de Bellas Artes | Mexico City | |
12 | Amelia goes to the ball | Menotti | Lover | 28-06-1961 | Palacio de Bellas Artes | Mexico City | |
13 | Fedora | Giordano | Désire, Baron Rouvel |
02-07-1961 | Palacio de Bellas Artes | Mexico City | |
14 | Boris Godunov | Mussorgsky | Simpleton, Shuisky |
08-08-1961 | Palacio de Bellas Artes | Mexico City | |
15 | Andrea Chénier | Giordano | Abbé, Incredibile |
15-08-1961 | Palacio de Bellas Artes | Mexico City | |
16 | Tosca | Puccini | Spoletta | 21-08-1961 | Palacio de Bellas Artes | Mexico City | |
17 | Madama Butterfly | Puccini | Goro | 15-09-1961 | Palacio de Bellas Artes | Mexico City | |
18 | Tosca | Puccini | Cavaradossi | 30-09-1961 | Palacio de Bellas Artes | Mexico City | |
1962 | 19 | La bohème | Puccini | Rodolfo | 04-03-1962 | Palacio de Bellas Artes | Mexico City |
20 | Così fan tutte | Mozart | Ferrando | 10-05-1962 | Palacio de Bellas Artes | Mexico City | |
21 | Adriana Lecouvreur | Cilea | Maurizio | 17-05-1962 | Palacio de Bellas Artes | Mexico City | |
22 | Trittico Francescano | Refice | 01-10-1962 | Teatro Degollado | Guadalajara | ||
23 | Madama Butterfly | Puccini | Pinkerton | 07-10-1962 | Teatro Isauro Martínez | Torreón | |
24 | Lucia di Lammermoor | Donizetti | Edgardo | 26-11-1962 | Fort Worth Opera | Fort Worth | |
1963 | 25 | Carmen | Bizet | Don José | 25-06-1963 | Israeli Opera House | Tel Aviv |
26 | Don Giovanni | Mozart | Don Ottavio | 21-09-1963 | Israeli Opera House | Tel Aviv | |
27 | Faust | Gounod | Faust | 03-12-1963 | Israeli Opera House | Tel Aviv | |
1964 | 28 | Les pêcheurs de perles | Bizet | Nadir | 21-01-1964 | Israeli Opera House | Tel Aviv |
29 | Eugene Onegin | Tchaikovsky | Lenski | 05-09-1964 | Israeli Opera House | Tel Aviv | |
1965 | 30 | Cavalleria rusticana | Mascagni | Turiddu | 21-01-1965 | Israeli Opera House | Tel Aviv |
31 | Samson and Delilah | Saint-Saëns | Samson | 30-07-1965 | Chautauqua Opera | Chautauqua | |
32 | Les contes d'Hoffmann | Offenbach | Hoffmann | 07-09-1965 | Palacio de Bellas Artes | Mexico City | |
1966 | 33 | La Mulata de Córdoba | Mancayo | Sandi, Moreno, Moncayo |
01-01-1966 | Gran Teatre del Liceu | Barcelona |
34 | Don Rodrigo | Ginastera | Don Rodrigo | 22-02-1966 | New York City Opera | New York | |
35 | Andrea Chénier | Giordano | Andrea Chénier | 03-03-1966 | New Orleans Opera | New Orleans | |
36 | Hippolyte et Aricie | Rameau | Hippolyte | 06-04-1966 | Boston Opera House | Boston | |
37 | Pagliacci | Leoncavallo | Canio | 09-08-1966 | Metropolitan Opera | New York | |
38 | The Barber of Seville | Rossini | Almaviva | 16-09-1966 | Teatro Degollado | Guadalajara | |
39 | Anna Bolena | Donizetti | Lord Percy | 15-11-1966 | Metropolitan Opera | New York | |
1967 | 40 | Il tabarro | Puccini | Luigi | 08-03-1967 | Metropolitan Opera | New York |
41 | Aida | Verdi | Radames | 11-05-1967 | Hamburg State Opera | Hamburg | |
42 | Don Carlo | Verdi | Don Carlo | 19-05-1967 | Vienna State Opera | Vienna | |
43 | Un ballo in maschera | Verdi | Riccardo | 31-05-1967 | Berlin State Opera | Berlin | |
1968 | 44 | Lohengrin | Wagner | Lohengrin | 14-01-1968 | Hamburg State Opera | Hamburg |
