Pierre-Georges Jeanniot

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Pierre-Georges Jeanniot (1848 – 1934) was a French painter, designer, watercolorist, and engraver who was born in Geneva, Switzerland, and died in France.

Contents 1 Biography 2 List of honours 3 Selected works 4 Publications 5 References

[edit] Biography

The artistic education of Pierre-Georges Jeanniot began with his father, Pierre-Alexandre Jeanniot (1826-1892), a long time director of l'École des Beaux-Arts of Dijon, France. Nevertheless, Pierre-Georges Jeanniot started out pursuing a military career, as an infantry officer (1866-1881), but he never ceased drawing. He was known for the first time in 1872 at the art exhibition Salon de Paris, where he presented a watercolor painting called Intérieur de forêt. The next year he presented the painting Le Vernan à Nass-sous-Sainte-Anne. From then on he was a regular contributor to the Salon de Paris, where he presented new works with views of Toulouse, Paris, Troyes, the edges of the Seine, and some portraits.

In 1881, after the army offered him the rank of commandant, he resigned to devote himself exclusively to painting. He took up residence in Paris. His works from this period represent mainly scenes of military life that allowed him to forge a reputation. Jeanniot established himself permanently in 1882 and obtained his first award the following year (medal third class of the Salon de Paris) with his les Flanqueurs (1883, Musée du Luxembourg). In 1886, La ligne de feu, souvenirs de la bataille de Rezonville, remembering the Battle of Mars-La-Tour (Museum of Pau), assured his notoriety.

From then on, he started to show a certain artistic independence. He then mostly portrayed Parisian women during the "Belle Epoque", women in bathing suits on the beaches (a new phenomenon in those times) or scenes on the race course. These paintings give us a vivid sociological portrayal of his times. But as soon as the Société Nationale des Beaux-Arts was founded in 1899, he rallied to their new painting trend.

In Paris, he secured himself friendships and memories of Edouard Manet, Pierre Puvis of Chavannes, Jean-Louis Carnival, Paul Helleu, and especially with Edgar Degas, whom he revered as a master. He spent much time with Edgar Degas in his family home in Diénay (Côte-d'Or).

He was gifted with many talents and also excelled with his drawings. He showed in his drawings his passion and his artistic strength. They are vivacious, expressive and enthusiastic, while at the same time, rendering with a sense of humour the picturesque scenes of daily life. During the next decades he illustrated a large number of literary books, among them Le Voyage à Saint-Cloud, Germinie Lacerteux (1886), Contes choisis" (Guy de Maupassant, 1886), Tartarin de Tarascon(Daudet, 1887), "Les Liaisons dangereuses" (Pierre Choderlos de Laclos, 1917). He was also one of the illustrators of Les Misérables (Victor Hugo, 1887), La Débâcle et La Curée (Emile Zola, 1893-1894), Le Calvaire (Octave Mirbeau, 1901), Le Misanthrope (Molière, 1907), Les Paysans (Honoré de Balzac, 1911), and Candide (Voltaire) and many more.

He was one of the first collaborators (together with Théodore de Banville, Alphonse Daudet and Joseph de Nittis) of the review La Vie Moderne and also contributed to the review La Lutte Moderne. In a later stage he became the director of Le Journal Amusant, while also offering contributions to Rire and L'Écho de Paris.

As an engraver, he also sketches ironic scenes from the daily life depicting in lively traits the snobs of Paris. His talents suggest a resemblance to the works of Toulouse-Lautrec ou Mary Cassatt. At the same time he also used the woodcut printing technique allowing vivid contrasts between dark and bright parts of the image.

His works can be found in many museums, though most are situated in France (Alais, Nancy, Paris, Carnavalet, Pau, Toul and Toulouse), but some in other countries (Oslo, New York, Buenos Aires).

