Pietro Canonica
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Pietro Canonica (March 1, 1869 – June 8, 1959) was an Italian sculptor of international repute, painter, opera composer, professor of arts and senator for life.
He was born in Moncalieri, a town in the Province of Turin, northern Italy. His long and prestigious artistic career started at an early age when he became an assistant to Luca Gerosa at age of only ten. One year later, he was admitted to the Accademia Albertina di Belle Arti di Torino, where he was instructed by Enrico Gamba and Odoardo Tabacchi in making sculpture.
He initially adhered to the traditions of Naturalism, with Romantic and Renaissance influences, turned but later to Realism, without making concessions to the more avant-garde artistic tendencies of the 20th century. After World War II, Pietro Canonica devoted himself to more religious artworks.
He gained big success in the official environment of Turin for his civic and religious monuments. Following the formative period in Turin, he moved in 1922 to Rome, and participated in important national and international exhibitions in Milan, Rome, Venice (Italy), Paris (France), London (England), Berlin, Dresden (Germany), Monaco, Brussels (Belgium) and St. Petersburg (Russia), and received official recognition. Commissioned by Italian and foreign aristocracy in European courts, Pietro Canonica created portraits and commemorative works with passion. The master of equestrian sculpture also produced medallic art.
He was professor of sculpture at the Accademia di Belle Arti di Venezia (1910) and later at the Accademia di Belle Arti di Roma. He was elected Accademico d’Italia (1929) and a member of the Accademia Nazionale di San Luca (1930).
In 1937, he managed to obtain the concession to renovate Villa Borghese, a 16th century building owned by the City of Rome and used as administrative offices until it was abandoned in 1919 following a fire. In exchange of the promise to donate his artworks to the city, he was allowed to use the historical building as home and studio, which he repaired and decorated at his own expense. The unusual architectural construction within the Villa Borghese gardens, called also "La Fortezzuola", is a museum since 1961 dedicated to his name, exhibiting studies, models, sketches, casts and original works of the artist. His wife donated the valuable furnishings and paintings found in their private section after her death in 1987.
Pietro Canonica was also an accomplished musician and composed the operas La Sposa del Corinto (1918), Miranda (1937), Enrico di Mirval, Impressioni, Sacra Terra and Medea (1959).
In 1950, Italian President Luigi Einaudi nominated him life senator for his outstanding artistic achievements. Pietro Canonica died on June 8, 1959 in Rome.
[edit] Selected artwork
- Monument of an Artilleryman and a Cavalry soldier, Turin
- Bust of King Edward VII of England in Buckingham Palace, London, England (marble, 1903)
- Bust of Donna Franca Florio (marble, 1903-1904)
- Bust of princess Emily Doria-Pamphili in Galleria Nazionale d'Arte Moderna, Rome (marble, 1904)
- Model for the monument to Tsar Alexander II of Russia on horseback in Petrodvorets, St. Petersburg, Russia (plaster, 1912-1914)
- Monument to Atatürk on horseback in front of the Ankara Ethnography Museum, Ankara, Turkey (1927)
- Monument to Atatürk at Victory Square, Ankara, Turkey (bronze and marble, 1927)
- Monument to Atatürk on horseback, İzmir, Turkey (bronze and marble, 1927)
- Monument of the Republic (Cumhuriyet Anıtı) in Taksim Square, Istanbul, Turkey (bronze and marble, 1928)
- Monument to Benedict XV in St. Peter's Basilica, Vatican (bronze and marble, 1928)
- Monument to Atatürk on horseback, Samsun, Turkey (bronze and marble, 1931)
- Monument to Khedive Ismail, Alexandria, Egypt (1935)
- Tomb of Vittorio Emanuele Orlando, Rome (1935)
- Monument to Pius XI in the Lateran Palace, Rome (marble, 1941–1949)
- Monument to King Faysal I of Iraq on horseback, Baghdad, Iraq
- Monument to Simón Bolívar, Bogotá, Colombia
- Doors for the abbeys of Monte Cassino (1951) and Casamari (1959) near Rome.