45 | Manon Lescaut | Puccini | Des Grieux | 15-02-1968 | Connecticut Opera | Hartford | |
46 | Il trovatore | Verdi | Manrico | 14-03-1968 | New Orleans Opera | New Orleans | |
1969 | 47 | Rigoletto | Verdi | Il Duca | 02-01-1969 | Hamburg State Opera | Hamburg |
48 | La forza del destino | Verdi | Don Alvaro | 18-01-1969 | Hamburg State Opera | Hamburg | |
49 | Manon | Massenet | Des Grieux | 20-02-1969 | Metropolitan Opera | New York | |
50 | Turandot | Puccini | Calaf | 16-07-1969 | Verona Arena | Verona | |
51 | Ernani | Verdi | Ernani | 07-12-1969 | Teatro alla Scala | Milan | |
1970 | 52 | Oberon | Weber | Hüon | 03-1970 | Bayerischer Rundfunk studio | Studio |
53 | La Gioconda | Ponchielli | Enzo | 14-05-1970 | Teatro Real | Madrid | |
54 | Roberto Devereux | Donizetti | Devereux | 15-10-1970 | Metropolitan Opera | New York | |
1971 | 55 | Der Rosenkavalier | R. Strauss | Italian singer | 03-1971 | Studio | |
56 | I Lombardi alla prima crociata | Verdi | Oronte | 07-1971 | Royal Philharmonic, London |
Studio | |
57 | Luisa Miller | Verdi | Rodolfo | 04-11-1971 | Metropolitan Opera | New York | |
1972 | 58 | Giovanna d'Arco | Verdi | Carlo VII | 08-1972 | Studio | |
59 | Los Claveles | Serrano | Fernando | 1972 | Studio | ||
60 | La dolorosa | Serrano | Rafael | 1972 | Studio | ||
1973 | 61 | Francesca da Rimini | Zandonai | Paolo | 22-03-1973 | Metropolitan Opera | New York |
62 | L'Africaine | Meyerbeer | Vasco da Gama | 03-11-1973 | War Memorial Opera House | San Francisco | |
1974 | 63 | I Vespri Siciliani | Verdi | Arrigo | 09-04-1974 | Palais Garnier | Paris |
64 | Mefistofele | Boito | Faust | 07-1974 | Studio | ||
65 | Roméo et Juliette | Gounod | Roméo | 28-09-1974 | Metropolitan Opera | New York | |
66 | La fanciulla del West | Puccini | Dick Johnson | 26-11-1974 | Teatro Regio di Torino | Turin | |
1975 | 67 | La Navarraise | Massenet | Araquil | 1975 | Studio | |
68 | Otello | Verdi | Otello | 28-09-1975 | Hamburg State Opera | Hamburg | |
1976 | 69 | Gianni Schicchi | Puccini | Rinuccio | 1976 | Studio | |
70 | Louise | Charpentier | Julien | 1976 | Studio | ||
71 | Macbeth | Verdi | Macduff | 1976 | Studio | ||
72 | Die Meistersinger von Nürnberg | Wagner | Walther von Stolzing | 03-1976 | Studio | ||
73 | Le Cid | Massenet | Don Rodrigue | 08-03-1976 | Metropolitan Opera | New York | |
74 | L'amore dei tre re | Montemezzi | Avito | 07-1976 | Studio | ||
1977 | 75 | L'elisir d'amore | Donizetti | Nemorino | 1977 | Studio | |
76 | Fedora | Giordano | Loris | 15-02-1977 | Gran Teatre del Liceu | Barcelona | |
77 | Werther | Massenet | Werther | 18-12-1977 | Bavarian State Opera | Munich | |
1978 | 78 | La damnation de Faust | Berlioz | Faust | 01-1978 | Studio | |
1979 | 79 | Le Villi | Puccini | Roberto | 06-1979 | Studio | |
80 | Requiem | Berlioz | Tenor part | 06-1979 | Studio | ||
81 | Béatrice et Bénédict | Berlioz | Bénédict | 07-1979 | Studio | ||
82 | Il Giuramento | Mercadante | Viscardo | 09-09-1979 | Vienna State Opera | Vienna | |
1980 | 83 | El Poeta | Torroba | José de Espronceda | 19-06-1980 | Teatro Real | Madrid |