[edit] List of honours

• 1882 :Honourable mention, Salon de paris
• 1884 : Third-class medal, Salon de Paris
• 1889, 1900 : Silver medal, Salon de Paris
• 1906 : Chevalier in the Légion d'honneur

[edit] Selected works

• Partie de Polo, 1920 (oil on canvass) (sold in 1997 for 40,000 F. fr.)
• Le Vaguemestre, lithograph, 1915
• Paysage de la campagne et du village de Villecomte, oil on canvass, 1909
• Femme au rive de la rivière, 1908 (oil on canvass) (sold in 1993 for 6,325 $)
• Après le bain, etching 1908
• La lecture, 1906 (oil on paper remounted on panel) (sold in 1990 for 6,800 F.fr.)
• Le Dîner à l'Hotel Ritz, aquarelle, ?
• L'introduction, aquarelle, 1902
• Femme assise dans un parloir, oil on canvas, 1905 (sold in 1995)
• Au tailleur, 1901 (oil on canvass) (sold in 1987 for 8,000 $)
• Le Buveur d'Absinthe, etching and pencil, 1900
• La Place de la Concorde vue du Jardin des Tuileries, oil on panel, 1900
• Spectateurs au Polo, etching 1900
• Scène de café (1892) (sold in 1985 for 2,800 £)
• Nuit sur la Seine, oil on canvass, 1892
• Barques en Automne, pastel on paper, 1891
• Portrait d'Edgar Degas, 1891 (etching) (sold in 1994 for 3,500 F. fr.°
• Place de la Concorde enneigée 1888 (watercolour heightened with gouache) (sold in 1983 for 500 £)
• Partie de Polo, oil on canvas, 1887 (sold in 1977 for 5,000 F.fr. and in 1995 for 100,000 F. fr.))
• Germaine Larceteux,book illustration, 1886
• Prise d'armes, Place des Invalides, 1883 (sold in 1942 for 2,000 F. fr)
• Les Flanqueurs, aquarelle, 1882, Musée du Luxembourg
• La Ligne de Feu, oil on canvass, 1870
• La charge des cuirassiers à Waterloo (drawing) (sold in 1895 for 60 French francs)
• Vieux paysan limousin (sold in 1920 for 400 F. fr.)
• Chez la modiste (sold in 1925 for 190 F. fr.)
• L'arrivée du mailcoach au château, aquarelle (sold in 1929 for 900 F. fr.)
• L'Arlequin, charcoal and wash drawing (sold in 1941 for 1,300 F. fr.)
• La partie de billard (sold in 1943 for 4,700 F. fr.)
• Portrait d'homme (sold in 1945 for 1,700 F. fr.)
• Jeune femme, drawing (sold in 1946 for 2,500 F; fr.)
• Femme dans un intérieur, aquarelle (sold in 1948 for 9,000 F. fr.)
• Galopeurs sur le champs des courses, oil on panel, (sold in 1995 for 35,000 F. fr.))
• Elégantes au jardin (wash, charcoal and gouache) (sold in 1997 for 1,000 F. fr.)
• En fiacre (charcoal and wash) (sold in 1997 for 1,350 F. fr.)
• Elegante conversation (wash, gouache and watercolour) (sold in 1997 for 1,600 F. fr.)
• Trois élégantes dans une chairière (wash, watercolour, gouache, charcoal and pencil) (sold in 1997 for 1,800 F. fr.)
• Paris (oil on canvass) (sold in 1997 for 2,000 F. fr.)

[edit] Publications

• Le Rire, la morale avant tout, Éditions Tonnelle, 1899

[edit] References

• Bénézit - Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs; Libraire Gründ, Paris, 1976 ISBN 2700001540
• Osterwalder M., in : Dictionnaire des illustrateurs 1800-1914, Editions Ides et Calendes, Neuchâtel, 1989 ISBN 2825800309
• Robinchon François - L'Armée française vue par les peintres, 1870-1914; Herscher, Paris; ministère de la Défense, Paris, 2000