1981 | 84 | Norma | Bellini | Pollione | 21-09-1981 | Metropolitan Opera | New York |
1982 | 85 | La rondine | Puccini | Ruggero | 1982 | Studio | |
86 | Nabucco | Verdi | Ismaele | 05-1982 | Studio | ||
87 | Les Troyens | Berlioz | Enée | 26-09-1983 | Metropolitan Opera | New York | |
1986 | 88 | Die Fledermaus | J. Strauss | Alfred | 04-1986 | Studio | |
89 | Goya | Menotti | Goya | 15-11-1986 | Washington National Opera | Washington | |
1988 | 90 | Iris | Mascagni | Osaka | 1988 | Studio | |
91 | Tannhäuser | Wagner | Tannhäuser | 04-1988 | Studio | ||
1989 | 92 | Die Frau ohne Schatten | R. Strauss | Der Kaiser | 03-1989 | Studio | |
1990 | 93 | Man of La Mancha | Leigh | Don Quixote | 06-1990 | Studio | |
1991 | 94 | The Flying Dutchman | Wagner | Erik | 02-1991 | Studio | |
95 | Parsifal | Wagner | Parsifal | 14-03-1991 | Metropolitan Opera | New York | |
1992 | 96 | The Barber of Seville | Rossini | Figaro | 02-1992 | Studio | |
97 | El Gato Montés | Penella | Rafaele Ruiz | 07-08-1992 | Seville Opera | Seville | |
98 | Die Walküre | Wagner | Siegmund | 19-12-1992 | Vienna State Opera | Vienna | |
1993 | 99 | Stiffelio | Verdi | Stiffelio | 21-10-1993 | Metropolitan Opera | New York |
1994 | 100 | Doña Francisquita | Vives | Fernando | 02-1994 | Studio | |
101 | La Verbena de la Paloma | Bretón | Julian | 04-1994 | Studio | ||
102 | Il Guarany | Gomes | Pery | 05-06-1994 | Bonn Opera House | Bonn | |
103 | Idomeneo | Mozart | Idomeneo | 01-10-1994 | Metropolitan Opera | New York | |
104 | Hérodiade | Massenet | Jean | 08-11-1994 | War Memorial Opera House | San Francisco | |
105 | Luisa Fernanda | Torroba | Javier | 1995 | Studio | ||
106 | Simon Boccanegra (1881 version) |
Verdi | Adorno | 19-01-199 | Metropolitan Opera | New York | |
1996 | 107 | La Tabernera del Puerto | Sorozábal | Leandro | 1996 | Studio | |
1997 | 108 | Simon Boccanegra (1857 version) |
Verdi | Adorno | 28-06-1997 | Royal Opera House | London |
109 | Divinas Palabras | Abril | Lucero | 18-10-1997 | Teatro Real | Madrid | |
1998 | 110 | Le prophète | Meyerbeer | Jean van der Leyden | 21-05-1998 | Vienna State Opera | Vienna |
111 | Faust Symphony | Liszt | Tenor part | 06-1998 | Studio | ||
112 | La Dolores | Bretón | Lázaro | 07-1998 | Studio | ||
1999 | 113 | Das Lied von der Erde | Mahler | Tenor part | 02-1999 | Studio | |
114 | Misa Tango | Bacalov | Tenor part | 02-1999 | Studio | ||
115 | The Queen of Spades | Tchaikovsky | Hermann | 18-03-1999 | Metropolitan Opera | New York | |
116 | Fidelio | Beethoven | Florestan | 06-1999 | Studio | ||
117 | Merlin | Albéniz | King Arthur | 07-1999 | Orquesta Nacional de España, Madrid |
Studio | |
118 | Margarita la tornera | Chapí | Don Juan de Alarcón | 11-12-1999 | Teatro Real | Madrid | |
2000 | 119 | La Gran Via | Chueca | Caballero de Gracía | 01-2000 | Studio | |
120 | The Merry Widow | Lehár | Danilo | 17-02-2000 | Metropolitan Opera | New York | |
121 | La battaglia di Legnano | Verdi | Arrigo | 30-06-2000 | Royal Opera House | London | |
2001 | 122 | La Revoltosa | Chapí | Felipe | 01-2001 | Studio | |
2002 | 123 | Sly | Wolf-Ferrari | Christopher Sly | 01-04-2002 | Metropolitan Opera | New York |
2003 | 124 | Luisa Fernanda | Torroba | Vidal Hernando | 18-06-2003 | Teatro alla Scala | Milan |
125 | Nicholas and Alexandra | Drattell | Rasputin | 14-09-2003 | Los Angeles Opera | Los Angeles | |
2004 | 126 | Tristan und Isolde | Wagner | Tristan | 12-2004 | EMI Abbey Road Studio 1, London |
Studio |
2005 | 127 | Cyrano de Bergerac | Alfano | Cyrano | 13-05-2005 | Metropolitan Opera | New York |
2006 | 128 | The First Emperor | Tan | Emperor Qin | 21-12-2006 | Metropolitan Opera | New York |
2007 | 129 | Iphigénie en Tauride | Gluck | Oreste | 27-11-2007 | Metropolitan Opera | New York |
2008 | 130 | Tamerlano | Handel | Bajazet | 26-03-2008 | Teatro Real | Madrid |
[edit] Awards and honors
Domingo has received numerous awards[16] and honors,[17] including:
[edit] Grammy Award
- 1971 - Principal Soloist for Best Opera Recording for Verdi: Aida
- 1974 - Principal Soloist for Best Opera Recording for G. Puccini: La bohème
- 1983 - Principal Soloist for Best Opera Recording for Verdi: La Traviata
- 1984 - Principal Soloist for Best Opera Recording for Bizet: Carmen
- 1984 - Best Latin Pop Performance for Always in my Heart (Siempre en mi corazon)
- 1988 - Principal Soloist for Best Opera Recording for Wagner: Lohengrin
- 1990 - Best Classical Vocal Performance for Carreras-Domingo-Pavarotti in Concert
- 1992 - Principal Soloist for Best Opera Recording for Strauss: Die Frau ohne Schatten
- 2000 - Best Mexican-American Performance for 100 years of Mariachi
[edit] Latin Grammy Award
- 2000 - Best Classical Album for T. Breton: La Dolores
- 2001 - Best Classical Album for I. Albéniz: Merlin
[edit] Government and organization honors
France
- Ordre National de la Légion d’Honneur
- Chevalier de la Légion d’Honneur
- Commandeur Arts et Lettres
- Grande Medaille de la Ville de Paris
- Commandeur de la Légion d’Honneur – March 2002
Spain
- Isabel la Católica
- Premio Prinicipe de Asturias de las Artes - 1991
- Gran Cruz de la Orden del Mérito Civil – September 2002
USA
- Kennedy Center Honors – December 2000
- The presidential Medal of Freedom – July 2002
Austria
- Österreichisches Ehrenkreuz für Wissenschaft und Kunst 1. Klasse
- Kammersänger und Ehrenmitglied der Wiener Staatsoper
- Goldenes Ehrenzeichen für Verdienste um das Land Wien – 2007
Other countries
- Orden del Aguila Azteca, for helping the people of Mexico City about the 1985 earthquake(Mexico)
- Capo dell’Ordine "Al Merito della Repubblica Italiana" Grande Ufficiale (Italy)
- Grã Cruz da Ordem do Infante d’Henrique (Portugal)
- Cavalliere di Malta (Malta)
- Honorary Knight Commander of the Order of the British Empire (KBE) (Great Britain) – October 2002
- Order of the Cedars (Lebanon) - 2004
NPO
- Unicef Socio de Honor (UNICEF)
[edit] Honorary Doctorate
- Royal Northern College of Music, England (1982)
- Philadelphia College of Performing Arts, USA (1982)
- Oklahoma City University, USA (1984)
- Universidad Complutense de Madrid, Spain (1989)
- New York University, USA (1990)
- Georgetown University, USA (1992)
- Washington College of Chestertown, USA (2000)
- Anáhuac University, Mexico (2001)
- Chopin Music Academy, Poland (2003)
- Oxford University, England (2003)
[edit] Other entertainment awards and appreciation
- A star on the Hollywood Walk of Fame – 1993 (Location: Domingo, Placido LT 7000 Hollywood Blvd)[18]
- Sociedad General de Autores Española (Best Lyric Singer of the Year 1997) for his role in the world premiere of "Divinas Palabras" - 1997
- Association of Argentinian Music Critics (Best Male Singer in 1997) for “Samson and Dalila" - 1997
- Baltika Grand Prix for Outstanding Achievement - June 1998
- American Latina Media Arts (ALMA) Awards (Outstanding Performances By An Individual or Act in A Variety) - 1998
- Hispanic Heritage Award for Arts - September 1999
- Great Prize of the International Music Press - September 2000
- The Ella Award - 2002
- Classical BRIT Awards - 2006 (Critics' Award for Tristan and Isolde and Lifetime Achievement Award)[19][20]
- Domingo was named "The King of singers" in BBC Music Magazine for April 2008 issue. He was voted as the greatest tenor in history by 16 renowned opera critics in a quest to find the world top 20 operatic tenors. The headline of the page stated "The king of the singers – The critics number 1 choice. Domingo is that rarest vocal phenomena, a tenor who uses his voice in the service of re-creating great art, and not as a thrilling end in itself." [21] [22][23][24]
[edit] Humanitarian works and initiatives
- On March 4, 2006, Domingo sang at the Gala Benefit Concert, "A Night For New Orleans" at the New Orleans Arena to help rebuilding the city after it was hit by Hurricane Katrina. At the gala, he made a statement, "If music be the food of love", is "MUSIC IS THE VOICE OF HOPE!" [25] [26]. On March 23, 2008, the New Orleans City Council named the city theatre's stage in the Mahalia Jackson Theatre in Louis Armstrong Park, the "Plácido Domingo stage" as the honour for his contribution at the Gala Benefits Concert. The Gala collected $700,000 for the city recovery fund. [27].
- In 1986, he performed at benefit concerts to raise funds for the victims of 1985 Mexico City earthquake and released an album of one of the events. Operation USA handled distribution of aid from the event. On August 21, 2007, as recognition to his support to 1985 Mexico City earthquake victims as well as his artistic works, a statue in his honor, made in Mexico City from keys donated by the people, was unveiled. The statue is the work of Alejandra Zúñiga, is two meters tall, weighs about 300 kg (660 lbs) and is part of the "Grandes valores" (Great values) program.[28][29][30]
- Domingo supports the Hear the World initiative as an ambassador to raise awareness for the topic of hearing and hearing loss.[31]
- In 1993 he founded Operalia, an international opera competition for talented young singers. The winners get the opportunities of being employed in opera ensembles around the world.[32] Domingo has been instrumental in giving many young artists encouragement, (and special attention) as in 2001, when he invited New York tenor, Daniel Rodriguez to attend the Vilar/Domingo Young Artists program to further develop his operatic skills.
- On December 21, 2003, Domingo made a performance in Cancún to benefit the Ciudad de la Alegria Foundation, the foundation that provides assistance and lodging to people in need, including low-income individuals, orphans, expectant mothers, immigrants, rehabilitated legal offenders, and the terminally ill.[33]
- On June 27, 2007, Domingo and Katherine Jenkins performed in a charity concert in Athens to raise funds to aid the conflict in Darfur. The concert was organized by Medecins Sans Frontieres/Doctors Without Borders.[34]
- In October 2, 2007, Domingo joins several other preeminent figures in entertainment, government, the environment and more, as the one of receivers of the BMW Hydrogen 7, designed in the mission to build support of hydrogen as a viable substitute to fossil fuels.[35]
[edit] See also
- List of recordings by Plácido Domingo
- The Three Tenors
- Christmas in Vienna
- Christmas in Vienna II
- Christmas in Vienna III
- Christmas in Vienna VI
- Domingo sings and conducts Tchaikovsky
- Grammy Award for Best Opera Recording
- Category:Plácido Domingo albums
[edit] References
- ^ Encyclopedia Britannica, Encyclopedia of World Biography, Thomson Gale, 2006, The Concise Grove Dictionary of Music, Oxford University Press, 1994, Warrack, J. and West, E. The Oxford Dictionary of Opera, OUP, 1992 all give the year of birth as 1941.
- ^ Tim Smith, Placido Domingo takes on new challenge, Baltimore Sun, April 29, 2008. Retrieved 26 May 2008.
- ^ More repertoire than any tenor from SonyClassical
- ^ More repertoire than any tenor from dc-opera.org
- ^ Birth place
- ^ American Masters . Placido Domingo | PBS
- ^ Metropolitan Opera International Radio Broadcast Information Center - 2007-08 Broadcasts
- ^ Kennedy Center: Biographical information for Placido Domingo
- ^ Placido Domingo Ferrer, Baritone, 80 - New York Times
- ^ Pepita Embil Domingo; Soprano and Tenor's Mother, 76 - New York Times
- ^ Domingo biography at bookrags.com
- ^ His son José from first marriage
- ^ His two sons with Marta Ornelas
- ^ Emmy award 1993
- ^ Repertoire list
- ^ Grammy awards
- ^ Special Honours
- ^ Domingo's hall of fame location
- ^ BRIT award 2006
- ^ Domingo dominates Classical Brits from BBC news
- ^ BBC Music Magazine, April 2008 issue, pg 32-34
- ^ http://www.bbc.co.uk/pressoffice/bbcworldwide/worldwidestories/pressreleases/2008/03_march/music_magazine_domingo.shtml Review from BBC Press Office
- ^ http://www.bbcmagazinesbristol.com/newsread.asp?id=40904 Review from BBCMagazine website
- ^ http://www.bbcmusicmagazine.com/viewIssue.asp?id=964 BBC Music Cover page for April 2008 issue
- ^ "If music be the food of love", is "MUSIC IS THE VOICE OF HOPE!"
- ^ A Night For New Orleans
- ^ New Orleans theatre named for opera singer Placido Domingo
- ^ Statue report by Elpais.com
- ^ Statue unveiled from Plácido Domingo website
- ^ Placido Domingo performs to benefit OPUSA
- ^ Hear the world website
- ^ Domingo Operalia website
- ^ Performance in Cancún to benefit the Ciudad de la Alegria Foundation
- ^ Charity concert in Athens to raise funds to aid the conflict in Darfur
- ^ Received BMW Hydrogen 7
[edit] External links
- Official website
- Plácido Domingo International Operalia Opera Singer Contest
- World Tour Homepage
- Discography on EMI Classics website
- Discography on DG Classics website
- Interview with Domingo from The Guardian, 10 July 2005
- Biography at the Kennedy Center
- Plácido Domingo's video of concerts and Opera from YouTube.com
- Guardian article detailing his switch to baritone.